1,759,409 research outputs found
[Chaconne de "L'union de l'amour et des arts" ; Sonates op. 10, n° 1 et 4 / Jean-Frédéric Edelmann]
No full textTitre uniforme : Floquet, Étienne Joseph (1748-1785). Compositeur. [L'union de l'Amour et des arts. 2e entrée, 1er divertissement. Chaconne. Mi majeur]Titre uniforme : Edelmann, Jean-Frédéric (1749-1794). Compositeur. [Sonates. Violon, clavecin. Op. 10, no 4. Mi majeur]Titre uniforme : Edelmann, Jean-Frédéric (1749-1794). Compositeur. [Sonates. Violon, clavecin. Op. 10, no 1. Fa mineur]Comprend : Chaconne de l'union de l'amour et des arts par M.r Edelman ; Sonate 4.eme d'edelmann d'un mouvement modéréPartie de clavecin uniquementPrésentation musicale : [Partie]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssClavecin, Musique de -- +* 1700......- 1799......+:18e siècle:Sonates (violon et clavecin) -- +* 1700......- 1799......+:18e siècle:Airs d'opéra -- +* 1700......- 1799......+:18e siècle
Ioann. Georg. Gmelin ... Sermo academicus de novorum vegetabilium post creationem divinam exortu : d. 22 Aug. 1749 publice recitatus : adduntur programma ad panegyrin hanc invitans et propter materiae nexum D. Rud. Jac. Camerarii ... ad D. Mich. Bern. Valentini ... De sexu plantarum epistola
No full text[1749
Originale // di // Domenico Cimarosa // nato nel 1749 morte nel 1801 (manuscrit autographe)
No full textTitre uniforme : Cimarosa, Domenico (1749-1801). Compositeur. [Son qual per mare ignoto]. FragmentTitre propre pris à la couv.. - Autres mentions à la couv. : "N. B. L'unito ms. appartiene all'Aria // Son qual per mare ignoto" et "Attesto io Sott.o l'originalità // del quì unito autografo del // cel. M.o Cimarosa tanto // nelle note che nelle parole // Livorno 19. Marzo 1858 // M. Masseangeli". - Fragment d'une oeuvre non identifiée. - Voix : (Ut 1). - bPrésentation musicale : [Partition]Incipit : Caro bell'idol mioAppartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssAirs d'opéra -- +* 1700......- 1799......+:18e siècle
1749 - 1775
No full text1749 - 1775
Goethes Leben von Tag zu Tag (-)
1749 - 1775 (Band 1) (3)
Cover ( - )
Titelseite (3)
Vorwort (5)
Abkürzungen der häufig zitierten Quellen (9)
Hinweise zur Benutzung (11)
Bedeutung der verwendeten Zeichen (12)
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Richardson, Barbauld, and the construction of an early modern fan club
No full textMPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The parsec-scale jet of PKS 1749+096
No full textContext. PKS 1749+096 is a BL Lac object showing weak extended jet emission to the northeast of the compact VLBI core on parsec scales
Motets // a une, deux, et trois voix // et simphonie // Par Mr. Clérambaut // Livre Premier
No full textTitre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Motets. Livre 1. C 99-117]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Gloria in excelsis Deo. C 99]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Regina caeli. C 100]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Gloriosus confessor Domini. C 101]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Charitate vulneratus. C 102]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Factum est silentium. C 103]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Sub tuum praesidium. Voix, dessus instrumental, basse continue. C 104]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Gaude felix parens. C 105]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [O salutaris hostia. C 106]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Hic est discipulus. C 107]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Sacerdos Dei Augustine. C 108]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [O deliciis affluens. C 109]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Cantemus Domino. C 110]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Hodie Maria virgo. C 111]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Exultet omnium. C 112]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Altisoni celebrate chori. C 113]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Salve Regina. C 114]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Laudate mulierem fortem. C 115]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [Miserere mei Deus secundum. C 116]Titre uniforme : Clérambault, Nicolas (1676-1749). Compositeur. [De profundis clamavi. C 117]Contient 17 motets et 2 psaumes : "Gloria in excelsis Deo" ; "Regina caeli" ; "Gloriosus confessor Domini" ; "Charitate vulneratus" ; "Factum est silentium" ; "Sub tuum praesidium" ; "Gaude felix parens" ; "O salutaris hostia" ; "Hic est discipulus" ; "Sacerdos Dei Augustine" ; "O deliciis affluens" ; "Cantemus Domino" ; "Hodie Maria Virgo" ; "Salve regina" ; "Laudate mulierem fortem" ; "Miserere mei Deus secundum" ; "De profundis clamavi". - Daté d'après Cessac. - Contenu identique à celui du ms. F-Pn / X. 35. - Rel. en veau marbré, dos à nerfsPrésentation musicale : [Partition]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssPsaumes (musique) -- +* 1700......- 1799......+:18e siècle:Psaumes (musique) -- +* 1700......- 1799......+:18e siècle:Motets -- +* 1700......- 1799......+:18e siècle
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