1,752,915 research outputs found
FACULTY RECITAL CSABA ERDELYI, Viola Wednesday, November 18, 1992 8:00 p.m. Lillian H. Duncan Recital Hall
No full textProgram: Suite in G major, BVW 1007 / Johann Sebastian Bach (1685-1750) -- Suite in D minor, BWV 1008 / Johann Sebastian Bach (1685-1750) -- Suite in C major, BWV 1009 / Johann Sebastian Bach (1685-1750)
The military effectiveness of the West Country militia at the time of the Monmouth rebellion
Full text linkThis thesis considers the military effectiveness of the late seventeenth century militia, focusing upon those county forces which took part in the Monmouth Rebellion campaign of 1685. If the militia were effective then there should be evidence of it fulfilling a set of specified criteria for effectiveness. After examining the militia's historical purpose and context, as well as its relationship with society, these criteria were defined and then used to test evidence assembled from primary sources. Documents containing information and comments upon the nature, operation and performance of the militia were consulted, including records of contemporary official and personal material held both by local and national record offices. The results showed the militia to have been militarily effective, thus lending support to the hypothesis that they were more effective than hitherto supposed. Further research was conducted using information gathered from personal accounts, private papers, letters, financial records, diaries and memoirs held in record offices, libraries and muniment rooms. These also supported the view that the militia was actually an efficient military organisation, according to the period expectations and demands made of it. The sheer number of references discovered, together with the nature and status of their authors, suggests that modern works have presented an inaccurate view of the militia and its qualities. In the light of this new evidence, it was concluded that the late seventeenth century militia were effective in contemporary terms, and recommends that current literature be revised
ERIK BEHR Oboe DOCTORAL RECITAL Tuesday, March 22, 2005 8:00 p.m. Lillian H. Duncan Recital Hall
No full textPlaylist: Cantata No.12 "Weinen, Klagen, Sorgen, Sagen" BWV12 / Johann Sebastian Bach (1685-1750) -- Cantata No.82 "Ich habe genung" BWV 82 / Johann Sebastian Bach (1685-1750) -- Cantata No.21 "Ich hatte viel Bekummernis" BWV21 / Johann Sebastian Bach (1685-1750) -- Cantata No.84 "Ich bin vergnugt mit meinen Glucke" BWV 84 / Johann Sebastian Bach (1685-1750).This recital is given in partial fulfillment of the requirements for Doctor of Musical Arts degree
EARECKA TREGENZA Harp MASTER'S RECITAL Tuesday, April 25, 2006 12:30 p.m. Lillian H. Duncan Recital Hall
No full textProgram: Etude, No.6 Op.45 / Johann Sebastian Bach (1685-1750) -- Concerto in B-flat Major / George Frideric Handel (1685-1759) -- Fantasie pour violikn et Harpe, Op.124 / Camille Saint-Saëns (1835-1921) -- Sonate / Paul Hindemith (1895-1963).This recital is given in partial fulfillment of the requirements for Master of Music degree
Bibliographie : Octavia römische Geschichte, [vol. 1] (Nürnberg: J. Hoffmann, 1677)
No full textZur "Römischen Octavia" sind in der Herzog August Bibliothek (23:) und im Staatsarchiv (SA) Wolfenbüttel umfangreiche Vorarbeiten, Manuskripte und Diktatniederschriften erhalten, was für einen Roman des 17. und frühen 18. Jahrhunderts eine absolute Seltenheit darstellt. Über die gedruckten Bände hinaus existieren auch noch große Teile der Diktatniederschriften für einen abschließenden achten Band des Romans. Am verlässlichsten informiert hierüber die Einleitung zur Historisch-kritischen Ausgabe in HKA I, pp. XIX-LIX. Zur umfangreichen erhaltenen Korrespondenz Anton Ulrichs vgl. Mazingue (1978), pp. 887-900. Der Roman erschien in zwei Fassungen - Fassung A, verlegt in Nürnberg, und Fassung B, verlegt in Braunschweig und Wien, weichen im Text voneinander ab. A war zuerst auf vier Bände konzipiert, ist dann aber auf sechs Bände erweitert worden. Diese sechs Bände wurden 1711 zu einer Werkausgabe gruppiert. Fassung B war zuerst ebenfalls auf sechs, später auf acht Bände konzipiert, von ihr erschienen sechs Bände in Braunschweig zwischen 1712 und 1714 und ein siebter in Wien 1762. Von den Ausgaben A.3.a, A.1.b, A.2.b sind Druckvarianten überliefert, die jeweils nach den Nachdrucken der ersten drei Bände (1685-1702) und vor 1711 entstanden sind. Die ersten drei Bände der Ausgabe von 1711 bieten zum weit überwiegenden Teil Material dieser Druckvarianten
Recommended from our members
[Review] Matthew Birchwood (2007) Staging Islam in England: drama and culture, 1640-1685
No full textMatthew Birchwood. Staging Islam in England: Drama and Culture, 1640–1685. Pp. viii + 200. Boydell & Brewer Studies in Renaissance Literature 21. Cambridge: D.S. Brewer, 200
[Review] Matthew Birchwood (2007) Staging Islam in England: drama and culture, 1640-1685
No full textMatthew Birchwood. Staging Islam in England: Drama and Culture, 1640–1685. Pp. viii + 200. Boydell & Brewer Studies in Renaissance Literature 21. Cambridge: D.S. Brewer, 200
An Evening of Baroque Music, April 15, 1983
No full textPROGRAM: Lascia ch'io pianga, George Frideric Handel (1685-1759) -- Il mio bel foco, Benedetto Marcello (1686-1739) -- Esurientes from Magnificat, Antonio Vivaldi (1678-1741) -- Erfüllet, ihr himmlischen göttlichen Flammen, Johann Sebastian Bach (1685-1750) -- Genügsamkeit ist ein Schatz in diesem Leben, Johann Sebastian Bach (1685-1750) -- Sich Üben im lieben, Johann Sebastian Bach (1685-1750) -- Qui sedes ad dexteram Patris, Johann Sebastian Bach (1685-1750) -- Agnus Dei from Mass in B minor, Johann Sebastian Bach (1685-1750) -- Et Exultavit from Magnificat, Johann Sebastian Bach (1685-1750).No printed program is available for this item. Program information was transcribed from the cassette label
FACULTY RECITAL SERGIU LUCA, violin LYNN HARRELL, cello Friday, February 20, 2004 8:00 p.m. Lillian H. Duncan Recital Hall
No full textProgram: Suite No. 6 in D Major for Solo Violoncello, BWV 1012 / Johann Sebastian Bach (1685-1750) -- Partita in D Minor for Solo Violin, BWV 1004 / Johann Sebastian Bach (1685-1750) -- Duo for Violin and Cello, Op. 7 / Zoltan Kodaly (1882-1967)
Fragments d'oratorios pour grand orgue ou harmonium par Amédée Reuchsel,.... 2eme suite. Air de la Passion selon St Mathieu
No full textTitre uniforme : Händel, Georg Friedrich (1685-1759). Compositeur. [Messiah. HWV 56]Comprend : Solo de Haut bois ; Fugue chorale du Messie ; Haende
- …
