1,750,690 research outputs found
Collection des livrets des anciennes expositions depuis 1673 jusqu'en 1800.
No full textTitles, publishers, editors and places of exhibition vary.This set consists of official volumes of the salons beginning in 1673, issued first by the Académie royale de peinture et de sculpture. From 1791-1880 various museums and cultural organizations within France were the issuing bodies. From 1881- , the issuing body was the Société des artistes français.Photoreproduction.Mode of access: Internet
Salvator Rosa (1615-1673) "pittore famoso"
No full textLa monografia analizza la pittura di Salvator Rosa (1615-1673) alla luce della cultura del suo tempo e della sua biografia, con un'indagine approfondita del contesto pittorico e letterario in cui l'artista operò ed un'analisi dell'evoluzione stilistica e pittorica alla quale la sua originalissima personalità andò incontro via via, nel corso delle sue esperienze artistiche ed intellettuali.The monograph analyzes the painting of Salvator Rosa (1615-1673), an essay of the culture of his time and of his biography , with an investigation of the pictorial and literary context in which the artist worked. The study is an analysis of the stylistic evolution to which his original personality went to meet gradually, in the course of his artistic and intellectual experiences
Gran Bretaña. Mapas generales. 1648?
Full text linkTit. tomado del mapaIncluye: escudo de armas real y diez armas familiares, incluidos dos escudos en blanc
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
РУССКО-КАЛМЫЦКИЕ ПЕРЕГОВОРЫ И ШЕРТЬ 1673 г.
Full text linkThe article is devoted to one of the important chapters in the history of Kalmyk-Russian relations in the XVIIth century. The conclusion of the shert in 1673 ushered in an era of government of the Kalmyk Khan Ayuka, and Russia has acquired a loyal ally on its southern borders. The author of this article tries to trace the chronology of events before and during the Russian-Kalmyk Congress near Astrakhan, and give an analytical summary of the shert
IX A 1 - Alte Stadtrechnungen (1672 - 1673)
No full textIX A 1 - ALTE STADTRECHNUNGEN (1672 - 1673)
IX A 1 - Alte Stadtrechnungen (1672 - 1673) ( -
IX A 1 - Alte Stadtrechnungen (1673 - 1674)
No full textIX A 1 - ALTE STADTRECHNUNGEN (1673 - 1674)
IX A 1 - Alte Stadtrechnungen (1673 - 1674) ( -
IX A 1 - Alte Stadtrechnungen (1673 - 1674)
No full textIX A 1 - ALTE STADTRECHNUNGEN (1673 - 1674)
IX A 1 - Alte Stadtrechnungen (1673 - 1674) ( -
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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