1,746,026 research outputs found

    Erythræi sive rubri maris Periplus [cartographic material] /

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    Map of Arabia, South Asia and the surrounding region. Relief is shown pictorially.; Decorated title cartouche.; Includes a block of text at foot of map surrounded by a cartouche.; Probably from: Theatrum orbis terrarum / Abraham Ortelli. Antverpiae : Ex Officina Plantiana, 1598.; Phillips, 407.; National Union Catalogue Pre 1956, v. 433, p. 369.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.map-rm4397. Insets: Annonis Periplus -- [Northern Polar region]. Scale not given

    Performing Masculinity in English University Drama, 1598-1636

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    This review considers Performing Masculinity in English University Drama, 1598-1636

    Maris Pacifici (quod vulgo Mar del Zur) cum regionibus circumiacentibus, insulisque in eodem passim sparsis, novissima descriptio [cartographic material]

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    Map of the Pacific Ocean showing part of south-east Asia, America, New Guinea and Terra Australis.; Plate 6 from: Theatro del mondo / de Abrahamo Ortelio. In Anversa : Appresso Giovanni Bapta. Vrintio, 1608.; Text on verso: Il Mare Pacifico overa del Sur.; Cartouche at bottom left of map: Genio et ingenio nobili dn. Nicolao Roccoxio, Patricio Antverpiensi, eiusdemque urbis Senatori / Abrahamus Ortelius, Regiae Mts. geographus lub. merito dedicabit, 1589.; Van der Krogt, 31:651.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.map-rm164-2

    [Pragmática, 1598-07-24]

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    Según Gil Ayuso (nº 497 y 498) existen otras dos colecciones de pragmáticas en Madrid, por Pedro Madrigal, 198 con cambios en la caja de escritura y en la signatura.Pragmáticas fechadas en: San Lorenzo, 21 de julio de 1598, todas excepto la quinta, Madrid, 24 de mayo de 1598.Pregones fechados en: Madrid, 24 de julio de 1598.Sign.: [calderón]\p1\s, A-C\p4\s, E\p4\s, D\p4\s, F\p4\s.Cada pragmática con portada propia.Cada port. con esc. xil. real.Letras capitales ornadas.Contiene : Prematica en que se m¯ada guardar las leyes en que se prohibe matar terneras y terneros, y se acrecientan las penas contra los que las hizieren matar, o mataren, [4] h. ; Prematica en que se prohibe matar corderos por tiempo de dos años, [4] h. ; Prematica para que no se pueda traer pistoletes que no tengan quatro palmos de vara de cañon, [3] h., [1] en bl. ; Prematica en que se acrecienta el precio de la hanega de ceuada a siete reales, desde la cosecha del año de nouenta y nueue y de alli en adelante, [4] h. ; Prematica en que se da la forma como se ha de tener por prouado el pecado nefando contra natura, [4] h. ; Prematica en que se manda guardar las leyes que prohiben los cambios, y se declara los que son cambios secos, [4] h

    Tangle-bearing neurons survive despite disruption of membrane integrity in a mouse model of tauopathy

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    Neurofibrillary tangles (NFTs) are associated with neuronal loss and correlate with cognitive impairment in Alzheimer disease, but how NFTs relate to neuronal death is not clear. We studied cell death in Tg4510 mice that reversibly express P301L mutant human tau and accumulate NFTs using in vivo multiphoton imaging of neurofibrillary pathology, propidium iodide (PI) incorporation into cells, caspase activation, and DNA labeling. We first observed that in live mice, a minority of neurons were labeled with the caspase probe or with PI fluorescence. These markers of cell stress were localized in the same cells and appeared specifically within NFT-bearing neurons. Contrary to expectations, the PI-stained neurons did not die during a day of observation; the presence of Hoechst-positive nuclei in them on the subsequent day indicated that the NFT-associated membrane disruption, as suggested by PI staining, and caspase activation do not lead to immediate death of neurons in this tauopathy model. This unique combination of in vivo multiphoton imaging with markers of cell death and pathological alteration is a powerful tool for investigating neuronal damage associated with neurofibrillary pathology

    Americae Sive Novi Orbis, Nova Descriptio

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    16th centuryCopper engraving handcolored with watercolor. Full color. Relief shown pictorially. Printed in lower left corner in cartouche: "Americae Sive Novi Orbis Nova Descriptio." Written in pencil along top on verso: "America - Ortelius 1579." Printed on verso: “Novus Orbis.” First line of text on verso: “Totum hoc hemisphaerium…” Printed in bottom right corner on verso: “2.” Many distinct geographic features characterize this map. The Pacific Ocean, for example, appears "very narrow" and New Guinea is shown as "due south of California." ("Americae sive Novi Orbis, Nova Descriptio"). The eastern coasts of the Americas are shown with "amazing accuracy: the coast of Brazil is only 3 degrees too far east, the position of Hispaniola is absolutely accurate, and Newfoundland is just 8 degrees too far west." In contrast, the western coasts are distorted. Chile, Peru and California are shown as far too west, thus making both continents "too broad." Moreover, Chile seems to bulge out from South America (Burden, 51-2). Evidence from Cartier's exploration of the St. Lawrence and Spanish exploration in Mexico and the Californian coast appear within this map as well. For example, Coronado's exploration is seen in the naming of Ceuola, Tiguex and Quivira, although Quivira is depicted in the far northwest of North America instead of the Great Plains (Ermen, 11). "Chili" is shown in this map as a city and Santiago, though founded in 1541, is not shown. On the other hand, a key to numbered cities in Peru is shown in Patagonia. The Rio de la Plata is depicted with an "exaggerated width and numerous isles" (Klemp, map 15). Of note, the "mythical kingdom" of "Anian" is shown in the Northwest. Illustrations include a few small ships sailing eastward in the Pacific and Atlantic Oceans and a whale in the South Atlantic. Scale: c.a. 1:38,000,000.Abraham Ortelius (1527-1598) was a cartographer and publisher. He set up a business as a book dealer and map painter in Antwerp. He traveled a great deal, making his business successful by developing a large network of contacts around Europe. In 1564 he published a world map in eight sheets, marking the start of a long career in map publishing (Moreland and Bannister, 98). In 1570, Ortelius published the “first modern uniform atlas,” the Theatrum Orbis Terrarum (1570) (Tooley, 476). Having combined a large collection of maps from various European cartographers, he had them engraved to a standard size (Moreland and Bannister, 98). He also commissioned Frans Hogenberg to create cartouches and illustrations for these maps, following the popular style of the Flemish Renaissance (Klemp, map 15). Multiple editions of this highly successful and influential atlas were published in many languages up to 1612. Of note, Ortelius credited other cartographers. Ortelius’s other works include: “Egypt” (1565), “Asia” (1567), “Spain” (1570) and “Roman Empire” (1571) (Tooley, 476). This map is perhaps the “most famous and easily recognizable” maps of the New World from this period (Burden, 51). In the creation of the map, Ortelius either copied greatly from Mercator’s “Great World Map” of 1569 or used many of the same sources as a number of similarities arise between the two maps. As Ortelius and Mercator were good friends, it may be likely that they shared a lot of information with each other (Burden, 51). Klemp notes that the shape of South America and the “river systems” in both maps appear similar such as the Maragnon River running parallel to the Amazon. The extended shape of the Rio de la Plata is also similar to Mercator’s work and place names in South America are all the same (map 15). Of note, the map displays a “striking contrast between the known, and therefore fairly correctly and minutely drawn areas...and the still unknown” (Ermen, 11). Several versions of this map exist including the first printed in 1570 and two later plates produced, one in 1579 and one in 1587, showing no bulge at Chile. This particular map is printed from the 1579 plate in which ships are shown heading east and the border is significantly thinner than in the 1570 version (Burden, 51-2; Tooley, “Identification…”, 320-4). Source(s): “Americae sive Novi Orbis, Nova Descriptio.” University of Virginia Library. “An Exhibition of Maps and Navigational Instruments, on View in the Tracy W. McGregor Room, Alderman Library, University of Virginia July 10 to September 26, 1995.” 2008. Burden, Philip D. “The Mapping of North America: A List of Printed Maps 1511-1670.” Rickmansworth, England: Raleigh Publications, 1996. Ermen, Eduard Van. “The United States in Old Maps and Prints. Wilmington, DE: Atomium Books, Inc., 1990. Goos, John. “The Mapping of North America: Three Centuries of Map-making 1600-1860.” London: Wellfleet Press, 1990. Klemp, Egon, ed. “America in Maps: Dating from 1500 to 1856.” New York: Holmes and Meier Publishers, 1976. Lowery, Woodbury. “The Lowery Collection: A Descriptive List of Maps of the Spanish Possessions within the Present Limits of the United States, 1502-1820.” Washington, D.C.: Government Printing Office, 1912. Moreland, Carl and David Bannister. “Antique Maps: A Collector’s Handbook.” New York: Longman Group, Ltd., 1983. Portinaro, Pierluigi and Franco Knirsch. "The Cartography of North America 1500-1800." New York: Facts on File, Inc., 1987. Skelton, R. A. “Decorative Printed Maps of the 15th to 18th Centuries.” London: Spring Books, 1965. Tooley, Ronald Vere. “Identification of the Maps of America in the Various Editions of the Theatrum of Ortelius.” In “The Mapping of America.” Ed. by Ronald Vere Tooley. London: Holland Press, 1985. 320-324. ----. “Tooley’s Dictionary of Mapmakers.” Hertfordshire: Map Collector Publications Limited, 1979

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Relatione della solenne entrata che hà fatto la Serenissima Reina di Spagna in Ferrara, a di 13. di nouembre 1598.

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    Woodcut t.p. vignette with Spanish royal arms. Initial.Mode of access: Internet.Binding: modern gray paper, quarter vellum. Title written upwards on spine: Ferrara 1598. Rel. Sol. Entrata Regina di Spagna
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