1,752,430 research outputs found
Representations of the monarchy and peace-making in the royal tour of France (1564-1566)
In January 1564, Charles IX and Catherine de Médicis embarked on a two-year progress around France. Their motivation was to confirm the authority of the young king and to enforce the Edict of Amboise, which compelled his subjects to show religious toleration following the civil war of 1562-1563. Royal entries were a principal medium through which city councils, on behalf of the people, communicated their views to Charles. As he walked in procession through urban centres, the king was presented with specially-created triumphal arches, paintings and recitals. The imagery in these scenes, which could be illusory or clear-cut, is invaluable when it comes to understanding the interbellum of 1563-1567.
This thesis examines the functions and artistic content of these ceremonies, particularly in Troyes, Lyon and Toulouse, in order to reveal how Charles was perceived as a monarch and whether the edict was well-received. The work draws on festival books that detail the scenes, which hitherto have been an untapped resource, and emblem books to elucidate the contemporary meaning behind the images. City council records, local memoirs and correspondence from figures at court have been used to reconstruct the local and national contexts in which the entries were made.
This research demonstrates that Charles was viewed as the divinely-chosen ruler to whom complete obedience was owed, but many people had more respect for the office than for Charles himself. They feared he was too young and inexperienced to rule, and this impacted badly on the Edict of Amboise. The Crown had hoped for a peaceful resolution to the conflict and intended the edict as a temporary measure until the heretics returned to the Church or Charles matured into a more inspiring king. Yet the edict was too intolerable to Catholics and Huguenots, particularly among local officials who often obstructed its enforcement, and so peace could not be maintained, even if it was the will of the king
SB 1564
SB 1564, Introduced version -- SB 1564-A, A-Engrossed version.Title from PDF caption (viewed on June 18, 2021).This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Zwei Rechnungen (1561-1564, 1564/65) und ein Manual über Einnahmen und Ausgaben der Schöffenconsolation (1672-1697)
ZWEI RECHNUNGEN (1561-1564, 1564/65) UND EIN MANUAL ÜBER EINNAHMEN UND AUSGABEN DER SCHÖFFENCONSOLATION (1672-1697)
Zwei Rechnungen (1561-1564, 1564/65) und ein Manual über Einnahmen und Ausgaben der Schöffenconsolation (1672-1697) ( -
Zwei Rechnungen (1561-1564, 1564/65) und ein Manual über Einnahmen und Ausgaben der Schöffenconsolation (1672-1697)
ZWEI RECHNUNGEN (1561-1564, 1564/65) UND EIN MANUAL ÜBER EINNAHMEN UND AUSGABEN DER SCHÖFFENCONSOLATION (1672-1697)
Zwei Rechnungen (1561-1564, 1564/65) und ein Manual über Einnahmen und Ausgaben der Schöffenconsolation (1672-1697) ( -
Zwei Rechnungen (1561-1564, 1564/65) und ein Manual über Einnahmen und Ausgaben der Schöffenconsolation (1672-1697)
ZWEI RECHNUNGEN (1561-1564, 1564/65) UND EIN MANUAL ÜBER EINNAHMEN UND AUSGABEN DER SCHÖFFENCONSOLATION (1672-1697)
Zwei Rechnungen (1561-1564, 1564/65) und ein Manual über Einnahmen und Ausgaben der Schöffenconsolation (1672-1697) ( -
Ranchin, François (1564-1641)
Ancien possesseur : Ranchin, François (1564-1641). Ancien possesseurAppartient à l’ensemble documentaire : 3M000Appartient à l’ensemble documentaire : 3M01
Concilium Antverpianum, 1564 - The Synod of "La Vigne", Antwerp, 1564
This is an introduction to, and critical edition of, the proceedings of the Synod of Antwerp (1564
Inscriptions 1564 à 1569
Inscriptions 1564 à 1569. In: Revue épigraphique, tome 4, N°112, 1904. pp. 65-68
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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