1,748,018 research outputs found
Illuminating the word: Lucas Horenbout and the art of the tudor prayerbook, 1530-1544
No full textStudied in the current literature solely for his miniature work at the court of Henry VIII, Lucas Horenbout (d.1544) was equally sought after as an illuminator of prayerbooks. His career in this genre marks an important inflection point in the history of English art. The late 15th and early 16th centuries saw the final fluorescence of the illuminated prayerbook. This occurred side-by-side with a publishing revolution anchored in new technology that changed the parameters of book production and distribution. The Reformation, together with the advent of the printing press, combined to transform the market for illuminating skills Lucas had learned in his father’s workshop in Ghent. His artistic output between 1530 and 1544 bridges the transition from traditional handwritten, hand-illuminated manuscripts to the modern, mass-produced printed book. This paper discusses that transition through Horenbout’s proposed work in five illuminated prayerbooks created for four different patrons: Henry VIII, Anne Boleyn, Kateryn Parr and Anne Stanhope, Countess of Hertford and later Duchess of Somerset, as well as his collaborative additions to the 1539 Great Bible under the patronage of Thomas Cromwell. Horenbout’s career demonstrates how an elite artist adapted his art both to a changing marketplace and to the shifting power politics of the Tudor court.</p
Gorissen (Pieter). De Prelaten van Brabant onder Karel V (1515- 1544). Hun Confederatie (1534-1544).
No full textCraeybeckx Jan. Gorissen (Pieter). De Prelaten van Brabant onder Karel V (1515- 1544). Hun Confederatie (1534-1544).. In: Revue belge de philologie et d'histoire, tome 33, fasc. 2, 1955. pp. 424-426
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Historiarum Veteris Testamenti icones ad vivum expressae . Unā cum brevi, sed quoad fieri potuit dilucida, earundem & Latina & Gallica expositione
No full text[Bible (latin). 1544
Edinburgh 1544:Virtual Time Binoculars
No full textA digital reconstruction of Edinburgh as it would have been in 1544, exhibited at Edinburgh City Museum
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
1544-1587
No full textАкты, относящиеся к истории Западной России, собранные и изданные Археографической комиссией [5 т.]. - СПб. : Тип. 2-го отд-ния Собсв. е. и. в. канцелярии. - 1846 Т. 3 : 1544-1587 : В тип. Эдуарда Праца, 1848. - VIII, 316, [2], 17, 8 с. ; 32 см. Экземпляры: всего:1 - ВЖК(1
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