1,762,407 research outputs found
MUSIC OF JOSQUIN DES PREZ Wednesday, November 17, 1993 8:00 p.m. Lillian H. Duncan Recital Hall
No full textPlaylist: Vive le roy -- Josquin des Prez (-1521) / A la mort/Monstra te esse matrem -- Josquin des Prez (-1521) / Quant je vous voye -- Josquin des Prez (-1521) / La belle se siet -- Josquin des Prez (-1521) / De tous biens plaine -- Josquin des Prez (-1521) / A l'ombre d'ung buissonnet -- Josquin des Prez (-1521) / Je n'ose plus -- Josquin des Prez (-1521) / Entre suis -- Josquin des Prez (-1521) / Ile fantazies de Joskin -- Josquin des Prez (-1521) / Fortuna desperata -- Josquin des Prez (-1521) / La Bernadina -- Josquin des Prez (-1521) / Mille regretz -- Josquin des Prez (-1521) / Mon mary m'a diffame -- Josquin des Prez (-1521) / Si j'ay perdu -- Josquin des Prez (-1521) / Proch dolor/Pie Jhesu. -- Josquin des Prez (-1521)
Corrigendum to "A culture-based calibration of benthic foraminiferal paleotemperature proxies: δ18O and Mg/Ca results" published in Biogeosciences, 7, 1335–1347, 2010
Get PDF© The Author(s), 2011. This article is distributed under the terms of the Creative Commons Attribution 3.0 License. The definitive version was published in Biogeosciences 8 (2011): 1521, doi:10.5194/bg-8-1521-2011
Învățăturile lui Neagoe Basarab, domnul Țării românești (1512-1521) /
No full textAdded t.p. in Greek [romanized]: Logoi didaktikoi tou eklamprotatou kai eusevestatou Authentou Iōannou Nangoe megalou voevoda kai autokratoros tēs Vlachias (1512-1521) / nyn to prōton meta prologou kai roumanikēs metaphraseōs ekdidomenoi hypo Vasile Grecu ...At head of Greek text [of first didactic address]: Tou eklamprotatou kai eusevestatou Authentou Iōannou Nangoe megalou voevoda kai autokratoros Megalēs Oungrovlachias Logos didaktikos peri agapēs Theou pros ton ēgapēmenon autou huion Theodosion kai pros heterous authentas kai archontas, patriarchas te kai archiepiskopous kai plousious kai penētas.Greek text and Romanian translation on opposite pages; introduction in Romanian.Includes bibliographical references and indexes
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Anne Asken (Angleterre, 1521-?)
No full textPicq Françoise. Anne Asken (Angleterre, 1521-?). In: Parole ! n°1, printemps 1978. pp. 59-60
A history of the Cambridge University Press, 1521-1921 /
No full textAppendix includes lists of University printers, 1521-1921, and Cambridge books, 1521-1750.Includes bibliographical references (pages xiii-xv) and index.Appendix: I. University printers, 1521-1921.-II. Cambridge books, 1521-1750
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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