2,308,528 research outputs found
Ingeniería con Ingenio. Facultad de Ingeniería UN - 150 Años
No full textLa exposición Ingeniaría, 150 Años, es un homenaje a la Facultad de Ingeniería de la Universidad en su sesquicentenario. Este cuadernillo es una hoja de mano de la muestra museográfica donde se exhibe fotografías, documentos, eventos destacados, herramientas de estudio. También conmemora académicos importantes que aportaron en la evolución de la Facultad en sus 150 años de fundación
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Author Co-Citation Analysis (ACA): a powerful tool for representing implicit knowledge of scholar knowledge workers
Full text linkIn the last decade, knowledge has emerged as one of the most important and valuable organizational assets. Gradually this importance caused to emergence of new discipline entitled ―knowledge management‖. However one of the major challenges of knowledge management is conversion implicit or tacit knowledge to explicit knowledge. Thus Making knowledge visible so that it can be better accessed, discussed, valued or generally managed is a long-standing objective in knowledge management. Accordingly in this paper author co- citation analysis (ACA) will be proposed as an efficient technique of knowledge visualization in academia (Scholar knowledge workers)
C-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICO
No full textC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOjp
C-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICO
No full textC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICODO
C-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICO
No full textC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOPD
C-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICO
No full textC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOjp
C-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICO
No full textC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOC-150 MÉXICO, PAÍS EXTREMADAMENTE SENSIBLE AL CAMBIO CLIMÁTICOjp
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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