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Hubble, Courtney R, Onpm-1424
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/393672Surname: HUBBLE. Given Name(s) or Initials: COURTNEY R. Military Service Number or Last Known Location: ONPM-1424. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 54997.214718
Item: [2016.0049.25965] "Hubble, Courtney R, Onpm-1424
Don John Broadhook alias John Lydgate, 1424
Full text linkIn a note published in this journal in 2019, Sebastian Sobecki drew attention to a new life-record for John Lydgate. The document, which dates to late January or early February 1425, is of significance because it offers the earliest surviving record of Lydgate's tenure as prior of Hatfield Regis. However, the record only refers to him as "John, prior of Hatfield Regis." Here the author would like to present three new life-records from 1424, all of which mention Lydgate by name and identify him as prior of Hatfield Regis, therefore pushing back the evidence for his time as prior by a calendar year
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
MS Gr. class. c. 6 1424
No full textP.Herc. 1670 Oxon. 1424. Philodemus, De providentia
Drawing by G.B. Malesci<br
148. Go-Kameyama tennō ( ?— 1424)
No full textIwao Seiichi, Sakamato Tarō, Hōgetsu Keigo, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Teizō, Iyanaga Shōkichi, Matsubara Hideichi, Kanazawa Shizue. 148. Go-Kameyama tennō ( ?— 1424). In: Dictionnaire historique du Japon, volume 6, 1981. Lettre G. p. 83
148. Go-Kameyama tennō ( ?— 1424)
No full textIwao Seiichi, Sakamato Tarō, Hōgetsu Keigo, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Teizō, Iyanaga Shōkichi, Matsubara Hideichi, Kanazawa Shizue. 148. Go-Kameyama tennō ( ?— 1424). In: Dictionnaire historique du Japon, volume 6, 1981. Lettre G. p. 83
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Edwards, Jason (SC 1424)
Full text linkFinding aid only for Manuscripts Small Collection 1424. Paper written for a history class by Jason Edwards, a WKU student, based on an interview with his mother Sue Edwards. She recalls events as they affected her during her youth in Grayson County, Kentucky, in the 1950s and 1960s
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