10,864 research outputs found
Mike Foley
No full textIdentification plate on the plaque was found among the debris of a P40 E Kitty Hawk, No.74 of the 49th Pursuit Group which crashed on Cox Peninsula in June 1942, Attached to plaque presented to Robert Oestreicher USAAC on 19-2-82.Foley, Mike
Value-based benefits design research high-level findings
No full text[Report] -- Attachment A. Methodology -- Attachment B. Presentation Slides.prepared for: Portland State University & Office for Oregon Health Policy & Research ; by Carol Foley, Ph.D.Title from PDF cover (viewed on April 16, 2020)."During a period from late September to mid-October of 2010, a series of research forums were conducted to get feedback from those impacted by a value-based benefits design; the benefit design is intended for employers and individual purchasers in an Oregon health exchange. Insurers, agents/brokers, hospitals, providers, employers, consumers, and consumer advocates participated in the forums"--Page 2.This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Foley, soundscape e música ubíqua em processos criativos audiovisuais
No full textSound in audiovisual productions is an essential element for films to have a greater impact and provide a relational aesthetic with their viewers. This brief study brings some surveys carried out in different videos that use the foley technique (1), soundscape (2) and ubiquitous music (3) as a creative process proposal. 1. Foley is a technique of making sound in the studio with sound effects related to human interaction with the world; 2. soundscape in literal translation is soundscape, Murray Schafer's concept, with diverse applications; 3. ubiquitous music is the creation of musical compositions using ubiquitous technological devices, this field of study is very similar to the way in which foley techniques and capture of soundscapes are made. We seek to bring in more detail each of these concepts and techniques adopted. As examples we bring some recent productions made in the last years and two artistic creations made by XXX in 2018.O som em produções audiovisuais é elemento essencial para que os filmes causem maior impacto e proporcione uma estética relacional com seus espectadores. Este breve estudo traz alguns levantamentos realizados em vídeos diversos que utilizam como proposta de processos criativos a técnica de foley (1), soundscape (2) e música ubíqua (3). 1. Foley é uma técnica de realizar o som no estúdio com efeitos sonoros relacionados à interação humana com o mundo; 2. soundscape na tradução literal é paisagem sonora, conceito de Murray Schafer, com aplicações diversas; 3. música ubíqua é a criação de composições musicais utilizando aparelhos tecnológicos ubíquos, este campo de estudo muito se assemelha a forma com que são feitas as técnicas de foley e captação de paisagens sonoras. Buscamos trazer em mais detalhes cada um destes conceitos e técnicas adotadas. Como exemplos trazemos algumas produções recentes realizadas nos últimos anos e duas criações artísticas feitas por XXX em 2018
Cotton Chopper
No full text463,232Cornealus E. Foley of same place assigned one halfThe Oklahoma Inventors is a collection of United States patents issued to individuals residing in Indian and Oklahoma Territory from 1880-1907
D. E. Foley, The Heartland Chronicles
No full textDésveaux Emmanuel. D. E. Foley, The Heartland Chronicles. In: L'Homme, 1996, tome 36 n°140. pp. 139-141
D. E. Foley, The Heartland Chronicles
No full textDésveaux Emmanuel. D. E. Foley, The Heartland Chronicles. In: L'Homme, 1996, tome 36 n°140. pp. 139-141
T-FOLEY: A Controllable Waveform-Domain Diffusion Model for Temporal-Event-Guided Foley Sound Synthesis
No full textFoley sound, audio content inserted synchronously with videos, plays a
critical role in the user experience of multimedia content. Recently, there has
been active research in Foley sound synthesis, leveraging the advancements in
deep generative models. However, such works mainly focus on replicating a
single sound class or a textual sound description, neglecting temporal
information, which is crucial in the practical applications of Foley sound. We
present T-Foley, a Temporal-event-guided waveform generation model for Foley
sound synthesis. T-Foley generates high-quality audio using two conditions: the
sound class and temporal event feature. For temporal conditioning, we devise a
temporal event feature and a novel conditioning technique named Block-FiLM.
T-Foley achieves superior performance in both objective and subjective
evaluation metrics and generates Foley sound well-synchronized with the
temporal events. Additionally, we showcase T-Foley's practical applications,
particularly in scenarios involving vocal mimicry for temporal event control.
We show the demo on our companion website
Jennifer Murphy, Chris Rogers : The Great Syntax Monument // Gerhard Treml : The Attic of My Room // Sean Foley : The Sound of My Life... // Kenn Sakurai, Dave O'Regan
No full textIn this Mercer Union programming pamphlet, Eden comments on Murphy's and Rogers' collaborative process, while Dick provides a new vocabulary for discussing their work. Eden also writes about Treml, claiming his architectural fantasies represent conceptions of the brain. Foley, Sakurai and O’Regan introduce their work, and Jelinek prefaces a screening of Austrian experimental film and video. Biographical notes
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