1,720,958 research outputs found

    陶淵明と「田園」 : 型・時間・地域

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    京都大学0048新制・課程博士博士(人間・環境学)甲第17174号人博第614号新制||人||147(附属図書館)24||人博||614(吉田南総合図書館)29913京都大学大学院人間・環境学研究科共生文明学専攻(主査)教授 道坂 昭廣, 教授 阿辻 哲次, 教授 赤松 紀彦学位規則第4条第1項該当Doctor of Human and Environmental StudiesKyoto UniversityDA

    "Tian-yuan and Time --A Study of Tao Yuan-ming's Gui-qu-lai-xi Ci

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    Gui-qu-lai-xi Ci 歸去來兮辭 written by Tao Yuan-ming 陶淵明 is a famous work in Chinese literature. In this work, he declares a determination to return to "Tian-yuan 田園" and to live his life there. However we do not understand it still enough as one literary work. This article attempts to discuss Gui-qu-lai-xi Ci itself. For example, the word of Tian-yuan which is the stage of this work, has been avoided as use for poetry so far. The reason for this is that this word means agriculture. Also, there is Gui-tian Fu 歸田賦 by written Zhang Heng 張衡 which is often called the early work of Gui-qu-lai-xi Ci, but the stage of this work is not "Tian-yuan" and the time is different from Gui-qu-lai-xi Ci. This article points out features about Gui-qu-lai-xi Ci as a literary work. First, this work steps on the end rhyme, and changes it four times with various techniques. Therefore, that ensures the continuity of the structure without making paragraphs. Second, the preface of Gui-qu-lai-xi Ci has a role which gives reality. The preface contains a lot of proper nouns, and is described concretely compared with the body of it. The existance of the preface connects this work with the life of the poet, Tao Yuan-ming. Third, in this work, the nature of time changes irreversible into eternity. The change is deeply related with the appearance of two boats in the work. These features keep the balance and it is necessary that it does not lack one. Only this balance is presented in Gui-qu-lai-xi Ci as a new literature that exceeds already existing ones

    田園と時間 : 陶淵明<歸去來兮辭>論

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    Gui-qu-lai-xi Ci 歸去來兮辭 written by Tao Yuan-ming 陶淵明 is a famous work in Chinese literature. In this work, he declares a determination to return to "Tian-yuan 田園" and to live his life there. However we do not understand it still enough as one literary work. This article attempts to discuss Gui-qu-lai-xi Ci itself. For example, the word of Tian-yuan which is the stage of this work, has been avoided as use for poetry so far. The reason for this is that this word means agriculture. Also, there is Gui-tian Fu 歸田賦 by written Zhang Heng 張衡 which is often called the early work of Gui-qu-lai-xi Ci, but the stage of this work is not "Tian-yuan" and the time is different from Gui-qu-lai-xi Ci. This article points out features about Gui-qu-lai-xi Ci as a literary work. First, this work steps on the end rhyme, and changes it four times with various techniques. Therefore, that ensures the continuity of the structure without making paragraphs. Second, the preface of Gui-qu-lai-xi Ci has a role which gives reality. The preface contains a lot of proper nouns, and is described concretely compared with the body of it. The existance of the preface connects this work with the life of the poet, Tao Yuan-ming. Third, in this work, the nature of time changes irreversible into eternity. The change is deeply related with the appearance of two boats in the work. These features keep the balance and it is necessary that it does not lack one. Only this balance is presented in Gui-qu-lai-xi Ci as a new literature that exceeds already existing ones

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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