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Raccolta di interviste a cura di Axmed Faarax Cali 'Idaajaa' e Francesco Antinucci
No full textITALIANOSono qui raccolte quattro interviste sulla letteratura, sulla cultura e sulla storia della Somalia, condotte da e/o su importanti esponenti della cultura somala (1979-1980). La raccolta è a cura del Prof. Francesco Antinucci e di Axmed Faarax Cali 'Idaajaa' che ne ha redatto le descrizioni e i commenti.Contenuto:Intervista 1. Canzoni per l’abbeverata dei cammelli cantate da ragazzi cammellieri del villaggio di Gellinsoor, narrazione sulle campagne militari italiane contro il Sultanato Somalo di Obbia (1925). Il racconto è narrato da un’anziana signora, testimone oculare, intervistata da Axmed Faarax Cali 'Idaajaa' nel villaggio di Gellinsoor.Intervista 2. Intervista condotta da Gaarriye al celebre poeta Aadan Carab (1917-2001). L’intervista verte sui più noti componimenti di Aadan relativi alla politica somala di allora.Intervista 3. Importante narrazione relativa all’instaurazione del Sultanato di Obbia sul finire del 1870 e alle campagne militari italiane contro lo stesso Sultanato nella metà degli anni ’20, così come alle operazioni militari italiane contro il Sultanato di Migiurtinia (1927), la sua sconfitta definitiva e la cattura del suo re: Boqor Cismaan. L’intervistato è Warsame Cilmi soprannominato ‘Del Gretto’ di Gaalkacyo, un anziano soldato dell’esercito coloniale italiano al tempo delle citate campagne militari.Intervista 4. Podcast di Radio Mogadiscio, musica somala. Intervista in lingua italiana al Prof. Antinucci e al Prof. Agostini sugli studi somali condotta dai radiogiornalisti di Radio Mogadiscio.AF SOOMAALIGAHalkan waxaa ku jira afar waraysi oo ku saabsan suugaanta, dhaqanka iyo taariikhda Soomaaliya; waxaana ka sheekaynaya dad ku xeeldheer dhaqanka soomaaliyeed. Waxaa isku soo dubbariday Prof. Francesco Antinucci iyo Axmed Faarax Cali 'Idaajaa', oo tifaftiray, kana faallooday.Waxaa ku jira:Wareysiga 1. Hees geel oo qaadaya dhallinyaro geelley ah oo deggan tuulada Gellinsoor; sheeko ku saabsan olole ka dhanka ah saldanadii Hobyo (1925) oo uu ciidanka taliyaanigu sameeyey. Taariikhdaas waxaa ka sheekaynaya islaan da'ah, oo goob joog ka ahayd dhacdadaas, waxaana waraysanaya Axmed Faarax Cali 'Idaajaa', oo markaas ku sugnaa tuulada Gellinsoor.Wareysiga 2. Wareysi uu Gaarriye la leeshay gabyaaga weyn Aadan Carab (1917-2001). Waxaana laga hadlayaa gabayadii ugu caansanaa ee uu Aadan ka tiriyay siyaasadda soomaaliyeed ee markaas jirtay.Wareysiga 3. Sheeka muhum ah oo ku saabsan aasaaska boqortooyadii Hobyo oo dhaqangashay sannadka 1870 iyo ololihii militariga taliyaaniga ee ka dhanka ahaa boqortooyadaas ’20eeyadii; sidoo kale howlgalkii ciidanka taliyaaniga uu ku qaaday boqortooyadii Majeerteen (1927), burburka boqortooyadaas iyo qabashada boqorkeeda: Boqor Cismaan. Waxaa laga waraystay Warsame Cilmi oo ku magac dheer ‘Del Gretto’ oo joogay Gaalkacyo, oo ah oday ka mid ahaa askartii ciidanka gumaysiga Taliyaaniga ee ololahaas ka qaybqaatay.Wareysiga 4. Radio Moqdisho, muusika soomaaliyeed. Wareysi (Af-taliyaani oo) lala yeeshtey Prof. Antinucci iyo Prof. Agostini, oo ku saabsan Cilmibaarista Soomaaliyeed, waxaana waraysanayay weriyayaasha Radio Muqdisho.ENGLISHA collection of four interviews on Somali literature, culture and history, about and/or conducted by leading figures of Somali culture. The collection is edited by Prof. Francesco Antinucci and Axmed Faarax Cali 'Idaajaa', the latter drew up the descriptions and comments.Contents:Interview 1. Camel-watering songs sung by camel boys at Gellinsoor village plus a narrative on the Italian military campaigns against the Somali Sultanate of Obbia (1925). This is narrated by an eyewitness in the person of a very old lady interviewed by Axmed Faarax Cali 'Idaajaa' at Gellinsoor village.Interview 2. An interview conducted by Gaarriye and the interviewee is non other than the poet Aadan-Carab (1917-2001). This interview is about Aadan’s most famous poems on Somali politics at the time.Interview 3. A very important narrative concerning the foundation of the Obbia Sultanate in the late 1870s plus the Italian military campaigns against the same Sultanate of Obbia in mid-1920s as well as the Italian military operations against the Somali Sultanate of Migiurtinia (1927), its final defeat and the capture of its king: Boqor Cismaan. The interviewee is the late Warsame Cilmi nicknamed ‘Del Gretto’ of Gaalkacyo, an old soldier in the Italian colonial army at the time of those military campaigns.Inteview 4. Radio Mogadishu live transmission, Somali music. Prof. Antinucci and Prof. Agostini interviewed in Italian by Radio Mog operatives on Somali studies
Raccolta di canzoni: canti di lavoro relativi al bestiame
No full textITALIANOLa raccolta è a cura di Axmed Faarax Cali 'Idaajaa' che ne ha redatto le descrizioni e i commenti.Contenuto:Canzoni tradizionali per l’abbeverata del bestiame composte da Farah Ali, soprannominato Farah-Taano (Galdogod, Somalia, 1980). La registrazione include alcune canzoni di lavoro relative ai cammelli e agli ovini eseguite da giovani pastori presenti nel luogo di registrazione.AF SOOMAALIGAWaa wax uu soo diyaariyay Axmed Faarax "Idaajaa", isagaana tifaftiray sharraxaadda iyo faallooyinka.waxaa ku jira:Heeso hiddo-afeed oo loo qaado xoolaha marka la waraabinayo, waxaana curiyey Faarax Cali, oo loo yaqaan Faarax-Taano (Galdogob Soomaaliya, 1980). Waxaa kaloo ka mid ah heeso hawleed oo la xiriira geela iyo ariga, waxaana laga duubay dhallinyaro raacata ah.ENGLISHThe collection is edited by Axmed Faarax Cali 'Idaajaa' who drew up the descriptions and comments.Contents:Cattle-watering traditional songs by the late Farah Ali nicknamed Farah-Taano (Galdogob, Somalia, 1980). Also performing some camel and sheep work songs are young camel herders who happened to be present at the site of recording
Raccolta di poesie: Cilmi Boodhari
No full textITALIANOLa raccolta è a cura di Axmed Faarax Cali 'Idaajaa' che ne ha redatto le descrizioni e i commenti.Contenuto:Cenni biografici e poesie del celebre poeta somalo Cilmi Boodhari.AF SOOMAALIGAWaxaa isku soo ururiyay Axmed Faarax "Idaajaa" oo tifaftiray sharraxaadda iyo faallooyinkaWaxaa ku jira:Gabyaaga caanka ah Cilmi Boodheri iyo Taariikhnololeedkiisa kooban iyo maansadiisa.ENGLISHThe collection is edited by Axmed Faarax Cali 'Idaajaa' who drew up the descriptions and comments.Contents:Biographical information and poems by the famous Somali poet Cilmi Boodhari
Impressioni di caccia in Somalia italiana
No full textDiario di caccia e delle ricerche zoologiche effettuate in Somalia dall'autore.Xusuusqor ka hadlaya ugaarsi iyo cilmibaaris xayaawaaneed oo uu qoruhu ka sameeyay Soomaaliya.Journal of hunting and zoological research carried out in Somalia by the author
Memoria : poster
No full textPoster presentati nella giornata "Memoria" del 9° Congresso “Città e Territorio Virtuale” CITTÀ MEMORIA GENTE, Roma 2-4 ottobre 201
Structural ferroelectric and piezoelectric properties of epitaxial PMN-PT thin films deposited by pulsed laser deposition
No full textFerroelectric oxides, most notably PZT, are typically used for the fabrication of high
performing piezoelectric MEMS devices for the purpose of sensing and actuation. An alternative to
PZT is the relaxor ferroelectric such as PMN-PT. Bulk PMN-PT shows a 5-10 times larger piezoresponse
compared to bulk PZT ceramics and has a large electromechanical coupling coefficient of
k33≈0.9. Therefore, this material is an auspicious candidate for hyperactive MEMS devices for sensor
and actuator applications. This thesis deals with the study of epitaxial PMN-PT films for the purpose
of sensing and actuation.
Perovskite phase and (001) orientation pure epitaxial PMN-PT films were fabricated by
carefully controlling the fabrication conditions. Within a relative narrow process window to achieve
phase and orientation pure films, the effect of the growth conditions like substrate temperature,
fluence, target-substrate distance and ambient gas pressure was investigated. This study shows that
polarization is more sensitive to substrate temperature then to target distance and much less to fluence
and least to gas pressure.
It is known that better lattice matching can broaden the processing window. Superior lattice
matching was achieved using a PZT buffer layer between the PMN-PT and SRO bottom electrode
resulting in a significant improvement in crystallinity and consequently in properties of the PMN-PT
films. Furthermore the effect of lattice strain was investigated by varying the PZT interfacial layer
composition in a wide range. The PMN-PT films showed giant self-bias field which can be tuned by
the composition the of PZT interfacial layer. This is of significance for devices like energy scavengers
and low energy consumption sensors that preferably operate at zero bias voltage.
The highest longitudinal piezoelectric coefficient (d33) was achieved for PMN-PT films
deposited on PZT (50/50) interfacial layer with lowest self-bias field. For some applications, it is
desirable to have a higher d33 as well as a high self-bias. It is known that doped PZTs can produce selfbias
field. Therefore, PMN-PT films were deposited on Nb and Fe doped PZT interfacial layers. PMNPT
films on doped PZT interfacial layer show a higher self-bias along with a higher d33. Furthermore
the effect of Nb-doped PZT interfacial layer thickness on the properties of PMN-PT was investigated,
which showed a variation in properties associated with epitaxial strain.
Besides epitaxial strain, the residual strain (substrate induced strain) due to the difference of
thermal expansion coefficients between substrate and deposited film, show an influence on the ferro
and piezoelectric properties of epitaxial PMN-PT films. To study the effect of substrate induced strain
on the ferro and piezoelectric properties, PMN-PT films were prepared on a wide range of substrates.
This study shows that substrate induced strain has a significant effect on the structural properties of
PMN-PT films and consequently on the ferro and piezoelectric properties of these films. The
knowledge of strain effect on properties is useful to engineer a PMN-PT film with certain desired
properties.
Silicon is the gold standard substrate for the fabrication of MEMS sensors. To study the effect
of orientation on properties, epitaxial PMN-PT films with different out of plane orientation [(001) and
(110)] were prepared using a CeO2/YSZ bilayer buffer and symmetric SrRuO3 electroded silicon
substrates by carefully controlling the growth conditions. The ferroelectric and piezoelectric properties
of these ferroelectric capacitors exhibited orientation dependence. The (001) oriented films show a
relatively large self-bias voltage compared to the (110) oriented films. This is ascribed to a strain
gradient layer in the relaxor at the interface with the bottom electrode. The aging behaviour of (001)
films was superior compared to that of (110) films due to less structural defects. Nevertheless a
superior effective, longitudinal piezoelectric coefficient (d33,eff) for (110) oriented films was observed
compared to (001) oriented films, due to a less dense columnar structure. Furthermore, a PMN-PT thin
film based sensing device (cantilever) was also fabricated and characterized with respect to
ferroelectric and piezoelectric response which showed excellent properties
Allaahu Allaa, Ilaahu Mowlaana
No full text"Allaahu Allaa, Ilaahu Mowlaana". Digri dariiqa Qaadiriya. Ugu dambayntii ducadii Sheekha. Waxaa duubay F. Giannattasio 07/03/85, isagoo jooga Muqdisho xaafadda Boondheere, waqtigaasoo lagu jiray siyaaradii Sh. Xuseen Baaliyaale. Waxaa duubistaas ka qayb qaatay Aweys Maxamed Waasuge, oo kala shaqaynaayay Giannattasio xagga baarista muusikada soomaaliyeed, isagoo markaas ka ahaa Masraxa Qaranka Soomaaliyeed soosaare 19984-89._-_"Allaahu Allaa, Ilaahu Mowlaana" (Dio, o nostro padrone); rituale di digri, congregazione della Qaadiriya (in funzione). Alla fine, benedizione (duco) salmodiata dello Sheekh. Registrazione effettuata da Francesco Giannattasio il 7 marzo 1985 a Mogadiscio, nel quartiere Boondheere, in occasione della siyaaro (commemorazione) per lo Sheekh Xuseen Baaliyaale. Partecipa alla registrazione Aweys Maxamed Waasuge, allora regista del Teatro Nazionale Somalo e, dal 1984 al 1989, collaboratore di Giannattasio alla ricerca sulla musica somala._-_"Allaahu Allaa, Ilaahu Mowlaana" (God, our master), dhikr ceremony, Qaadiriya brotherhood. At the end, Sheekh's chanted blessing (duco). Recorded by Francesco Giannattasio on March 7th, 1985 in Mogadishu, Boondheere district, on the occasion of siyaaro (memorial) for Sheekh Xuseen Baaliyaale. In the presence of Aweys Maxamed Waasuge, director of the Somali National Theatre and Giannattasio's collaborator in his research on Somali music from 1984 to 1989
a) Maayaa sabartee; b) Kayoole i gee; c) Isha marmaro heeliyaa; d) Muumow Ala waa; e) Taagoole i gee; f) Laan mareerta fuushee; g) Gariira geed fuulee; h) Shimbiraa sheereysa; i) Tugaal qaboo
No full text"Maayaa sabartee", "Kayoole i gee", "Ishaa marmaro heeliyaa", "Muumow ala waa", "Taagole i gee", "Laan mareerta fuushee", "Gariira geed fuulee", "Shimbiraa sheereysa", "Tugaal qaboo", heeso kalluumaysato. F. Giannattasio ayaa ka duubay 22/04/85, koox kalluumaysato ah oo ku nool Jasiira, gobolka Banaadir. Waxaa duubistaas ka qayb qaatay Aweys Maxamed Waasuge, oo kala shaqaynaayay Giannattasio xagga baarista muusikada soomaaliyeed, isagoo markaas ka ahaa Masraxa Qaranka Soomaaliyeed soosaare 1984-89._-_"Maayaa sabartee" (Il mare ha avuto pazienza), "Kayoole i gee" (Portami a Kayoole), "Isha marmaro heeliyaa" (Stropicciati gli occhi), "Muumow Ala waa" (È Muumo Ala), "Taagoole i gee" (Portami a Taagoole), "Laan mareerta fuushee" (Il frutto mareer che sta su un ramo), "Gariira geed fuulee" (Un falco salì su un albero), "Shimbiraa sheereysa" (Gli uccelli si stanno ammucchiando), "Tugaal qaboo" (Colui che ha la preghiera), incipit; canti dei pescatori. Registrazione effettuata da Francesco Giannattasio il 22 aprile 1985 a Jasiira, nella regione Banaadir, con un gruppo di pescatori del villaggio. Partecipa alla registrazione Aweys Maxamed Waasuge, allora regista del Teatro Nazionale Somalo e, dal 1984 al 1989, collaboratore di Giannattasio alla ricerca sulla musica somala._-_"Maayaa sabartee" (The sea was patient), "Kayoole i gee" (Take me to Kayoole), "Isha marmaro heeliyaa" (Rub your eyes), "Muumow Ala waa" (He is Muumo Ala), "Taagoole i gee" (Take me to Taagoole), "Laan mareerta fuushee" (The mareer fruit that is on a branch), "Gariira geed fuulee" (A hawk climbed up a tree), "Shimbiraa sheereysa" (The birds are gathering), "Tugaal qaboo" (He who has the prayer), opening words; fishermen songs. Recorded by Francesco Giannattasio on April, 22th 1985 at Jasiira, in the Banaadir region, with a group of fishermen of the village. In the presence of Aweys Maxamed Waasuge, director of the Somali National Theatre and Giannattasio's collaborator in his research on Somali music from 1984 to 1989
Allale alla wiiro
No full text"Allaale alla wiiro", hees ciyaareed laga yaqaan Jigjiga (Galbeed). F. Giannattasio ayaa 30/04/85, isagoo jooga gurigiisa ku yaalla Liido ee Moqdisho, ka duubay Diiriye Faarax Cali oo loo yaqaan "Xaaji Baalbaal". Waxaa duubistaas ka qayb qaatay Aweys Maxamed Waasuge, oo kala shaqaynaayay Giannattasio xagga baarista muusikada soomaaliyeed, isagoo markaas ka ahaa Masraxa Qaranka Soomaaliyeed soosaare 1984-89._-_"Allale alla wiiro" (Oh alla wiiro!), danza cantata (cayaar) di Jigjiga (Galbeed). Registrazione effettuata da Francesco Giannattasio il 30 aprile 1985 a Mogadiscio (nella propria abitazione al Liido), con Diiriye Faarax Cabdi, detto Xaaji "Baalbaal". Partecipa alla registrazione Aweys Maxamed Waasuge, allora regista del Teatro Nazionale Somalo e, dal 1984 al 1989, collaboratore di Giannattasio alla ricerca sulla musica somala._-_"Allale alla wiiro" (Oh alla wiiro!), sung dance (cayaar) of Jigjiga (Galbeed). Recorded by Francesco Giannattasio on April, 30th 1985 in Mogadishu (at Liido home), with Diiriye Faarax Cabdi, called Xaaji "Baalbaal". In the presence of Aweys Maxamed Waasuge, director of the Somali National Theatre and Giannattasio's collaborator in his research on Somali music from 1984 to 1989
Qasiido (3)
No full textQasiido, aan la fahmayn oo raacsan ciyaarta xayaadka. Waxaa loo adeegsaday: cod, shanbal, labo reeme. F. Giannattasio ayaa duubay 04/05/85, isagoo jooga Jasiira, gobolka Banaadir, halkaasoo lagu hayay siyaadarii Sh. Xasan El-Buraale. Waxaa duubistaas ka qayb qaatay Aweys Maxamed Waasuge, oo kala shaqaynaayay Giannattasio xagga baarista muusikada soomaaliyeed, isagoo markaas ka ahaa Masraxa Qaranka Soomaaliyeed soosaare 1984-89._-_Qasiido: testo non comprensibile; rituale religioso di xayaad, in funzione (ambiente esterno). Modo di esecuzione: voci, crotali (shanbal), due timpani (owlan). Registrazione effettuata da Francesco Giannattasio la sera e la notte del 4 maggio 1985 a Jasiira, nella regione Banaadir, in occasione della siyaaro (commemorazione) per lo Sheekh Xasan (El-)Buraale. Partecipa alla registrazione Aweys Maxamed Waasuge, allora regista del Teatro Nazionale Somalo e, dal 1984 al 1989, collaboratore di Giannattasio alla ricerca sulla musica somala._-_Qasiido: unintelligible lyrics; xayaad religious ceremony, outwards. Performance: vocals, crotales, two kettledrums. Recorded by Francesco Giannattasio on the evening and night of May, 4th 1985 in Jasiira, in the Banaadir region, on the occasion of siyaaro (memorial) for Sheekh Xasan (El-) Buraale. In the presence of Aweys Maxamed Waasuge, director of the Somali National Theatre and Giannattasio's collaborator in his research on Somali music from 1984 to 1989