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Il contratto monofirma: forma del contratto e nullità di protezione
No full textDa alcuni anni è emersa in modo rilevante la questione della forma scritta dei contratti bancari e finanziari. Le disposizioni, in entrambe le ipotesi, indicano che il contratto deve essere redatto per iscritto, che una copia deve essere consegnata al cliente e che l’eventuale invalidità connessa all’assenza di tale forma scritta può essere fatta valere dal solo cliente. Essendo frequente che nei giudizi venga prodotto il contratto sottoscritto dal solo cliente, la sentenza in commento si chiede se, superate dalla giurisprudenza altre diverse soluzioni, si possa ritenere che la particolare natura dell’invalidità (di protezione) possa portare a rigettare l’eccezione di nullità formulata dal cliente per la mancanza di firma della banca, quantomeno ove si possa ritenere raggiunto lo scopo informativo sotteso alle previsioni in questione
Phonodia. La voz de los poetas, uso crítico de sus grabaciones y entrevistas.
No full textThis essay focuses on the ‘voice’ as it sounds in a specific type of recordings. This recordings always reproduce a poet performing a poem of his/her by reading it aloud. Nowadays this kind of recordings are quite common on Internet, while before the ’90 digital turn it was possible to find them only in specific collection of poetry books that came with a music cassette or a CD. These cultural objects, as other and more ancient analogic sources, were quite expensive to produce and acquire. However, all of them contain this same type of recoding which share the same characteristic: the author’s voice reading aloud a poem of his/her. By bearing in mind this specific cultural object and its characteristics, this study aims to analyse the «intermedial relation» that occur between a poetic text and its recorded version with the author’s voice. This «intermedial relation» occurs especially when these two elements (text and voice) are juxtaposed and experienced simultaneously. In fact, some online archives dedicated to this type of recording present this configuration forcing the user to receive both text and voice in the same space and at the same time This specific configuration not just activates the intermedial relation, but also hybridises the status of both the reader, who become a «reader-listener», and the author, who become a «author-reader». By using an interdisciplinary approach that combines philosophy, psychology, anthropology, linguistics and cognitive sciences, the essay propose a method to «critically listening» some Spanish poets’ way of vocalising their poems. In addition, the book present Phonodia web archive built at the Ca’ Foscari University of Venice as a paradigmatic answer to editorial problems related to online multimedia archives dedicated to these specific recordings. An extent part of the book is dedicated to the twenty-eight interviews made to the Spanish contemporary poets who became part of Phonodia and agreed in discussing about their personal relation to ‘voice’ and how this element works in their creative practice
Asset Prices and Wealth Dynamics in a Financial Market with Random Demand Shocks
No full textWe study a financial market where some of the investors’ demands for a risky asset are exposed to random shocks. These shocks encompass a source of return variability whenever the wealth of traders subject to them is large, due to their transmission onto market clearing prices. By analytically investigating the underlying price and wealth dynamics, we provide conditions on agents’ portfolios under which such pass-through is either maximal, when the traders subject to demand shocks dominate, minimal, when the traders subject to demand shocks vanish, or endogenously determined, when all traders survive and their relative wealth dynamics is a mean reverting process. In particular, the pass-through emerges only when the average position in the risky asset of the traders subject to demand shocks is large enough to compensate from the losses they incur from buying at a high price (selling at a low price) whenever a positive (negative) demand shock occurs
2.6 Il canale del monastero altomedievale di S. Silvestro di Nonantola: GPR, ERT e carotaggi manuali
No full textIl contributo espone i risultati delle indagini GPR, ERT e dei carotaggi manuali effettuati nel cortile dell'Abbazia di S. Silvestro di Nonantola con particolare riferimento ad una via d'acqua che attraversò l'area fino all'edificazione dell'attuale edificio di culto
Non-memoryless Pedestrian Flow in a Crowded Environment with Target Sets
No full textThis work deals with the problem of managing the excursionist flow in
historic cities. Venice is considered as a case study. There, in high season, thousands
of excursionists arrive by train in the morning; spend the day visiting different sites;
reach again the train station in late afternoon and leave. With the idea of avoiding
congestion by directing excursionists along different routes, a mean field model is
introduced. Network/switching is used to describe the excursionists costs as a func-
tion of their position, taking into consideration whether they have already visited
a site or not, i.e. allowing excursionists to have memory of the past when making
decisions. The problem is analized in the framework of Hamilton-Jacobi/transport
equations, as it is standard in mean field games theory. In addition, to provide a
starting datum for iterative solution algorithms, we introduce a second model in
the framework of mathematical programming. For this second approach we present
some numerical experiments
Al confine dei generi. Rifrazioni romanzesche nei "Comptes amoureux"
No full textI Contes amoureux di Jeanne Flore racchiudono nella loro strutturazione di forma narrativa breve inserita in una cornice di derivazione boccacciana non pochi luoghi in cui la materia narrata riprende molto da vicino e rielabora – adattandola al progetto e alla finalità esemplare della raccolta – la materia romanzesca, tratta da romanzi tardomedievali francesi e da poemi epico-cavallerereschi italiani (Orlando Innamorato, Orlando Furioso, Mambriano). Essi offrono così un caso interessante di composizione variegata, costruita non solo sulla trasposizione di sequenze, ma, soprattutto, sulla contaminazione e l'amalgama di generi narrativi. Riproducendo la dinamica dell’entrelacement presente nelle fonti, i Contes amoureux recuperano alcuni inserti novellistici dei poemi cavallereschi italiani e dell’Hypnerotomachia Poliphili e ne fanno tasselli narrativi autonomi, a loro volta inclusi in una cornice di narrazione depositaria del senso ultimo dell’opera. Assistiamo in questa raccolta a dinamiche creative complesse in cui all’interazione di diverse forme narrative si unisce una riconversione del vieux roman francese in prosa, del poema cavalleresco e dell’emblematico romanzo misteriosofico del Colonna in un unicum narrativo che dà voce a un « discours bigarré » altamente rappresentativo della temperie culturale e letteraria della Lione degli anni ’40 del Cinquecento
