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    The Royal Academy of Arts Audio Project

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    The Royal Academy Audio Project Overview The Royal Academy Audio Project (RAAP) is an on-going practical research project, sponsored by The Contemporary Circle on behalf of the Royal Academy of Art Library. Aims The primary purpose of this project is to record a series of interviews with leading Royal Academicians, concentrating on their professional career, and their relationship with the Royal Academy of Art. Many of the most influential artists of the 20th Century are now of an advanced age and whilst some have been interviewed in the past, many have not – certainly not in a considered and rigorous manner. This project will seek to address that before it is too late. The Library have identified upwards of seventy Royal Academicians that they believe should be included. It is anticipated that RAAP will look to record twelve subjects per year. Outcomes The bulk of the material is intended for archive within the Royal Academy of Art library as primary source material for researchers and academics. 1. The completely unedited recordings – the non-mediated audio texts. 2. The ‘Umm & Ah’ Edit – removal of the hesitations and repetitions of all interviews. 3. The 45 Minute Documentary – the mediated text intended as a potentially ‘commercial’ and ‘engaging’ output for educated but uninformed listeners (based on the BBC Reithian precept). 4. Transcription texts of all the interviews (post ‘Umm & Ah’ edit) Production Breakdown Interview 1: The artist in his/her studio or workspace Interview 2: The artist in the sound studio at Royal Holloway Interview 3: With another RA artist commenting upon the work of the subject. Interview 4: A recorded conversation between the subject and the commenting artist. The Radio Documentary – constructed from all the interviews Personnel Rhys Davies – Editor (archive) Producer & Studio Presenter (Documentary) Dr Jean Wainwright – Researcher and Interviewer. rhysdavies201

    A novel stateless authentication protocol

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    Accountability and performance management systems within private and public sector organisational change processes

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    This paper examines organisational change processes that occur when accountability demands from powerful external stakeholders change. It investigates, firstly, whether these external accountability demands impact on the performance management systems of two different types of organisations. Secondly, it considers whether the goals for improved performance contained within the external accountability demands are realised. The paper derives its primary insights from analysing in-depth interviews with managers working in a private sector company and in public sector organisations. The analyses reveal complex organisational responses. In the public sector case study, the organisations tended to reorient their performance management systems towards the external accountability demands; whilst in the private sector organisation, pressures from falling share prices forced managers to focus their decision making on the preferred performance measures contained in shareholders’ accountability demands. However, whilst there is some evidence of performance management system changes, the desires for improved performance subsumed by the external accountability demands are not necessarily realised through the performance management system changes

    Identifying key knowledge needs for evidence-based conservation of wild insect pollinators: a collaborative cross-sectoral exercise

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    1. In response to evidence of insect pollinator declines, organisations in many sectors, including the food and farming industry, are investing in pollinator conservation. They are keen to ensure that their efforts use the best available science. 2. We convened a group of 32 ‘conservation practitioners’ with an active interest in pollinators and 16 insect pollinator scientists. The conservation practitioners include representatives from UK industry (including retail), environmental non-government organisations and nature conservation agencies. 3. We collaboratively developed a long list of 246 knowledge needs relating to conservation of wild insect pollinators in the UK. We refined and selected the most important knowledge needs, through a three-stage process of voting and scoring, including discussions of each need at a workshop. 4. We present the top 35 knowledge needs as scored by conservation practitioners or scientists. We find general agreement in priorities identified by these two groups. The priority knowledge needs will structure ongoing work to make science accessible to practitioners, and help to guide future science policy and funding. 5. Understanding the economic benefits of crop pollination, basic pollinator ecology and impacts of pesticides on wild pollinators emerge strongly as priorities, as well as a need to monitor floral resources in the landscape

    Building general-purpose security services on EMV payment cards

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    "Presences of the Infinite": J.M. Coetzee and Mathematics

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    This thesis articulates the resonances between J. M. Coetzee's lifelong engagement with mathematics and his practice as a novelist, critic, and poet. Though the critical discourse surrounding Coetzee's literary work continues to flourish, and though the basic details of his background in mathematics are now widely acknowledged, his inheritance from that background has not yet been the subject of a comprehensive and mathematically- literate account. In providing such an account, I propose that these two strands of his intellectual trajectory not only developed in parallel, but together engendered several of the characteristic qualities of his finest work. The structure of the thesis is essentially thematic, but is also broadly chronological. Chapter 1 focuses on Coetzee's poetry, charting the increasing involvement of mathematical concepts and methods in his practice and poetics between 1958 and 1979. Chapter 2 situates his master's thesis alongside archival materials from the early stages of his academic career, and thus traces the development of his philosophical interest in the migration of quantificatory metaphors into other conceptual domains. Concentrating on his doctoral thesis and a series of contemporaneous reviews, essays, and lecture notes, Chapter 3 details the calculated ambivalence with which he therein articulates, adopts, and challenges various statistical methods designed to disclose objective truth. Chapter 4 explores the thematisation of several mathematical concepts in Dusklands and In the Heart of the Country. Chapter Five considers Waiting for the Barbarians and Foe in the context provided by Coetzee's interest in the attempts of Isaac Newton to bridge the gap between natural language and the supposedly transparent language of mathematics. Finally, Chapter 6 locates in Elizabeth Costello and Diary of a Bad Year a cognitive approach to the use of mathematical concepts in ethics, politics, and aesthetics, and, by analogy, a central aspect of the challenge Coetzee's late fiction poses to the contemporary literary landscape

    Bedsitter Sunday Blues

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    Reconciliation en minga

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