University of Sydney Library, Visual arts collection
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The room was rectangular [Image no. 10611]
No full textCollaboration with Vanessa White.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/412
xxxxxxxxx2009 [Image no. 10616]
No full textCopyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/412
Bare [Image no. 10632]
No full textCollaboration with Gemma Mckenzie-Booth.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/413
Bare [Image no. 10645]
No full textCollaboration with Gemma Mckenzie-Booth.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/414
Exhibition views, Sydney College of the Arts
No full textCaption: "Untouchable presents the work of staff from the Object Art and Design Studios of Sydney College of the Art. It showcases the artists’ diverse approaches. As for its tongue-in-cheek title: What else do you call an exhibition to accompany Unwearable and Unbearable?" - Source: http://www.usyd.edu.au/sca.Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/418
Qui es cent [Image no. 12458]
No full textArtist statement: "As a society, we are collectively subjected to an incessant focus on that which is unbearable. Global crises dominate the media and have a very real impact on the way we perceive the world we inhabit and our personal role in it. This collection of works utilises the repetition of action of wrapping, hammering and stitching found in silver-smithing and textile processes, to explore the material qualities of softness and subtlety. The outcome of this form of mark making inverts notions of the unbearable by ritualistically drawing attention to the small details of living ... writing, reading, time in nature... which makes the everyday not only bearable, but poetic.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/422
Moon bears [Image no. 12528]
No full textArtist statement: “How cute are these moon bears? Also known as Asian black bears, moon bear homes are tiny cages for one. They can easily learn to do cool tricks and enjoy having time out to perform! Large communities of moon bears live on farms. Their bile has special healing properties that will be passed on to you! For a bargain price, you can have a moon bear of your very own!".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/424
I dream of Shangri-la : Exhibition view [Image no. 12504]
No full textArtist statement: "In this work, I deal with an environmental issue. I used genetically modified objects and trashes to depict this year's theme 'Unbearable'. The concept is fish whose body symbolises a mutated body, dreaming of te Chinese version of Utopia, Shangri-la. I combined three objects - a leather jacket head, a beer bottle and squid tentacles - for portraying genetically modified objects. While current biotechnology may produce genetically modified creatures like fish, biotechnology may ruin our ecosystem in the near future. While biotechnology may help prolong human life, we must no neglect how it can destroy our nature. The blue decal painting on the surface can be interpreted as the Chinese version of Utopia, Shangri-la. So, these fish fish are mutated bodies, dreaming of heaven.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/426
The blood of others : Exhibition view [Image no. 12572]
No full textCopyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/429
Gun emplacement [Image no. 12999]
No full textCopyright Lynn Smith.For more information about this item, browse to http://hdl.handle.net/102.100.100/499