University of Sydney Library, Visual arts collection
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Bare [Image no. 10629]
Collaboration with Gemma Mckenzie-Booth.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/413
Bare [Image no. 10622]
Collaboration with Gemma Mckenzie-Booth.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/415
Bare [Image no. 10626]
Collaboration with Gemma Mckenzie-Booth.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/415
Exhibition views, Sydney College of the Arts
Caption: "Untouchable presents the work of staff from the Object Art and Design Studios of Sydney College of the Art. It showcases the artists’ diverse approaches. As for its tongue-in-cheek title: What else do you call an exhibition to accompany Unwearable and Unbearable?" - Source: http://www.usyd.edu.au/sca.Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/419
Exhibition views, Sydney College of the Arts
Caption: "Untouchable presents the work of staff from the Object Art and Design Studios of Sydney College of the Art. It showcases the artists’ diverse approaches. As for its tongue-in-cheek title: What else do you call an exhibition to accompany Unwearable and Unbearable?" - Source: http://www.usyd.edu.au/sca.Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/419
Feel, endure and experience the unbearable [Image no. 12444]
Artist statement: "The unbearable depicted through this work is derived from the most irritating and unbearable sounds that surround us. Whether it’s the sound of the car alarm going off or even the neighbour's dog barking constantly. However, the worst of all would have to be the insanely unbearable noise produced from scratching the blackboard with nails. Erg… shivers and goose bumps emerge just thinking about it … Let alone, experiencing it could be described as one of the most unbearable. This interactive piece, with intolerable aesthetics, fit to the theme of unbearable, allow the audience to feel, endure and experience ‘the unbearable’, both visually and audibly.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/420
Feel, endure and experience the unbearable [Image no. 12446]
Artist statement: "The unbearable depicted through this work is derived from the most irritating and unbearable sounds that surround us. Whether it’s the sound of the car alarm going off or even the neighbour's dog barking constantly. However, the worst of all would have to be the insanely unbearable noise produced from scratching the blackboard with nails. Erg… shivers and goose bumps emerge just thinking about it … Let alone, experiencing it could be described as one of the most unbearable. This interactive piece, with intolerable aesthetics, fit to the theme of unbearable, allow the audience to feel, endure and experience ‘the unbearable’, both visually and audibly.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/420
Feel, endure and experience the unbearable : Exhibition view [Image no. 12452]
Artist statement: "The unbearable depicted through this work is derived from the most irritating and unbearable sounds that surround us. Whether it’s the sound of the car alarm going off or even the neighbour's dog barking constantly. However, the worst of all would have to be the insanely unbearable noise produced from scratching the blackboard with nails. Erg… shivers and goose bumps emerge just thinking about it … Let alone, experiencing it could be described as one of the most unbearable. This interactive piece, with intolerable aesthetics, fit to the theme of unbearable, allow the audience to feel, endure and experience ‘the unbearable’, both visually and audibly.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/420
Exhibition view of un writ ten [Image no. 12462]
Artist statement: "As a society, we are collectively subjected to an incessant focus on that which is unbearable. Global crises dominate the media and have a very real impact on the way we perceive the world we inhabit and our personal role in it. This collection of works utilises the repetition of action of wrapping, hammering and stitching found in silver-smithing and textile processes, to explore the material qualities of softness and subtlety. The outcome of this form of mark making inverts notions of the unbearable by ritualistically drawing attention to the small details of living ... writing, reading, time in nature... which makes the everyday not only bearable, but poetic.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/421
Detail of e qui lib ri um [Image no. 12455]
Artist statement: "As a society, we are collectively subjected to an incessant focus on that which is unbearable. Global crises dominate the media and have a very real impact on the way we perceive the world we inhabit and our personal role in it. This collection of works utilises the repetition of action of wrapping, hammering and stitching found in silver-smithing and textile processes, to explore the material qualities of softness and subtlety. The outcome of this form of mark making inverts notions of the unbearable by ritualistically drawing attention to the small details of living ... writing, reading, time in nature... which makes the everyday not only bearable, but poetic.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/421