University of Sydney Library, Visual arts collection
Not a member yet
3158 research outputs found
Sort by
Blessed little children [Image no. 12472]
No full textArtist statement: “In using the kewpie doll as a model, I present an irony, which by enhancing the objects with strategically placed wire, indicates the suffering of children. The reality is that in todays world, even in industrialised countries, children are exposed to aids, malnutrition, and abuse. One only has to read about human rights to realise that children of the world are all still at risk. In this work the “Kewpie Babies”, represent children of the world that suffer from poverty, starvation, disease, abuse, slavery, war damage and the dispossessed. In the 21st Century it is still inconceivable that innocent children suffer because of mans’ inhumanity to man. The Kewpie Doll was one of the first toys in mass manufacturing in the early 1900’s. It may appear as a trivial object to some but it became symbolic for many who saw it as a message of love and a happy childhood. The word Kewpie is derived from “Cupid”. I see it as a tool to express my ideas about the children of today.”.Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/422
Huon ahoy huon destroy [Image no. 12492]
No full textArtist statement: "Huon pine is a relic of Gondwana the first pollen records date back to 135 million years. They are one of the slowest growing and longest living plants in the world and are only found in remote Western Tasmania. During the 1800's these trees were logged for ship building as they contained an oil that retarded the growth of fungi. The Huons were felled and floated down stream along the Franklin and Gordon rivers. Today the tree is wholly protected and cannot be felled.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/425
Eye rings [Image no. 12495]
No full textArtist statement: "Recently my sister suffered a detached retina in her right eye. I began to research retinal surgery - and found it hard to stop! The eye is, of course, of utmost importance to us as visual artists, and it is amazing to study the biology and mechanics of vision. These 'eye rings' spring from the concept of the 'schleral buckle' that is placed around the rim of the eye. They are based around various aspects of the surgery: laser light, retinal structure, or the gas bubbles that are pumped inside the eye to help hold the retina in place as is heals.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/425
Eye rings : Exhibition view [Image no. 12497]
No full textArtist statement: "Recently my sister suffered a detached retina in her right eye. I began to research retinal surgery - and found it hard to stop! The eye is, of course, of utmost importance to us as visual artists, and it is amazing to study the biology and mechanics of vision. These 'eye rings' spring from the concept of the 'schleral buckle' that is placed around the rim of the eye. They are based around various aspects of the surgery: laser light, retinal structure, or the gas bubbles that are pumped inside the eye to help hold the retina in place as is heals.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/425
Lest we forget [Image no. 12516]
No full textArtist statement: "When I began this project eight Australians had died in active service in Afghanistan. The number has now risen to eleven. I've made nameless memento mori ID tag for each of them. ID tags are used by the military. Their sole function is to register death, one tag is taken by the person who discovers the body and the other remains with the body often in the body bag. This final piece of jewellery records only the name, rank and serial number of the individual. They are precious, anonymous and intimate everyday reminders of mortality and the risks we are prepared (or not prepared) to take.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/427
Aspects of Alice : Exhibition view [Image no. 12530]
No full textArtist statement: "The idea for this project comes from a nostalgic memory, connected to the puerile responsiveness of childhood. Is it a futile quest to try and recapture the spontaneity and curiosity that exists in childhood? Has our constructed self overridden the playfulness of the natural self? - GAME OVER. ".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/428
Emma Darwin (nee Wedgewood) and the voyage of the beagles : Exhibition view [Image no. 12565]
No full textCopyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/429
Drunken smokestack [Image no. 12959]
No full textCopyright Lynn Smith.For more information about this item, browse to http://hdl.handle.net/102.100.100/498
Broken cottage [Image no. 12961]
No full textCopyright Lynn Smith.For more information about this item, browse to http://hdl.handle.net/102.100.100/499
Rusted farm machine (NT) [Image no. 12997]
No full textCopyright Lynn Smith.For more information about this item, browse to http://hdl.handle.net/102.100.100/499