University of Sydney Library, Visual arts collection
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No full textFor more information about this item, browse to http://hdl.handle.net/102.100.100/399
Body painting [Image no. 10512]
No full textCopyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/401
Body painting [Image no. 10502]
No full textCopyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/402
Untitled number 2 [Image no. 10546]
No full textCollaboration with Eugene Lee.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/405
Burial [Image no. 10556]
No full textCopyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/407
Zouk [Image no. 10570]
No full textCollaboration with Chris Spring.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/407
Join the dots group project [Image no. 10581]
No full textCopyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/409
Light painting [Image no. 10600]
No full textAction painting, trying to capture light shadows.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/410
Bare [Image no. 10635]
No full textCollaboration with Gemma Mckenzie-Booth.Copyright of the artist; Photographer: Guy Morgan.For more information about this item, browse to http://hdl.handle.net/102.100.100/413
Detail of e qui lib ri um [Image no. 12465]
No full textArtist statement: "As a society, we are collectively subjected to an incessant focus on that which is unbearable. Global crises dominate the media and have a very real impact on the way we perceive the world we inhabit and our personal role in it. This collection of works utilises the repetition of action of wrapping, hammering and stitching found in silver-smithing and textile processes, to explore the material qualities of softness and subtlety. The outcome of this form of mark making inverts notions of the unbearable by ritualistically drawing attention to the small details of living ... writing, reading, time in nature... which makes the everyday not only bearable, but poetic.".Copyright of the artist. Photographer: Chantal Labbé, SCA Images Online.For more information about this item, browse to http://hdl.handle.net/102.100.100/421