Austrian Academy of Sciences

Elektronisches Publikationsportal der Österreichischen Akademie der Wissenschaften
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    Pêle-Mele

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    Kabarettbühne in Venedig in Wien

    Understanding the (Early) Pottery Neolithic chipped stone production in north-western Aegean from the eastern Aegean perspective

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    This paper aims to outline the major points and current issues in understanding the chipped stone production in the Aegean areaduring the 7th millennium BC. Not often, western and eastern Aegean have been studied within the same framework, althoughsimilar trends related to the process of Neolithisation in this broad area, i.e., the Aegean basin, could be proposed. Some of themajor issues may relate to the unsynchronized chronology, which can be the first obstacle when it comes to the correlation of theNeolithic developments between Greece and the Aegean islands on one side and western Turkey on the other side. First-handstudies of lithic assemblages from the centre of the Aegean Anatolian coast will be used here to address shared features with thenorthern Greek Early Pottery Neolithic and to offer insights related to possibly different cultural backgrounds which could haveenabled and shaped different patterns of production and use of lithics. This study employs the analyses of raw materials used inthe production of chipped stone assemblages and their technological and typological features to gauge the north-western Aegeancontext from the eastern Aegean perspective

    Weingarten, Joseph

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    * 9.6.1801 Wigstadtl/Schlesien (Vítkov/CZ), † 1.8.1840 Josefstadt (Wien VIII). Chorregent

    Horn, Camillo (Kamillo Andreas)

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    * 29.12.1860 Reichenberg/Böhmen (Liberec/CZ), † 3.9.1941 Wien. Komponist und Musiker

    9783700188964. GW-Unterricht|GW-Unterricht 161|

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    „Bis zur Grenze des Tragbaren“. Zur Geschichte der Kritik am Antisemitismus im Feuilleton des ›Pester Lloyd‹ 1933 bis 1944.. Sprachkunst. Beiträge zur Literaturwissenschaft|Sprachkunst LI / 2020, 2. Halbband|

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    “At the limit of tolerability”: On the history of criticism of anti-Semitism in the feuilleton of ›Pester Lloyd‹ 1933–1944. When Siegfried Brachfeld’s dissertation on the last decade of the most influential Germanlanguage newspaper in Hungary appeared in 1971, a turning point in the cultural and scientific debate about anti-Semitism became apparent. A contemporary contextualisation of the only academic work by the popular entertainer constitutes the starting point for an inspection of the reception of literary antisemitism in Hungarian fiction with the help of random samples from ›Pester Lloyd‹

    Band 9 (Razus – Savic)

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