Ars: Jurnal Seni Rupa dan Desain
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PENERAPAN PRINSIP-PRINSIP AKSESIBILITAS PADA SETTING RUANG BAGI PENYANDANG CACAT TUBUH
No full textAccording to the WHO, the number o f physically-challenged ( - difable) people in Indonesia is 7% -20% o f the toted population and only a small proportion o f them possess adequate education and decentemployment. This condition is caused by the lack o f accessible facilities in public spaces (settingroom/interior design). In this condition, they require an institution or community which cares andencourages them to generate a positive attitude.Key Words: Setting Room/Interior Design, Accessibility, Difable
Cahaya Bagi Kreasi Estetik
No full textCahaya sebagai suatu gejala harus sudah disadari, sejak orang mengenal siang danmalam. Pada siang hari suhu udara menjadi hangat atau panas akibat terkena pancaransinar matahari. Oleh sebab itu, wajar jika cahaya diasosiasikan dengan panas; panasdiasosiasikan dengan iklim, yakni bagian siklus realitas alam yang ditimbulkan oleheksistensi matahari. Cahaya tidak hanya sebagai kekuatan (energi) yang memberikan dayahidup segala makhluk di dunia, tetapi disadari bahwa tanpa cahaya segala sesuatu tidakmungkin terlihat atau digumuli adan dikembangkan bagi kepentingan hidup.Pada dasarnya sumber cahaya dapat dipilahkan menjadi dua macam, yaitu sumbercahaya alami dan buatan. Sumber cahaya alami antara lain, berasal dari matahari dan kilat(lightningj dengan segala implikasinya; sedangkan sumber cahaya buatan antara lain,berasal dari api dan listrik. Efek yang ditimbulkan oleh kedua sumber cahaya itu telahmempengaruhi kesadaran manusia, sehingga setelah mengalami sentuhan estetik umbulfenomena tertentu yang terkesan dramatik, mitis, dan religius, atau sama sekali bersifatprofan. Hal itu bergayut dengan eksistensi manusia yang memiliki kesadaran rasional danirasional sekaligus. Sejalan dengan itu, pengenalan dan pemahaman manusia mengenaicahaya juga terbagi menjadi dua alur pikir yang berbeda, termasuk di dalamnyaperanannya di bidang penciptaan karya seni. Kehadiran cahaya dalam seni juga memilikidua kecenderungan terpisah, yaitu munculnya sifat sacral (dramatik, mitis, dan religius)dan profan. Bukti untuk itu dapat diperhatikan melalui uraian berikut
AHMAD SADALI Al Quran dalam Pribadi Seniman Islami
No full textIslam in society nowadays has evolved over a very long lime, especially as the span of time betweenthe messenger, the Prophet Muhammad, becomes more distant. This religion which reaches the disciples'heart faces many, various considerations. One o f these considerations which is mostly accepted by thesociety is secularity towards the religion. Religion is considered to be the other side o f a person's life, whichis not supposed to be involved in societal matters. Hoioever, at the same time, a phenomenon of "back tosyariah (Islamic law)" becomes apparent in Moslem society. A proportion o f Islamic disciples rediscover aconnection and realise its jwtential in ruling human life. I he Koran becomes a solution in confronting thislife.It affects not only common people's thoughts but also artists in creating artworks. Vie late AhmadSadali was a Moslem artist who realized this potential in his life. He tried to identify himself as "idilalbab", a human being exemplified by his Cod, as written in the Holy Book in which he believed. This factor,eventually, differentiates his personality as well as the artworks he produced from his fellow artists andtheir oion works.Keywords: Ahmad Sadali, Islamic identity, The Koran, vers
KEHADIRAN PELUKIS SALIM DALAM SEJARAH SENI LUKIS MODERN INDONESIA
Get PDFInvestigating the socio-cultural background, specifically the contradiction among the ideological influences in Indonesia in the late 1950s, cannot be done without discussing Salim. This painter promoted the aesthetic paradigm of ‘universalism’ that emphasized on the freedom of personal expression. Many facts show that Salim was a painter with a firm personality. He built an intensive social relation with Indonesian national movement figures. His paintings contributed significantly to the development of the art of painting in Indonesia. However, he was stick to his decision to stay in Europe. His major rationale was that Europe was his only chance to develop both as human being and a professional painter. In Europe, he intuitively expressed Indonesian values through visual idioms. Europe acknowledged him as a painter with Eastern spirit, whereas in Indonesia he was considered too western. As the matter of fact, he was a universalist. In the bargaining of the aesthetic paradigm the history of modern visual art in Indonesia, Salim existence has been an inspiration and psychological support for painters who fight for universal humanism in his works. His presence was a true manifestation of the national identity issue in art. It was a reflection of political live tradition that is always a color in the journey of Indonesia modern art and culture. Keywords: modern paintings, nationalism, universalism, identity
Desain Arsitektur Pusat Perbelanjaan dan Fenomena Masyarakat Konsumen
Get PDFdern architectural designs tend to looksimilar. Tey are buit in massive forms withsimple geometry and perform structural andfunctional aesthetic values that show the mixtureof mechanical aesthetic elements and economicalaesthetics engineering. Te fact that there are a bignumber of shopping malls built in numerous citiesin Indonesia is the physical evidence of the moderndesign. It also indicates that consumerism culturegrows quickly in the pluralistic urban socie
Novel Grafis: Studi Awal Tentang Istilah dan Bentuk
Get PDFThis article would like to begin a short studyon the term ‘graphic novel’. As we can see, the termis problematic. Most arguments shaped around‘graphic novel’ clearly show that the works havebeen regarded as a part of literature, while theothers have been considered the term as a formof sequential art which has lengthened story. Theaim of this article, then, is to deconstruct the term‘graphic novel’ by pointing out the weaknesses, boththrough the meaning of the term and also by meansof the discourses that have been strengthened withsome episteme built with the essence to justify themeaning of graphic novel amidst the discourses ofsequential ar
Game Simulasi Aman Berkendara Roda Dua di Jalan Umum
Get PDFThe number of accidents on the streets hasalways been dominated by motorcycles. Treefactors that cause these accidents are humanerrors, vehicles and environments. Te highestfactor causing the accident is human error. Itoften triggers accidents. Riding their motorcycles,riders struggle to get to their destination as soon aspossible. Tis often leads to accidents. To reduce theaccident number, the solution offered is creating agame application to complete the already existingbooks and theories providing trafc guidance andalso the counseling given by the authorities. It isin the form of safety riding simulation game thatis designed as closely as possible with good drivingtechniques. Advantageous tips and tricks completethe game. A PC tablet with Android operatingsystem with maximal multimedia features is usedto guarantee that the users will feel the sensation ofthe simulation
Seni Patung Berbasis Teknologi Biner 01
Get PDFSculpture is three-dimensional works created as a way to communicate the artist to the recipient. In general, the sculpture has the look of a close spatial relationship with the planning and preparation form. By some artists of this digital technology is processed and used as a means of creative media. Planning can form through the process without the process technology or technology-based aritmatic row that work based programming language. Blend series aritmatic 0 1 in binary processing will change analog data into an array of data will produce the color through the liquid crystal display (LCD) or cathode ray tube (CRT). Analog data in the form sculpture sketch plan will be changed into electronic visual data displayed through the LCD or CRT screen
Kemajuan Teknologi dan Siasat untuk Berkembang
Get PDFTechnology Advance and Its Development Strategy.Art education organized by the Faculty of Visual Artof ISI Yogyakarta is related to the dynamic of the artdevelopment in the visual art practitioners’ networkingin both national and global level. The students enrichtheir knowledge and experience from inside as well asoutside the campus by employing various strategies.Within this process, at many times the effort in achievingan artistic convention crashes with the artistic creativitythat develops along with the world improvement. Marketundeniably has to be considered in assisting the studentsto be ‘mature’ artists. It is also a must that art interactswith other fields of science. Technology will hold animportant position as new learning resources in theeducation of art
Peran dan dampak Teknologi digiTal pada Disain InterioR FSR ISI Yogyakarta
Get PDFThe Role and Impact of Technology on the Interior Design Study Program of ISI Yogyakarta. Digital technology grows rapidly and covers all fields in life. The design education conducted by the Visual Art Faculty of ISI Yogyakarta manages to cope with the technology development. This progress does not only set changes in technical aspects such as equipment and material, but also includes a wider range of issues correlated with the designing concept, the users’ responses and the designers’ attitude in the process of creating their works of art. The development of interior design in Indonesia can be tracked from four periods of development: the colonization era, the guided democracy era, the new order era, and the 21st century design era. The Interior Design Study Program, as other study programs existing in the Faculty of Visual Art of ISI Yogyakarta is branded for excellent manual skills. The application of digital technology in its teaching-learning process should ponder many aspects: hardware, software, maintenance, and human capital. Thoughtful researches are required to be able to follow the world development and show the uniqueness of this art education institutio