Ars: Jurnal Seni Rupa dan Desain
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Proses Kreatif Nasirun dan Resepsi Publik atas Karya-karyanya
No full textYogyakarta adalah sebuah koia di Indonesia yang melahirkan begitu banyak pelukis.Kondisi ini didukung ol<‘H keberadaan Institusi Pendidikan Tinggi Seni, yang sekarangdisebut ISI Yogyakarta. Selain itu, suasana berkarya di luar pendidikan seni formal jugatumbuh subur, terutama didukung oleh pariwisata dan industri kerajinan. Kondisi inilah yangmembawa pendatang dari luar Yogyakarta untuk belajar dan mendalami seni rupa diYogyakarta. Salah satunya adalah Nasirun, yaitu seorang pelukis yang cukup dikenal di tanahair. Prestasi Nasirun yang bisa dicatatAntara lain: memperoleh penghargaan Indonesian Art Award, Me Donald ArtAward, Penghargaan dari FSR ISI Yogyakarta, dan mendapat undangan berpameran dibeberapa even bergengsi. .Selain iru basil karya pelukis ini cukup digemari oleh kolektorkolektorlukisan di tanah air. Sebagai pelukis, Nasirun juga memperoleh kesempatan untukmelakukan beberapa lawatan ke negara-negara yang mempunyai sejarah tua dalam seni rupamodern, seperti Amerika, beberapa negara di Eropa, serta China.Nasirun dilahirkan di Cilacap, pada tanggai 1 Oktober 1965. Pelukis ini tumbuhdalam lingkungan yang kental dengan tradisi dan kepercayaan masyarakat Jawa di desa. Sejakkanak kanak, ia sudah menggemari pertunjukkan wayang kulit. Kegemarannya akan wayangkulit tersebut ikut serta membentuk minatnya dalam mendalami profesi pelukis. Nasirunberasal dari tujuh bersaudara. Di antara semua saudaranya itu, hanya Nasirun dan adiknyayang bisa menyelesaikan pendidikan S MA, yang bahkan kemudian Nasirun melanjutkanpendidikan seninva ke Institut Seni Indonesia Yogyakarta. Kebanyakan masyarakat didesanya, pada waktu itu merasa belum membutuhkan pendidikan formal, apalagi pendidikantinggi
PRODUKSI TENUN ATBM DENGAN APLIKASI DAN VARIASI PAKAN NON BENANG
No full textATBM (non mechanical weaving equipment) is very popular in Indonesian weaving. There are various types of woven cloth in Indonesia, such as lurik, warp ikat, double ikat and songket. Indonesian weaving has been developing in many aspects. An innovation on weaving material is significant in the technical aspect of the production process. When ATBM is operated, usually the thread material is used.Nowadays, in addition to the thread material, the non thread ones are also applied. This article will discuss about the non thread material application on the interior products.Keywords: ATBM, craft textile, non thread weft, weaving material, weaving
WEBLOG: ALTERNATIF MEDIA PROMOSI BAGI SENIMAN
No full textAs an artist, the key to promoting more artwork is maximizing its exposure. The internet is anincreasingly popular tool for promoting original art, unci if done properly, can be quite profitable. One o f themost effective (and free!) online marketing tools for artists is the blog. Artist blogs provide an easy way todisplay your art, discuss your creative process, post exhibition announcements and more. Best o f all, blogsrequire no working knowledge o f HTML and the search engines love their dynamic content.1Key words: weblog, promotion, artis
'AKAR' DAN 'LUKU' DI KOTA, TRAKTOR DI DESA Kriya Kayu Rastik dalam Konteks Valorisasi, Partikularisasi Gaya ITidup, dan Perubahan Sosio-Kultural Masyarakat Kontemporer
No full textThis article discusses the development o f rustic craps nowadays. Rustic craft in this articlemeans a work o f craft that is "made'' o f natural materials, such as roots, and ru ral-folk-crafts, fo r example,"lesutig" and "luku " (plough). These kinds o f crafts are becoming popular among the middle-to-high classcommunities in the cities. The crafts function ils a signifier in gaining social status which differentiate c,certain class with other classes, and also fulfil their needs o f a different life style and their aesthetkal value.Such a condition increases a valorization o f rustic craft in economical and symbolic sense, but, at the sametime, creates an ironic condition especially in the context o f sccio-cultural shifting in a rural area. Thevillagers, especially the farmers, are withdrawn from their socio cultural base since they become unfamiliarwith their fvlk-funitiunul-crufts.Key ivords: life style, craft, rustic craft, discourse, valorization
Memahami Peluang-peluang Quantum dalam Seni
No full textTulisan ini merupakan tindak lanjut pelengkap dari tulisan penulis “Kajian QuantumUntuk Bidang Seni Rupa” yang dimuat di jurnal Ekspresi yang diterbitkan oleh LembagaPenelitian ISI Yogyakarta. Dalam tulisan sebelumnya penulis masih sebatas menawarkansuatu kajian yang didasarkan pada cara pandang atas realitas yang diadopsi dari temuantemuaneksperimental fisika quantum. Untuk melengkapi tulisan itu penulis menghadirkansatu cara pendekataa yang lebih praktikal dan opcrasional untuk memahami dan merefleksiseni. Pertama kali akan penulis kemukakan terlebih dahulu paradigma Fisika Klasik yangtelah berabad-abad pemikiran dan cara pandang masyarakat modern, lalu akan disusul dengancara pandang quantum yang mematahkan determinisme Fisika Klasik. Lalu akan penulispaparkan beberapa poin prinsipal dari Fisika Quantum yang penulis pandang layakdicermati. Poin-poin prinsipal ini kemudian akan dijelaskan dengan ilustrasi-ilustrasi yangdipetik dari kehidupan seni yangnyata. Dengan pemahaman quantum kita akan lebih mampusecara imajiner membayangkan potensi-potensi virtual seni atau peluang-peluang dalam karyaseni apapun, untuk selanjutnya dikaji, dan dipilih mana yang yang paling masuk akal danrealistik, bila ingin diaktualkan, baik secara lisan, tertulis, maupun grafis
JOGJA KOTA MURAL
No full textOutline o f this research is to know the relation between art and power, m this case mural as anartwork and Yogyakarta municipality as the power holder. The power holder has the task to create a policyconcerning public space, including art in public space, and the function o f mural as one o f the specificcharacters o f Yogyakarta city.Besides it is also to know the program o f Yogyakarta municipality in managing its area, especiallythat which concerns art in public space, its relation with the aspects o f tourism, education and community'sinvolvement in designing the management o f public space in Yogyakarta city.Key ivords: Mural, Yogyakarta, Public spac
HAK CIPTA DALAM DESAIN KOMUNIKASI VISUAL
No full textCopy Right is one o f the Intellectual Properti/ Right instruments to protect the creations resultedfrom the field o f knowledge, art mid literary. A> a brunch o f art, Visual Communication Design is alsosheltered by the Copy Right. The protection covers the right to announce the zoork (il ntay be the right topublish or to perform the works) and the right to copy the works. The right to announce cat: be in the formo f airing, performing, exhibiting, selling, etc. The right to copy include* the copying by photocopier andscanner machine.Copy Right guarantees a visual communication designer's economic and moral rights. Theeconomic right is the economic advantage the creator gels from his creation such as the selling and theroyalty results> whereas the moral right is the right to protect the creators' good name.Keywords: copy right, law protection, Intellectual Right
Apa Kabarmu Kartun Karikatur Indonesia?
No full textCaricature is a kind of picture or a mockery cartoon which containing message or insinuation formed by deformation process to the original figure. Good caricature contained satire, distortion and ethics with usage of word or even without word at all. In real life, caricature become one of media alternative of protesting and criticize situation.Keywords: caricature, mockery cartoon, insinuation, satir
PENGGUNAAN MATERIAL BEKAS PELUANG MENUJU SUSTAINABLE DESIGN
No full textenvironmental damages are acknowledged to be the negative impacts of the existence and activities of human. The impacts have been the major issues in the world such as the ozone hole, the earth temperature that is increasing significantly and the natural disasters. People need to change their paradigms and habits immediately to prevent further destruction on earth. Reutilizing used materials is one way, among other ways, to lessen the environment exploitation, even though it is not directly related to carbon dioxide reduction issue which is promoted by the KyotoProtocol supporters. However, in the realm of art and design, it is really relevant to creativity and at the same time, endorsing the sustainable design principles. Keywords: sustainable design, recycle, reused materia
(BUDAYA) KEMASAN WINGKO BABAT
No full textit. It is special because, one among the others, its packaging. The development of Wingko Babat packaging provides us with information about the paradigm and taste shift happens to the society (producers and consumers). The sift occurs in line with the snack production and marketing.In Semarang, Wingko Babat packaging is similar among various brands. But still it can be identified the differences. The similarity opens a discussion about the forming of practical discourse on the packaging process.Keywords: packaging design, illustration, modernit