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Istituzioni, relazioni e culture politiche nelle città tra stato della Chiesa e regno di Napoli (1350-1500 ca.). Considerazioni conclusive
Get PDFITALIANO: Il saggio presenta alcune considerazioni conclusive sulla sezione monografica dedicata a "Istituzioni, relazioni e culture politiche nelle città tra stato della Chiesa e regno di Napoli (1350-1500 ca.)". I tre autori, adottando un approccio comparativo, riflettono sulla definizione degli spazi nelle due aree confinanti, sulla condizione delle città pontificie e sulle culture politiche e le specificità dei centri urbani considerati nella raccolta. / ENGLISH: This essay presents some remarks about the monographic section "Institutions, relationships,
and political cultures in the cities along the border between the Papal States and the Kingdom of Naples (c. 1350-1500)". Through adopting a comparative approach, the three authors reflect on the spatial definition between the two border areas, also discussing the role of the pontifical
towns, the emerging local political cultures, as well as the specific features of the various urban centres examined in this anthology
Il "faticato peregrinaggio" di Isidoro Carini negli archivi e nelle biblioteche di Spagna (1881-1882)
Get PDFITALIANO: Attraverso la Relazione di Isidoro Carini sulla missione negli archivi e nelle biblioteche spagnole nel 1881-1882 e dallo studio delle vicende della pubblicazione dei suoi risultati si ricostruisce l’avvio dell’utilizzazione delle fonti iberiche per la storia medievale siciliana e nazionale e il contesto della storiografia sulla Sicilia medievale alla fine dell’Ottocento. / ENGLISH: The Relazione by Isidoro Carini about his research mission in Spain (1881-1882) and the events of its publication allow to reconstruct the beginnings of both the use of Spanish sources for the
Sicilian and Italian medieval history and the context of the Sicilian medieval historiography at the end of the 19th Century
Una terra senza nome. Sviluppo economico e identità collettive nella bassa pianura milanese (tardo medioevo-prima età moderna)
Get PDFITALIANO: Nelle pagine della sua "Historia de situ Ambrosianae urbis", scritta nei primi anni del Trecento,
il notaio Giovanni da Cermenate offrì un’inedita immagine tripartita del contado milanese: Seprio, a nord-ovest; Martesana, a nord-est; e infine una terza “parte” identificabile con la pianura a sud della città, che tuttavia il da Cermenate ometteva di nominare. Il contributo si interroga sul significato di questa dimenticanza, che viene messa in relazione con la generale debolezza
delle identità collettive suscitata dallo straordinario sviluppo economico della bassa pianura milanese. / ENGLISH: In the "Historia de situ Ambrosianae urbis", written in the early fourteenth century, the notary Giovanni of Cermenate offered an unprecedented tripartite image of the Milanese contado: Seprio, north-west; Martesana, north-east; and a third indefinite “part” which can be identified with the plain south of the city, not exactly defined by Giovanni of Cermenate. The paper investigates such an absence, by linking it to the general weakness of collective identities provoked by the extraordinary economic development of the low Milanese plain
Ruoli e funzioni femminili da uno straordinario giacimento documentario: i cartolari notarili genovesi (secoli XII-XIII)
Get PDFITALIANO: In questo libro si manifesta una notevole potenza di analisi fondata su una superba ricchezza documentaria. È il tempo di lavori come questo nel settore della storia delle donne per rendere disponibili più materiali possibili, per praticare ampi intrecci di fonti, per formulare il maggior numero di ipotesi e rispondere alle domande che ritmano e animano le ricerche su questo tema. / ENGLISH: A remarkable power of analysis grounded in superb documentary richness is manifested in this book. It is time for work like this in the field of women’s history to make as much material available as possible, to practice extensive interweaving of sources, to formulate as many hypotheses as possible, and to answer the questions that rhythm and animate research on this topic
Cervelli in fuga. Una riflessione sulla cultura del Trecento
Get PDFUna delle immagini e dei momenti più noti del Medioevo è la “crisi del Trecento”, che racchiude allo stesso tempo
un’intensa fase di crisi sociale ed economica – culminata con l’epidemia di peste – e il rinascere della produzione
artistica, letteraria e scientifica. Dario Internullo ragiona proprio sulla “cultura in tempo di crisi”, mettendo al centro
due intellettuali che, non riuscendo a collocarsi nel mutato contesto sociale ed economico, si rifugiano nella scrittura,
come mostrano i loro manoscritti
Per un’epica degli anni settanta. La Chanson de Roland secondo Frank Cassenti
Get PDFLe idee di Medioevo e la loro diffusione hanno un forte valore politico. Di conseguenza, ribaltandole o confutandole, si può tentare di veicolare messaggi diversi. Da questo punto di vista parte l’analisi di Sonia Barillari del film "La chanson de Roland", tratto dall’omonima epopea medievale. La riscrittura militante di un’opera identitaria per la nazione francese fu usata per parlare a un pubblico contemporaneo, proponendo il rifiuto di logiche capitaliste
Representaciones de la figura autorial en el cine: el escritor como personaje
No full text349 páginasThe filmic body of work in Representations of the Authorial Figure in Cinema: the Writer as a Character –whose chronology covers mostly from the last decade of the twentieth century to the year 2017– addresses how cinema has portrayed the literary author. Structured in five chapters, the first one («From Modernity to Postmodernism») presents postmodernism as the theoretical framework that –once modernity is defined– encompasses the analysis of the selected stories. Based on the works by Habermas, Benjamin, Ritzer, Taylor or Eco, we explain the anthropological, sociological and artistic dimension of modernity as a project built on the empirical knowledge, the rise of feelings as part of the subject’s configuration and the search for creative independence. As far as postmodernism is concerned, Lyotard defines it as the moment where «the narrative function is losing its functors, its great hero, its great dangers, its great voyages, its great goal». However, despite the vagueness of its true nature –marked by the social networks representing the rhizomatic reality of Deleuze and Guattari–, it is possible to question the strength of its rupture with modernity. According to Lipovetsky, the subsequent hypermodernity would be distinguished by an increase in individual anxiety –revealed in the writer’s block suffered by screenwriters, novelists, poets and playwrights–.
This theoretical framework consolidates the second chapter of the thesis («The Postmodern Subject»). Based on Jameson, Ritzer or Charles, we reflect upon the alleged dissolution of originality into fashion, and we turn to Sibilia and Rodríguez Ibáñez in order to deal with the privacy’s trivializing in the digital era. For their part, we also describe the foucauldian notions of self-care which, since Graeco-Roman antiquity, have endured to the present day and, along with Augé, explain the link between the subject and the postmodern spaces.
Four out of the six films selected for the third chapter («Screenwriters: Once Upon a Time in Hollywood») are set on the classical period of the Mecca of cinema, whose labour context is elaborated in Banks’ book. The fight between the material need and the preservation of artistic integrity is common to the fourth chapter –focused on the novelists–, where the works of Balló, Bergala and Pérez about audiovisual seriality are essential to analyse the films. Also, Bourdieu’s and Zafra’s ideas on precariousness and the symbolic recognition received by feminised jobs complement those of Zecchi regarding visual representation of women’s bodies, as well as Gilbert’s and Gubar’s related to masculinity and authorship; to that we add bibliography which covers specifically some of the films. Finally, the last chapter collects examples of poets and playwrights; in the first case, we underline the simultaneity of everyday elements (Paterson and Poetry) with those linked to the supernatural (mother!), whereas playwrights are noted for their resolution in carrying on with their projects against any adversity –writer’s block in Synecdoche, New York, and the meddling of the Mob in Bullets over Broadway–.Fundación Oriol-Urquijo /
Programa Severo Ochoa de ayudas predoctorales para la investigación y docencia del Principado de AsturiasEl corpus fílmico de Representaciones de la figura autorial en el cine: el escritor como personaje (cuya cronología comprende mayoritariamente desde la última década del siglo XX hasta el año 2017) aborda cómo el séptimo arte ha retratado al autor literario. Estructurada en cinco capítulos, el primero de ellos («De la modernidad a la hipermodernidad») presenta la posmodernidad como el marco teórico que engloba el análisis de las narraciones seleccionadas –previa definición de la modernidad–. A partir de los trabajos de Habermas, Benjamin, Ritzer, Taylor o Eco, se expone la dimensión antropológica, sociológica y artística de lo moderno como proyecto construido sobre el saber empírico, el auge de los sentimientos en la configuración del sujeto y la búsqueda de la autonomía creativa. Respecto de la posmodernidad, Lyotard la define como el momento en que «la función narrativa pierde sus functores, el gran héroe, los grandes peligros, los grandes periplos y el gran propósito». No obstante, pese a la indeterminación de su auténtica naturaleza (marcada por las redes sociales que encarnan la realidad rizomática de Deleuze y Guattari), es posible cuestionar la contundencia de su ruptura con la modernidad. La hipermodernidad subsiguiente se caracterizaría, según Lipovetsky, por un incremento en la angustia individual –manifestada en el bloqueo creativo que experimentan tanto guionistas como novelistas, poetas y dramaturgos–.
Este marco teórico cimenta el segundo capítulo de la tesis («El sujeto posmoderno»). A partir de Jameson, Ritzer o Charles, se reflexiona sobre la supuesta disolución de la originalidad en la moda, y se recurre a Sibilia y Rodríguez Ibáñez para tratar la trivialización de la intimidad en la era digital. Por su parte, se explican las nociones foucaultianas de cuidado individual que, desde la Antigüedad grecolatina, han perdurado en el tiempo y, junto con Augé, presentan el vínculo entre el individuo y los espacios de la posmodernidad.
En el tercer capítulo («Guionistas: érase una vez en Hollywood»), cuatro de los seis filmes seleccionados están ambientados en el periodo clásico de la meca del cine, cuyo contexto laboral se explica mediante la obra de Banks. La lucha entre la necesidad material y la preservación de la integridad artística es común al cuarto capítulo –centrado en los novelistas–, donde los trabajos de Balló, Bergala y Pérez sobre serialidad audiovisual son esenciales para analizar las obras citadas. Por su parte, las ideas de Bourdieu y Zafra acerca de la precariedad y el reconocimiento simbólico al trabajo feminizado complementan las de Zecchi sobre la representación visual del cuerpo femenino, así como las de Gilbert y Gubar en cuanto a masculinidad y autoría; a ellos se añade bibliografía que trata específicamente algunas de las obras utilizadas. Finalmente, el quinto capítulo recoge ejemplos cinematográficos de poetas y dramaturgos; en el caso de los poetas, se subraya la compaginación de elementos cotidianos (Paterson y Poesía) con aquellos ligados a lo sobrenatural (madre!), mientras que los dramaturgos destacan por su empeño en mantener sus proyectos frente a cualquier adversidad –el bloqueo creativo en Synecdoche, New York, y la intromisión de la mafia en Balas sobre Broadway–
Estudio de la obra de Ian Clarke y su repercusión en las enseñanzas superiores de flauta en España
No full textTrabajo fin de estudios.This project is about Ian Clarke, British flute player and contemporary composer for this instrument. The project begins with an approach of Ian Clarke’s life and work, taking into account his personal and musical context and the influences that define his
compositional style. Such research is complemented by the musical analysis of three of his works (The Great Train Race, Zoom Tube, Orange Dawn) and the subsequent conclusions. The last part of the project investigates the presence of his repertoire in
higher degree in music in Spain. For this, a study of the teaching guides and programmes of the centers that teach this degree is used, as well as multiple interviews with teachers and students who can verify the real situation of his repertoire, that is, if it is actually interpreted or not.Conservatorio Superior de Música "Eduardo Martínez Torner"Este trabajo versa sobre Ian Clarke, flautista británico y compositor contemporáneo para
este mismo instrumento. En su primera parte, se aborda su vida y obra, teniendo en cuenta su contexto personal y musical y las influencias que definen su estilo compositivo. Tal investigación se complementa con el análisis musical de tres de sus obras (The Great Train Race, Zoom Tube, Orange Dawn) y posteriores conclusiones. En la segunda parte
se indaga sobre la presencia de su repertorio en las enseñanzas superiores de música en España. Para ello, se recurre a un estudio de las guías y
programaciones docentes de los centros que las imparten, así como a la entrevista con docentes y alumnos que puedan constatar la situación real de su obra, es decir, si esta es efectivamente interpretada o no
Effects of calcitriol and paricalcitol on renal fibrosis in CKD.
No full textBACKGROUND: In chronic kidney Disease (CKD) the activation of the
renin-angiotensin-aldosterone system and renal inflammation stimulate renal fibrosis and the
progression to end-stage renal disease. The low levels of vitamin D receptor (VDR) and its activators
(VDRAs) contribute to worsen secondary hyperparathyroidism and renal fibrosis.
METHODS: The 7/8 nephrectomy model of experimental chronic renal failure (CRF) was used to
examine the antifibrotic effects of treatment with two VDRAs (paricalcitol and calcitriol at
equivalent doses (3/1 dose ratio) during 4 weeks.
RESULTS: CRF increased the activation of the renin-angiotensin-aldosterone system, renal
inflammation and interstitial fibrosis. Paricalcitol treatment reduced renal collagen I and renal
interstitial fibrosis by decreasing the activation of the renin-angiotensin-aldosterone system through
renal changes in renin, ATR1 and ATR2 mRNAs levels and renal inflammation by decreasing renal
inflammatory leukocytes (CD45), ADAM17 mRNA, TGF-β mRNA and protein and maintaining
E-cadherin mRNA levels. Calcitriol showed similar trends without significant changes in most of
these biomarkers.
CONCLUSIONS: Paricalcitol effectively attenuated the renal interstitial fibrosis induced by CRF
through a combination of inhibitory actions on the renin-angiotensin-aldosterone system,
inflammation and epithelial/mesenchymal transition.This study was supported by Instituto de Salud Carlos III (ISCIII) - Fondo de Investigación
Sanitaria (FIS07/0893, FIS10/00896; FIS13/00014, FIS16/00637, FIS17/00715 and FIS19/00532),
Fondo Europeo de Desarrollo Regional (FEDER), Plan de Ciencia, Tecnología e Innovación
2013-2017 y 2018-2022 del Principado de Asturias (GRUPIN14-028, IDI-2018-000152), Fundación
Renal Íñigo Álvarez de Toledo (FRIAT) and Retic REDinREN from ISCIII (RD06/0016/1013,
RD12/0021/0023, RD16/0009/0017, RD12/0021/0006 and RD16/0009/0018) and Abbott
Pharmaceuticals (ACA-SPAI-08-22/2008). Martinez-Arias L has been supported by ISCIII-FINBA
(PI16/00637); Panizo S by FINBA-REDinREN and IDI-2018- 000152; Alonso-Montes C by ISCIII
FINBA-REDinREN; Carrillo-López N by GRUPIN14-028 and IDI-2018-000152;
Fernández-Villabrille S by IDI-2018-000152; Martín-Vírgala J by Oviedo University fellowship; and
Martín Carro B by ISCIII-FINBA (PI17/00384)
Disertación sobre la Sonata para Violonchelo solo de György Ligeti: un enfoque tanto armónico y estructural como interpretativo
No full textTrabajo fin de estudios.This final degree work analyzes the Sonata for Violoncello solo by the Hungarian composer, Austrian nationalized, György Ligeti (1923-2006). Constructed in two movements, Dialogo and Capriccio, composed in 1948 and 1953 respectively, it belongs to the composer's Hungarian era, marked by the influence of Béla Bartók and his teacher Zoltán Kodály. Unlike the choral works composed at that time, which follow the official aesthetic, the Sonata for Cello solo shows a more evolved and transgressive language. The work would remain silent for more than 30 years, until it was performed in 1983, in Paris, by the German cellist Manfred Stilz.
Nowadays, it is considered by interpreters and critics as one of the great cello solo sonatas of the 20th century, alongside those of Kodály and Hindemith.Conservatorio Superior de Música "Eduardo Martínez Torner".El presente trabajo final de carrera analiza la Sonata para Violonchelo solo del compositor húngaro, nacionalizado austriaco, György Ligeti (1923-2006). Construida en dos movimientos, Dialogo y Capriccio, compuestos en 1948 y 1953 respectivamente, pertenece a la época húngara del compositor, marcada por la influencia de Béla Bartók y su maestro Zoltán Kodály. A diferencia de las obras corales compuestas en esa época, que siguen la estética oficial, la Sonata para Violonchelo solo muestra un lenguaje más evolucionado y transgresor. La obra permanecería en silencio durante más de 30 años, hasta ser interpretada en 1983, en París, por
el violonchelista alemán Manfred Stilz. En la actualidad, es considerada por los intérpretes y la
crítica como una de las grandes sonatas para violonchelo solo del siglo XX, junto a las de Kodály y Hindemith