CORAK
Not a member yet
256 research outputs found
Sort by
Material Recycle Teak Wood Root Waste From The Sea For Home Decoration Products
Full text linkRecycle material teak wood root waste from the sea is the purpose of this writing; the material that will be used as home decoration products is obtained from fishermen who are at sea and find a lot of teak wood that is washed away then under the edge of the beach then the Recycle process is carried out. In this design process, it uses a method that includes several stages, including The observation and analysis stage; The imagination stage consists of exploration activities and engineering and material experiments; The imagination development stage is focused on maturing concepts as a result of problem evaluation; The implementation stage of design decisions that are ready to be worked. The method above is then called the process of creating Practice-led Research
Product Innovation Traditional Pottery Crafts Gorontalo
Full text linkGorontalo’s traditional pottery crafts had stagnation and were nearly extinct because it is deserted by its users. Presumed it happened because the final products are less innovative. Thus they are unable to fulfill the dynamics of market demand. This study aims to innovate Gorontalo’s traditional pottery products to be able to regain interest in the market. Studies use the method of art creation that is done through several stages: 1) exploration to discover the concept of design creation; 2) Designing to visualize the concept into visual design; 3) realizing of the design into the product prototype; 4) evaluation in order to envision market prospects. Throughout the process of research, six innovative pottery prototypes were made. The innovative value of these prototypes appears to the uniqueness of forms and finishing’s color variation. The distinctiveness of each prototype is reflected on the cultural art image of Gorontalo and forms of endemic animal of Sulawesi, which became the origin of the creation idea. Based on the evaluation, these all prototypes are said to have promising market prospects and worthy of production. Therefore, traditional Gorontalo pottery craftmens are advised to produce such prototypes to fulfill the dynamic demand of the market so that traditional pottery products do not lose consumers
Fixator Mix-Nature: Experiment of Fixator Composition as a Natural Color Booster For Handmade Batik On Cotton Fabric Media
No full textThe natural staining process requires a fixator as a locking or reinforcing agent for colour results. The fixator materials used in general are an alum, lime, and tunjung. The natural nature of colour extract substances and the use of appropriate fixators influences the strength of natural colour results in handmade batik. This Mix-Nature Fixator experimental research combines a mixture of ingredients from alum, lime, and tunjung with a composition ratio of 1:1:1, 1:2:1, 1:3:1, - 2:1:1, 2:2:1, 2:3:1 - 3:1:1, 3:2:1, 3:3:1. The purpose of this study is to compile a table of the composition of mixed fixators of alum, lime, tunjung; to know the components of chemical elements; and to explain the success rate of Fixator Mix-Nature in the fixation process of dyeing natural colour batik on cotton fabrics. This research uses experimental methods and literature studies as the primary data collection techniques. The element test method uses the Qualitative ED-XRF test method. The practice of analyzing natural colour data results compares colour fastness test results to soap washing. The results of this experimental research are: 1) Fixator Mix-Nature table from the comparison of the composition of alum, lime, and tunjung; 2) the chemical elements in the Mix-Nature Fixator can be a unitary component of the reinforcing agent resulting from natural colours; and 3) The success rate of using the Mix-Nature Fixator that most affects the quality of natural colours is A3 Code Fixator. Code A3 Fixator results from Alum material: Chalk: Tunjung in a ratio of 1:3:1 are highly recommended as fixator substances in the fixation of natural colours
Inspiration For Carving Gorga Adop-Adop In Technology-Based Pop Batik On Ready-To-Wear Clothing
Full text linkTechnology-based pop batik is a popular style of contemporary batik with part of the production process using technology without leaving the rules of batik. Technology is the lifestyle of today's younger generation, which causes the traditional batik handicraft industry not to become a job opportunity that is in demand by the younger generation. Batik craftsmen are now living with the elderly, and it is complicated to regenerate in the field of batik crafts. There needs to be an adjustment between the development of the era and traditional culture so that the younger generation is interested in developing batik. The adjustment step that can be done is to process batik based on technology without leaving the rules of batik itself. This research uses the approach of textile design creation methods, aesthetic practices and semiotics. This research discusses how the implementation of Adop-Adop Gorga carving is an inspiration for technology-based pop batik motifs. Research shows that the technology-based batik process can be a solution to the complex problem of regeneration of traditional batik craftsmen and Adop-Adop Gorga carving as inspiration for pop batik motifs with a technology-based batik process is a uniqueness that distinguishes it from other contemporary batik motifs
Prinsip Eco Art dalam Karya Recycle Limbah Tekstil “Night Queen”
No full textThe accumulation of textile waste due to excessive consumption patterns and fashion trends has become a significant environmental issue. The three-dimensional artwork titled Night Queen seeks to innovate through a recycling approach by transforming textile waste into textile clay. This new material is pliable and suitable for creating art pieces. The Eco-Art approach is applied to convey ecological messages while educating the public about the impact of textile waste. This study employs an artistic-based research method, incorporating shredded textile waste mixed with additional materials such as cornstarch, white glue, vinegar, liquid soap, and oil. The visualization of this artwork is inspired by the tuberose flower and eye elements, symbolizing the inferiority and sadness experienced by women. It utilizes mimesis aesthetic theory and a tetradic color scheme. The resulting artwork aims to motivate women to build self-confidence while contributing to environmental conservation and innovative textile waste management. ABSTRAKPenumpukan limbah tekstil akibat pola konsumsi berlebihan dan tren fashion telah menjadi permasalahan lingkungan yang signifikan. Karya seni tiga dimensi berjudul “Night Queen” inovasi melalui pendekatan recycle, dengan mengolah limbah tekstil menjadi textile clay. Sebuah material baru yang mudah dibentuk dan digunakan untuk pembuatan karya seni. Pendekatan Eco-Art diterapkan untuk menyampaikan pesan ekologis sekaligus memberikan edukasi kepada masyarakat tentang dampak limbah tekstil. Penelitian ini menggunakan metode artistic based research, mencampur limbah tekstil yang telah dicacah dengan bahan tambahan seperti tepung maizena, lem putih, cuka, sabun cair, dan minyak. Visualisasi karya ini terinspirasi oleh bunga sedap malam dan elemen mata sebagai simbol inferioritas dan kesedihan yang dialami wanita, dengan penerapan teori estetika mimesis dan kombinasi warna tetradic. Hasil karya berfungsi sebagai motivasi untuk meningkatkan kepercayaan diri wanita, sekaligus sebagai kontribusi dalam upaya pelestarian lingkungan dan inovasi pengelolaan limbah tekstil.
Analisa Model Scamper Kearifan Lokal Bentuk Pincukan sebagai Inspirasi Pembuatan Tas
Full text linkDeveloping ideas to increase and generate creative economic value focuses on the creativity of business actors in the products they produce. Product creativity can be generated by leveraging local wisdom as a creative idea for products. Local wisdom such as the pincuk mechanism and rice wrappers can be used as ideas in realizing visuals and techniques in making functional products. This study provides comprehensive insight into how the simplicity of pincuk packaging is applied to different functions using the Scamper model approach with brainstorming techniques. This, can understand the creative process and preferences of a designer in creating a leather bag idea by adapting pincukan. This preference enhances traditional values and shifts a broad view into other media to consider strategies to maintain and promote traditional cultural heritage.ABSTRAKPengembangan ide untuk menaikkan dan menghasilkan nilai ekonomi kreatif memusatkan kreatifitas para pelaku usaha terhadap produk yang dihasilkan. Kreatifitas produk dapat dihasilkan dengan menaikkan kearifan lokal sebagai ide kreatifitas produk. Kearifan lokal sepertihalnya mekanisme pincuk dan bungkus nasi salah satu yang bisa dijadikan ide dalam merealisasikan visual dan teknik dalam pembuatan produk fungsional. Penelitian ini memberikan wawasan komprehensif tentang bagaimana kesederhanaan kemasan pincuk dengan menganalisa model Scamper. Hal ini dapat mengetahui proses kreatifitas dan preferensi seorang desainer dalam menciptakan ide tas berbahan kulit. Preferansi ini meningkatkan nilai tradisional dan merubah pandangan yang luas kedalam media lain guna mempertimbangkan strategi guna menjaga dan mempromosikan warisan budaya tradisional
The Importance of Education about Batik: Addressing Misconceptions about the Term Term "Ecoprint Batik" in Schools
No full textBatik cultural heritage has an important role in education to instill cultural values and national identity in the younger generation. The aim of this research is to analyze misconceptions in the use of the term “batik ecoprint” and how to respond to them. This research uses descriptive qualitative methods. Data collection techniques include literature studies and interviews with batik experts, teachers, students and ecoprint craftmen. The data analysis technique uses Miles and Huberman analysis techniques which include data reduction, data presentation, and drawing conclusions. The results of this research show the difference between batik and ecoprint techniques which lies in the making process. In short, batik is made by going through a process of waxing, dyeing, and removing wax. Meanwhile, ecoprint is made by direct contact printing of leaves on fabric. So the resulting motif is in the form of a print. The long-term impact of less precise use of the term batik can obscure understanding of the concept of batik and the authenticity of batik itself. Schools should be a place to spread the correct terms so that there are no misconceptions among the nation’s future generations.ABSTRAKWarisan budaya batik memiliki peran penting dalam pendidikan guna menanamkan nilai-nilai budaya dan identitas nasional pada generasi muda. Tujuan penelitian ini adalah untuk menganalisis miskonsepsi penggunaan istilah “batik ecoprint” serta bagaimana dalam menyikapinya. Penelitian ini menggunakan metode kualitatif deskriptif. Teknik pengumpulan data yaitu dengan studi pustaka dan wawancara terhadap ahli batik, guru, siswa, dan perajin ecoprint. Teknik analisis data menggunakan teknik analisis Miles dan Huberman yang meliputi reduksi data, penyajian data, dan penarikan kesimpulan. Hasil dari penelitian ini menunjukkan perbedaan teknik batik dan ecoprint yang terletak pada teknik pembuatannya. Secara singkat, batik dibuat dengan melalui proses pelilinan, pewarnaan, dan pelepasan lilin, sedangkan ecoprint dibuat dengan cara cetak kontak langsung dedaunan pada kain, sehingga motif yang dihasilkan berupa cetakan. Dampak jangka panjang dari kurang tepatnya penggunaan istilah batik dapat mengaburkan pemahaman tentang konsep batik dan keaslian batik itu sendiri. Seharusnya sekolah menjadi tempat untuk menyebarkan bagaimana istilah yang benar agar tidak terjadi miskonsepsi pada generasi penerus bangsa
Ocean Batik Biota in the Scrapframe
Full text linkMarine life includes all living things in the sea, animals, plants, or corals. The number and diversity of types of biota living in the ocean are unique. This research aims to make artwork with batik techniques sourced from the idea of marine life with different displays, namely scrap frames. The research method used is practice-based, which is research that creates and reflects new work through practical research carried out. This research stage begins with data collection, analysis, and results. The analysis results are used as the initial material for creating a work of art. This artwork is a textile artwork with batik techniques that are collaborated with scrap frame techniques as batik works with a novelty display. This work is expected to give new ideas in creating a work of art, especially batik, able to educate, generate motivation and stimulate learning new things
Spirit Pribahasa Mambangkik Batang Tarandam In The Ceramic Artwork
Full text linkMambangkik batang tarandam is a Minangkabau proverb meaning an attempt to revitalize something ancient to be beneficial and sustainable. There is a cultural transformation and value change in traditional art and lifestyle of the Minangkabau People. This creation aims at (1) understanding and internalizing the spirit of mambangkik batang tarandam contained in the forgotten, neglected, marginalized, and faded symbols through creative and innovative ceramic; (2) resurging the people, especially the people of Minangkabau, to revitalize Minangkabau’s traditional arts that have nearly been ignored and neglected. The art works were created in four phases: (1) Exploration; (2) Experiment; (3) Design; and (4) Realization. The ceramics were made of stoneware clay from Singkawang and Sukabumi. Pinching, slabbing, and casting techniques were employed. At the end, the ceramics were combined with bamboo, wood, cloth, and fiberglass as the supplementary materials. In conclusion, the created art works are expressed to do not only express beauty and self expression but become social criticism and awareness to maintain the presently neglected local wisdoms
Application Of Ornamental Typography On Stainless Steel Media as Decoration Of Angkringan Teapot
Full text linkCreativity in designing local Indonesian products needs to be carried out continuously in anticipation of the flood of imported products from various countries worldwide. The application of engraphing to industrial products strengthens the appearance of goods that have an impact on the quality of their value. This study aims to make innovations with stainless steel medium engraved on certain parts of the item so that the product looks more artistic. The effect produced is to adopt a typical angkringan teapot from the Klaten area. This research method is qualitative research combined with the design of the work. This research stage begins with data collection, data analysis, and presentation of analysis results. The analysis results are used as material for designing angkringan teapot products, which starts with extracting ideas, developing designs, and realizing outcomes