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Book review D’Agostino et al.: Depth-Bounded Reasoning. Volume I: Classical Propositional Logic: College Publications, 2024, xvii + 225. ISBN 978-1-84890-442-2
No full textD\u27Agostino et al. recently launched book on the College Publication series on Logic and Bounded Rationality is reviewed. Applications to human-oriented AI are emphasized
Note sul Concordato di Ponte Mammolo (11 aprile 1111)
No full textNotes on the Concordat of Ponte Mammolo (April 11, 1111)
This essay aims to highlight the historical importance of the Concordat of Ponte Mammolo (1111) in the context of the Investiture Controversy and at the same time to highlight the role played by the nascent concordatory institution in the relations between the Papacy and the Empire. First of all, a general overview of the historical and legal presuppositions of the Concordat is offered, retracing the events that led to its stipulation. The concordat text is then examined, highlighting its peculiar formal structure and then analyzing its material discipline. Constant reference is made to the contemporary Concordats of Sutri (1111) and Worms (1122) which also regulate the matters of investitures.
SOMMARIO: 1. Premessa - 2. I presupposti storico-giuridici del Concordato - 3. La stipulazione concordataria - 4. Esame degli accordi - 5. Il Privilegio pontificio - 6. Sviluppi della vicenda - 7. La dichiarazione di nullità del Privilegio pontificio - 8. Considerazioni conclusive
Premessa / Vorwort
No full textThe fourth volume of “Studia Hölderliniana”, edited by Marco Castellari and Elena Polledri with the collaboration of Stefano Apostolo, is, as usual, published as a special issue of the international journal “Studia theodisca”. It brings together articles and reviews in both German and Italian on the works and reception of the great German poet Friedrich Hölderlin. This issue, in particular, documents the international conference “Wir sind nichts; was wir suchen, ist alles.” Hölderlin zum 250. Geburtstag, which took place during the Hölderlin Year 2020 at Ca’ Foscari University of Venice. In addition to papers derived from this academic event, further studies addressing key issues in international research are included. The closing section features three reviews of significant recent contributions to the philological, critical, and cultural discourse surrounding Hölderlin.In addition to the aforementioned Apostolo, Castellari, and Polledri, contributors to the issue include Bettina Faber, Marco Fiorletta, Sarah Gaber, Ulrich Gaier, Daniele Goldoni, Martin Huber, Francesco Rossi, Franco Toscani, and Giuseppe Vacca. The volume is dedicated to Luigi Reitani (1959-2021), a great scholar and translator whose scholarly legacy still leads us with a competent and sensitive hand through the ‘fragments of the future” of Hölderlin’s poetry
(E)rudimentum doctrinae: una nomenclatura per l’insegnamento. Con un’appendice sul titolo del lessico di papias
No full textThe major work of Gilbert of Tournai is intriguingly titled with a double name: "Rudimentum/ Erudimentum Doctrinae." In the preface, Gilbert mentions this dual designation but does not provide further clarification on its significance. This issue has mostly gone unnoticed, yet the rarity of the term "erudimentum" warrants a deeper examination beyond the assumption of a mere paronomastic play. Therefore, this paper first aims to explore the meanings associated with the term and then to understand its significance concerning with the whole title of Gilbert\u27s work and his programmatic intentions. Additionally, it will consider the only known precedent he may have drawn from, which is the "Elementarium Doctrinae (E)rudimentum" by Papias. For various reasons, the title of Papias\u27s work has also sparked considerable debate among scholars. However, a comparison of the most authoritative versions of the "Elementarium," provided in the appendix, offers a definitive resolution regarding the actual title of this lexicon.L’opera maggiore di Gilberto di Tournai è curiosamente provvista di un duplice titolo:Rudimentum o Erudimentum doctrinae. Di tale doppia denominazione Gilberto dà notizia nella prefazione, senza tuttavia offrire motivazioni aggiuntive che ne chiariscano il senso. La questione è sinora passata quasi del tutto inosservata, ma la rarità del termine erudimentum invita ad una riflessione che superi l’ipotesi di un banale gioco paronimico. A partire dunque dall’escussione delle attestazioni del termine, il contributo si propone di ricostruirne il campo semantico, per comprenderne il valore in relazione al titolo complessivo dell’opera, alle intenzioni programmatiche di Gilberto e all’unico precedente noto al quale egli poteva mirare, l’Elementarium Doctrinae (E)rudimentum di Papias. Per ragioni diverse, anche il titolo dell’opera di Papias è stato oggetto di una lunga diatriba tra gli studiosi, ma dalla collazione tra i testimoni più autorevoli dell’Elementarium – qui offerta in appendice – è finalmente possibile fornire un chiarimento definitivo sull’effettiva denominazione del lessico
Féminités dévoilées : décoloniser l’art contemporain antillais
No full textThe choice of Julien Creuzet, a Martinican visual artist, as France’s representative at the Venice Biennale marks a significant milestone for Caribbean artists. As the first Afro-descendant to participate in this prestigious event, his presence highlights enduring tensions between the French territories and mainland France. Afro-Caribbean art, initially marginalized, has persevered through cultural syncretism. With growing interest in Antillean art, especially with Creuzet’s participation, there’s a need to acknowledge female artists’ contributions and explore how Caribbean feminine expression has evolved. Contemporary movements aim to reclaim historical traumas, including slavery and colonization, through art. This inquiry delves into how these unresolved tensions influence the portrayal of ancestral femininity. In surveying the contemporary artistic panorama of the Caribbean, we confront the existential quandary that permeates the aesthetic consciousness of a new generation of female artists. As inheritors of a fraught legacy, they grapple with the profound question of how to engage with their heritage, decolonize contemporary Caribbean art, and authentically represent ancestral femininity in today’s context.Le choix de Julien Creuzet, artiste visuel martiniquais, en tant que représentant de la France à la Biennale de Venise, marque une étape importante pour les artistes caribéens. Premier afro-descendant à participer à cet événement prestigieux, sa présence met en lumière les tensions persistantes entre les territoires français et la France métropolitaine. L’art afro-caribéen, initialement marginalisé, a perduré grâce au syncrétisme culturel. Avec l’intérêt croissant pour l’art antillais, notamment avec la participation de Mme Creuzet, il est nécessaire de reconnaître les contributions des artistes féminines et d\u27explorer l’évolution de l’expression féminine caribéenne. Les mouvements contemporains visent à se réapproprier les traumatismes historiques, notamment l’esclavage et la colonisation, par le biais de l’art. Cette enquête s’intéresse à la manière dont ces tensions non résolues influencent la représentation de la féminité ancestrale. En examinant le panorama artistique contemporain des Caraïbes, nous sommes confrontés au dilemme existentiel qui imprègne la conscience esthétique de la nouvelle génération d’artistes féminines. En tant qu’héritières d’un legs délicat, elles sont confrontées à la question profonde de savoir comment s’engager dans leur héritage, décoloniser l’art contemporain des Caraïbes et représenter authentiquement la féminité ancestrale dans le contexte actuel
Il guardiano dei coralli: L’incredibile storia di Titouan Bernicot, il ragazzo che sta salvando gli oceani un corallo alla volta.
No full textArticol
Upcycled fashion by Prada Group: Le collezioni green di Miu Miu: il riciclo creativo di abiti vintage tra lusso, spensieratezza e sensualità
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