Film-Philosophy
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Why Film History Should Not Repeat Itself
No full text_Celebrating 1895: The Centenary of Cinema_
Edited by John Fullerton
Sydney: John Libbey, 1998
ISBN 1-86462-015-3
288 pp
A Non-Critical Review
No full textScott MacDonald_A Critical Cinema 3: Interviews with Independent Filmmakers_Berkeley: University of California Press, 1998ISBN 0-520-08705-4 (cloth)ISBN 0-520-20943-5 (paper)481 p
A State of Crisis
No full textPhil Powrie
_French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity_
Oxford University Press, 1997
ISBN 0-10-871119-0 (pbk)
203 pp
Sense of an Ending
No full textTimothy Murray
_Like a Film: Ideological Fantasy on Screen, Camera and Canvas_
London: Routledge, 1993
0-415-07734-6
267 page
Reply to Cameron
No full textEvan William Cameron
Thinking through Imagery
_Film-Philosophy_, vol. 3 no. 22, May 199
The Superficial Aesthetics of the Postmodern
No full textMark C. Taylor
_Hiding_
Chicago, Illinois: University of Chicago Press, 1997
ISBN: 0-226-79159-9
354 pp
Machine Memory: Image Technology and Identity
No full textCelia Lury
_Prosthetic Culture: Photography, Memory and Identity_
London: Routledge, 1998
ISBN: 0-415-10294-4
248 pp
Getting a Good View of Depiction
No full textRobert Hopkins
_Picture, Image, and Experience_
Cambridge: Cambridge University Press, 1998
ISBN 0521-58259-8 (hbk)
205 pp
As Animals Might Dream
No full textFredric Jameson
_Signatures of the Visible _
New York: Routledge, 1992
ISBN 0-415-90011-5 hb
ISBN 0-415-90012-3 pbk
254 p
The Gaze and Eyes Wide Shut
No full text_Eyes Wide Shut_
Produced and Directed by Stanley Kubrick
Warner Bros., 199