Film-Philosophy
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Admiring Kieslowski
No full textGeoff Andrew
_The \'Three Colours\' Trilogy_ (BFI Modern Classics)
London: British Film Institute
ISBN: 0-85170-569-3
96 pp
Cruel Stories of Passion, Brutal Explorations of Extreme
No full textMaureen Turim
_The Films of Oshima Nagisa: Images of A Japanese Iconoclast_
Berkeley: University of California Press, 1998
ISBN 0-520-20666-5
314 pp
Thinking Television
No full textJacques Derrida
_Echographies de la television. Entretiens filmes_
Paris: Editions Galilee / Institut national de l\'audiovisuel, 1996
ISBN: 2-7186-0480-8
187 pp
Filming the Present Past
No full textCarrie Tarr
_Diane Kurys_
Manchester and New York: Manchester University Press/St Martin\'s Press, 1999
ISBN: 0719050952
162 p
The Audience as Reader is Seldom Caught in the Act?
No full textMartin Barker, with Thomas Austin
_From Ants to Titanic: Reinventing Film Analysis_
London: Pluto Press, 2000
ISBN: 0-7453-1579-8 (pb); 0-7453-1584-4 (hb)
v + 222 pp
The Matrix Rules
No full text_The Matrix_
Written and directed by Andy and Larry Wachowski
Village Roadshow Pictures, 199
Reply to Wood
No full textAylish Wood
\'Textual Subjects\'
_Film-Philosophy_, vol. 4 no. 20, September 200
Art For All 'Time'
No full textAndrey Tarkovsky _Sculpting in Time: Reflections on the Cinema_ Translated by Kitty Hunter-Blair Austin: University of Texas Press, 1996 ISBN: 0-292-77624-1 255 pp
Speaking and Writing about Godard: A Response to Nochimson and Sutton
No full textMartha P. Nochimson
A Modest Employee of the Cinema vs The Big Garage
_Film-Philosophy_, vol. 4 no. 6, March 200
Media Histories and Digital Futures
No full text_Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital Age_
Edited by Thomas Elsaesser and Kay Hoffmann
Amsterdam: Amsterdam University Press, 1998.
ISBN: 90 5356 282 6 Hb; 90 5356 312 1 Pb
312 pp