Film-Philosophy
Not a member yet
    607 research outputs found

    Film, Philosophy, and the Ordinary: A Response to Butle

    No full text
    Brian Butler Transgression: Ordinary and Otherwise _Film-Philosophy_, vol. 5 no. 22, July 200

    Toward an Ontology of Film: A Phenomenological Approach

    No full text
    Our intention is to focus attention upon the nature of the film medium and the peculiar possibilities that it affords. We will approach the study by a double method: a phenomenological inventory, and a comparison with other cognate artforms. The comparison with other artforms, most especially painting, theater, and the novel, will show the peculiarities of film

    Both Semiotics and Cognitivism?

    No full text
    Warren Buckland _The Cognitive Semiotics of Film_ Cambridge: Cambridge University Press, 2000 ISBN: 0-521-78005-5 (hb) xi +174 pp

    Making Avant-Garde Film Accessible

    No full text
    Scott MacDonald _Avant-Garde Film_ Cambridge: Cambridge University Press, 1993 ISBN 0-521-38821-X 199 pp

    Deleuze, Klossowski, Cinema, Immobility: A Response to Stephen Arnott

    No full text
    Stephen Arnott \'Deleuze\'s Idea of Cinema\' _Film-Philosophy_, Deleuze Special Issue vol. 5 no. 32, November 200

    Hieroglyphs and Carapaces: The Enigmatic Real in Laura Mulvey's Fetishism and Curiosity

    No full text
    Laura Mulvey _Fetishism and Curiosity_ London: British Film Institute, 1996 ISBN 0-85170-5480 hbk, 0-85170-5472 pbk xv + 175 pp

    Rediscovering the Virtues in Popular Film

    No full text
    Joseph H. Kupfer _Visions of Virtue in Popular Film_ Boulder, Colorado: Westview Press, 1999 ISBN 0-8133-6721-2 236 pp

    Bergson: Before the Deleuze

    No full text
    _The New Bergson_ Edited by John Mullarkey Manchester and New York: Manchester University Press, 1999 ISBN 0719053803 hb; 0719055539 pb 235 pp

    Reply to MacKinnon and Sorfa

    No full text
    Kenneth MacKinnon \'Curiously, Fetishism Can Be Fun\' _Film-Philosophy_, vol. 5 no. 4, February 2001 David Sorfa \'Hieroglyphs and Carapaces: The Enigmatic Real in Laura Mulvey\'s _Fetishism and Curiosity_\' _Film-Philosophy_, vol. 5 no. 5, February 200

    A Patient Cinema or a Cinema of Patience? (Robert Bresson for Foreigners

    No full text
    Keith Reader _Robert Bresson_ Manchester and New York: Manchester University Press, 2000 ISBN 0 7190 5365 X (hardback) 0 7190 5366 8 (paperback) 166 pp

    0

    full texts

    607

    metadata records
    Updated in last 30 days.
    Film-Philosophy
    Access Repository Dashboard
    Do you manage Open Research Online? Become a CORE Member to access insider analytics, issue reports and manage access to outputs from your repository in the CORE Repository Dashboard! 👇