Film-Philosophy
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Keeping a Distance: A Response to Rosemary White
No full textRosemary White
\'Television at a Distance: Corner\'s _Critical Ideas in Television Studies_\'
_Film-Philosophy_, vol. 7 no. 15, July 200
Change and Nothing But Change, on Philip Rosen Change Mummified: Cinema, Historicity, Theory
No full textPhilip Rosen
_Change Mummified: Cinema, Historicity, Theory_
Minneapolis and London: University of Minnesota Press, 2001
ISBN 0-8166-3637-0
445 pp
Beyond Abstract Film, on Malcolm Le Grice Experimental Cinema in the Digital Age
No full textMalcolm Le Grice
_Experimental Cinema in the Digital Age_
London: British Film Institute, 2001
ISBN 0-85170-872-0 (pb) 0-85170-873-0 (hb)
330 pp
The Birth of Software Studies: Lev Manovich and Digital Materialism, on Manovich The Language of New Media
No full textLev Manovich
_The Language of New Media_
Cambridge, Massachusetts: MIT Press, 2002
ISBN 0-262-13374-1 hb; 0-262-63255-1 pb
354 pp
Other Bother: The Alien in Science Fiction Cinema, on Aliens R Us: The Other in Science Fiction Cinema, edited by Ziauddin Sardar and Sean Cubitt
No full text_Aliens R Us: The Other in Science Fiction Cinema_
Edited by Ziauddin Sardar and Sean Cubitt
London: Pluto Press, 2002
ISBN 0-7453-1544-5 (hb) 0-7453-1539-9 (pbk)
208 pp
Kojeve's Masters and Slaves, Kurosawa's Samurai and Farmer
No full text_Seven Samurai_ Directed by Akira Kurosawa Japan, 195
A Reply to Kinsey
No full textTammy A. Kinsey
\'Let us Never Speak of It?: Edward S. Small\'s _Direct Theory_\'
_Film-Philosophy_, vol. 7 no. 51, December 200
Letter from Tehran
No full textToday is an official holiday. It is Thursday the 11th of Ordibehesht or the 1st of May and it is a public holiday here. But this isn\'t because it\'s International Worker\'s Day, but because of the anniversary of the death of the prophet Mohammed. But for those of us who are second-class citizens (or to use the term that Mesbah Yazdi has coined for us merely \'ambulant pieces of flesh attached to legs\', for those of us who are of no use to the \'Islamic regime\' -- which should in truth be referred to as \'the greatest human tragedy in the memory of recent human civilization\') it makes no difference what day it is. I was up all night glued to the computer screen \'to earn my daily bread\'. (Here I use the hackneyed expression \'to earn my bread\' to mean precisely that and nothing more). At about 6:30 or 7:00am I fell sleep and managed briefly to flee the weight of my troubles, the totality of which I am now used to, knowing all the while that they will one day spell my end: exhaustion, back aches, eye strain, headaches, heart palpitations, and the thousand other terrible things. I was shattered. What do Mullahs know about such things
Comments on Karen Fang's Review of City on Fire: Hong Kong Cinema
No full textKaren Fang \'The Poverty of Sociological Studies of Hong Kong Cinema: Stokes and Hoover\'s _City on Fire_\' _Film-Philosophy_, vol. 7 no. 36, October 200