Film-Philosophy
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Our Friend Žižek, on The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory, by Slavoj Žižek
No full textSlavoj Zizek _The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory_ London: British Film Institute, 2001 ISBN 0851707548 (pbk) 240 pp
A Universal Narrative?, on Ari Hiltunen Aristotle in Hollywood
No full textAri Hiltunen
_Aristotle in Hollywood: The Anatomy of Successful Story-Telling_
Bristol, England: Intellect Books, 2002
ISBN 1-84150-060-7
143 pp
Film Theory, Psychoanalysis, and Figuration, on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom
No full text_Endless Night: Cinema and Psychoanalysis, Parallel Histories_
Edited by Janet Bergstrom
Berkeley: University of California Press, 1999
ISBN 0-520-20747-5 (hbk); 0-520-20748-3 (pbk)
307 pp
Traveling in Film Theory, on Giuliana Bruno Atlas of Emotion: Journeys in Art, Architecture, and Film
No full textGiuliana Bruno
_Atlas of Emotion: Journeys in Art, Architecture, and Film_
London: Verso, 2002
ISBN 1859848028
484 pp
Reflections on Experimental Film, on The Undercut Reader, edited by Nina Danino and Michael Maziere
No full text_The Undercut Reader_
Edited by Nina Danino and Michael Maziere
London: Wallflower Press, 2003
ISBN 1-903364-47-7
277 pp
This is Cinema: The Pleated Plenitude of the Cinematic Sign in David Lynch's Mulholland Dr.
No full textThere are secrets but they are not the secrets of the filmmakers; the whispers remain inaudible to all: *Silencio*. The significance of _Mulholland Dr._ will be revealed indirectly, in a kind of articulate silence, like Kierkegaard\'s incognito Jesu
Never Forfeit the Self: The Art of Zhang Yimou
No full text_Zhang Yimou: Interviews_
Edited by Frances Gateward
Conversations with Filmmakers Series
Jackson: University Press of Mississippi, 2001
ISBN 1578062624
169 pp
Moving Pictures before Cinema, on Laurent Mannoni The Great Art of Light and Shadow: Archaeology of the Cinema
No full textLaurent Mannoni
_The Great Art of Light and Shadow: Archaeology of the Cinema_
Exeter, England: University of Exeter Press, 2000
ISBN 085989665X
546 pp
Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama, on Richard Porton Film and the Anarchist Imagination
No full textRichard Porton
_Film and the Anarchist Imagination_
London and New York: Verso, 1999
ISBN: 1-85984-702-1
314 p
Vagaries of Taste, or How 'Popular' is Popular Culture?, a reply to Vittorio Frigerio
No full textVittorio Frigerio \'Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama -- Porton\'s _Film and the Anarchist Imagination_\' _Film-Philosophy_, vol. 7 no. 53, December 20