Film-Philosophy
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Between Order and Chaos, on Peter Greenaway's Postmodern/Poststructuralist Cinema, edited by Paula Willoquet-Maricondi and Mary Alemany-Galway
No full text_Peter Greenaway's Postmodern/Poststructuralist Cinema_ Edited by Paula Willoquet-Maricondi and Mary Alemany-Galway Lanham, MD: The Scarecrow Press, 2001 ISBN 0-8108-3892-3 xxviii + 360 pp
Spinoza and the Politics of The Matrix, on Matrix, machine philosophique
No full textAlain Badiou, Thomas Benatouil, Elie During, Patrice Maniglier, David Rabouin, and Jean-Pierre Zarader
_Matrix, machine philosophique_
Paris: Ellipses, 2003
ISBN 2-7298-1841-3
191 pp
Searching for Balanced Vision, on Nathaniel Dorsky Devotional Cinema
No full textNathaniel Dorsky
_Devotional Cinema_
Berkeley, California: Tuumba Press, 2003
ISBN 1-931157-05-7
52 pp
Lost in Space, on Jane and Louise Wilson, with essays by Jeremy Millar and Claire Doherty
No full text_Jane and Louise Wilson_
With Essays by Jeremy Millar and Claire Doherty
London: Ellipsis, 2000
ISBN 1-84166-027-2
84 pp., inc. 120 b/w photograp
Letter from London, on Chris Petit, Abbas Kiarostami, Lynne Ramsay, Iain Sinclair, J. G. Ballard, and Surveillance Cinema
No full textLetter from Londo
The Database, Logic, and Suffering: Memento and Random-Access Information Aesthetics
No full textThe Database, Logic, and Suffering
_Memento_ and Random-Access Information Aestheti
Selling Space, on King and Krzywinska Science Fiction Cinema: From Outer Space to Cyberspace
No full textGeoff King and Tanya Krzywinska
_Science Fiction Cinema: From Outer Space to Cyberspace_
London: Wallflower Press, 2000
ISBN 1903364035
128 pp
Let us Never Speak of It?, on Edward S. Small Direct Theory: Experimental Film/Video as Major Genre
No full textEdward S. Small
_Direct Theory: Experimental Film/Video as Major Genre_
Carbondale and Edwardsville: Southern Illinois University Press, 1994
ISBN 0-8093-1920-9
122 pp
Screening the Postmodern, on Vivian Sobchack Screening Space: The American Science Fiction Film
No full textVivian Sobchack
_Screening Space: The American Science Fiction Film_
New Brunswick, New Jersey: Rutgers University Press, 1987
ISBN 0-8135-2492-X
345 pp
In Kubrick's Crypt, a Derrida/Deleuze Monster, on 2001: A Space Odyssey
No full textOn the origin of the cinematic odyssey Kubrick remarks: \'I do not remember when I got the idea to do the film. I became interested in extraterrestrial intelligence in the universe, and was convinced that the universe was *full* of intelligent life, and so it seemed time to make a film\'. But as to the confusion surrounding the film upon its release, and in particular many thinking Floyd had gone to the \'planet\' Clavius he said: \'Why they think there\'s a planet Clavius I\'ll never know. But they hear him [Floyd] asked, \'Where are you going?\', and he says, \'I\'m going to Clavius\'. With many people -- *boom* -- that one word registers in their heads and they don\'t look at fifteen shots of the moon; they don\'t see he\'s going to the Moon\'. At the same time he rhetorically asked: \'How could we possibly appreciate the Mona Lisa if Leonardo had written at the bottom of the canvas: \'The lady is smiling because she is hiding a secret from her lover\'. This would shackle the viewer to reality, and I don\'t want this to happen to _2001_\'