Film-Philosophy
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The Semiosis of Death in Lang's M: Film and the Limits of Representation in the Weimar Republic
_M_ Directed by Fritz Lang Germany, 193
Le Petit Theatre de Renoir, on Martin O\'Shaughnessy Jean Renoir
Martin O\'Shaughnessy
_Jean Renoir_
Manchester and New York: Manchester University Press, 2000
ISBN 0719050626 hb; 0719050634 pb
251 pp
Reading Beineix, on Phil Powrie Jean-Jacques Beineix
Phil Powrie
_Jean-Jacques Beineix_
Manchester and New York: Manchester University Press, 2001
ISBN 719055334
240 pp
Passeurs: Jonathan Rosenbaum and the New Global Film Criticism, on Essential Cinema, Movie Mutations (edited with Adrian Martin), and Movie Wars
Jonathan Rosenbaum
_Essential Cinema: On the Necessity of Film Canons_
Baltimore and London: The Johns Hopkins University Press, 2004
ISBN 0-8018-7840-3 hb
xxi + 445 pp.
_Movie Mutations: The Changing Face of World Cinephilia_
Edited by Jonathan Rosenbaum and Adrian Martin
London: British Film Institute, 2003
ISBN 0851709834 hb; 0851709842 pb
224 pp.
Jonathan Rosenbaum
_Movie Wars: How Hollywood and the Media Limit What Films We Can See_
London: Wallflower Press, 2002
ISBN 1-903364-23-X pb
192 pp
The Perils and Possibilities of Story, on Alexander Graf The Cinema of Wim Wenders: The Celluloid Highway
Alexander Graf
_The Cinema of Wim Wenders: The Celluloid Highway_
London: Wallflower Press, 2002
ISBN 1-903364-29-9
ix + 179pp
Studying (the Theoretical Analysis of) Contemporary American Film, on Thomas Elsaesser and Warren Buckland's Studying Contemporary American Film: A Guide to Movie Analysis
Thomas Elsaesser and Warren Buckland
_Studying Contemporary American Film: A Guide to Movie Analysis_
Arnold: London 2002
ISBN 0 340 76206 3 (PB)
x + 309 pp
Wajda's Films Bequest the Irony in Polish History, on The Cinema of Andrzej Wajda edited by John Orr and Elzbieta Ostrowska
_The Cinema of Andrzej Wajda: The Art of Irony and Defiance_
Edited by John Orr and Elzbieta Ostrowska
Foreword by Andrzej Wajda
London: Wallflower Press, 2003
ISBN 1-903364-89-2
227 page
The Time-Image: Deleuze, Cinema, and Perhaps Language
I. Cinema equals Language
II. _Vertigo_
III. _Maborosi_
IV. Sound, Mood, and Depth
V. Sense Intensifie
Thus Spake Nietzsche?, on Heide Schluepmann Abendroethe der Subjektphilosophie: Eine Aesthetik des Kinos
Heide Schluepmann
_Abendroethe der Subjektphilosophie: Eine Aesthetik des Kinos_
Frankfurt am Main/Basel: Stromfeld, 1998
ISBN 3-87877-740-X
187 pp
Howls for Debord, on Guy Debord: Complete Cinematic Works, translated and edited by Ken Knabb
_Guy Debord: Complete Cinematic Works_
Translated and edited by Ken Knabb
Oakland, California: AK Press, 2003
ISBN 1-902593-73-1
62 illustrations, 272 pp