Film-Philosophy
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Rethinking Cinema as Philosophy: On Wurzer's Filming and Judgment
No full textWilhelm S. Wurzer
_Filming and Judgment: Between Heidegger and Adorno_
Atlantic Highlands, New Jersey: Humanities Press International, 1990
ISBN 0391037412 (pb) 0391036874 (hb)
xviii + 149 pp
Filming (In) Futures: A Response to the Film-Philosophy Special Issue
No full textSpecial Issue on Wilhelm S. Wurzer
_Film-Philosophy_, vol. 9 nos 6-11, February 200
Unsettled Screens, on The Cinema of Latin America, edited by Alberto Elena and Marina DÃaz López
No full text_The Cinema of Latin America_
Edited by Alberto Elena and Marina DÌaz LÛpez
London and New York: Wallflower Press, 2004
ISBN 1-903364-83-3 (pbk) 1-903364-84-1 (hbk)
224 pp
Passage to 'Franco-Asia', on East-West Encounters: Franco-Asian Cinema and Literature by Sylvie Blum-Reid
No full textSylvie Blum-Reid
_East-West Encounters: Franco-Asian Cinema and Literature_
London and New York: Wallflower Press, 2003
ISBN 1-903364-67-1
179 pp
The Passeuse?, a response to Florence Martin's review
No full textFlorence Martin
'Passage to 'Franco-Asia': _East-West Encounters_ by Sylvie Blum-Reid'
_Film-Philosophy_, vol. 9 no. 13, March 200
Cinematic Ideas, on David Lynch's Mulholland Drive
No full texthe enigmatic films of David Lynch have been interpreted from a variety of perspectives. Among these we can find Lynch the postmodernist ironist, Lynch the transgressive neoconservative, and Lynch the visionary explorer of the unconscious. Martha P. Nochimson's recent study, for example, presents an eloquent case for regarding Lynch as a Jungian 'surfer of the waves of the collective unconscious', whose films combine the intuitive embracing of subconscious Life Energy with a celebration of the creative power of Hollywood mythology. [1] For Nochimson, Lynch's transformation of the masculine action hero into intuitive 'boundary crosser' shows the redemptive quality of his cinematic vision, which we experience sensuously rather than comprehend rationally
Carax - Philosophy in Film: On Daly and Dowd's Leos Carax
No full textFergus Daly and Garin Dowd
_Leos Carax_
Manchester and New York: Manchester University Press, 2003
ISBN 0-7190-6315-9
188 pp
Carax and Deleuze - Shuffling the Decks, a short reply to Hainge's review
No full textGreg Hainge
'Carax and the Ambiguities -- A Book That Needs To Fail, Perhaps: On Daly and Dowd's _Leos Carax_'
_Film-Philosophy_, vol. 9 no. 41, July 2
Reply to Grant
No full textMichael Grant
'Cities of Words, Cities of Cinema: Stanley Cavell's _City of Words_'
_Film-Philosophy_, vol. 9 no. 49, December 200
'No Theory' Theory, Anti-theory, and the Arts, on Wittgenstein, Theory and the Arts, edited by Richard Allen and Malcolm Turvey
No full text_Wittgenstein, Theory and the Arts_
Edited Richard Allen and Malcolm Turvey
London: Routledge, 2001
ISBN 0415228751
302 p