Jurnal Kajian Seni
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V For Vendetta Novel Grafis sebagai Ikon Revolusi
Wave of protests shook the world. Thousands facescovered by strange mask with cynicalsmile fl ooded cities around the world. They are V’s masks, the main character of ‘V forVendetta’, a graphic novel, which was inspired by Guy Fawkes, a revolutionist whoattempted to bomb British Parliament Building. Anonymous, a hactivist organization,take V’s character as its identity. In October 2011, the biggest protests in historydemand for politic and economy equality: Occupy Movement. Anonymous took big rolein the movement. Guy Fawkes’ mask became popular. In online and offl ine activism ofAnonymous. The mask expresses social critics, represents the unheard voices of thefear. V for Vendettastartsrevolutionaround the world, it inspires rebellion, shows thatthere is always a way to fi ght and hope for the freedom
Barongsai Cap Go Meh di Makassar sebuah Pemikiran Tentang Tari, Ritual, dan Identitas
This article is a discussion of identity through performance. This research focuses onBarongsai (Lion Dance) performance on the Cap go Meh (Chinese New Year) ritual parade.The chosen research location is Makassar City, South Sulawesi. This research focuses onBarongsai in ritual context, as a compulsory attribute in the Cap go Meh Ritual Parade. Infurther explanation, this article also discuss about identity that constructed by Barongsaigroups. In order to earn an understanding of those issues, I use anthropological approachwith the participant observation and interview method. This research is a new line of themacro picture of the Tionghoa phenomenon in Indonesi
Pertunjukan Body Painting di Bali sebagai Objek Pariwisata
The purpose of this study, to uncover and describe the aesthetic form and functionof body painting in Bali in Bali tourism. The Study is designed throgh qualitativeresearch to describe the Body painting show in Bali tourism in terms of postmodern aesthetics. The research location is at the HardRock Hotel Bali. Theoretical approachesto understand the body painting uses studies in popular culture, postmodern aestheticsand commodifi cation. The organized form of body painting HardRock Hotel Balisince2003 is a creative body painting event on women and performance art, that includesactivities of the female body painting art ist fashion shows of the painting accompaniedby music. The function of body painting Bali accomodates tourism interests, and itoccurs through the commodifi cation of popular culture in the pack includes the functionof personal, social, (recreation and appreciation)
Pembelajaran Seni Bahasa dalam Konteks Lintas Kurikulum melalui Drama
Everyone is entitled to draw on the arts elements to create and give meanings, toexpress themselves, to communicate and share the meanings with other people, andto understand the world around them. Activities related to arts belong to every humanbeing, and anything refl ected in arts is about human being. In the context of crosscurriculum,arts can be creatively woven into other subject areas, or is linked with a widevariety of subjects in the educational program. As one of the school subject, languagearts is the vehicle of communication by which we live, work, share, and build ideas andunderstandings of the present, refl ect on the past, and imagine the future. Languagearts incorporates the integrated teaching and learning of oral, written, and visual textsthrough reading, writing, speaking, listening, and viewing. The paper highlights drama asan alternative of arts activity integrated in a cross-curricular language arts program
Kajian Tekstual The Drupadi Trilogy Karya Ananda Sukarlan
The Drupadi Trilogy is Ananda Sukarlan’s music composition based on the story aboutDrupadi from Mahabharata. Aside from using the narrative literature, Sukarlan alsoused the music elements from Balinese gamelan in his art music composition. Therefore,by using the theory of Tripartition (Jean-Jacques Nattiez) and the theory of musicinterrelation (Philip V. Bohlman), The Drupadi Trilogy was analyzed textually to explainthe occurrence of elements of Balinese gamelan music in the composition, the connectionand correlation between the composition with other elements, and the purpose behindtheir connection and correlation
"Diaspora Indonesia dan Gamelan Jawa di Inggris: Dampak Relokasi Tradisi terhadap Pembentukan Identitas dan Komunitas"
This study has examined the various realms of diasporic gamelan musical communitiesin Britain. While being displaced from their homeland, these members of the Indonesiancommunity reinforce their national identity through gamelan music making activities in therealm of a community of practice. These practices involve a constant interplay betweentheir participation in learning the music and reifi cation in performing it for other membersof the diaspora, as well as the British public. Within both realms of practice, as agentsof their own identity and community formation, these migrants practice authenticationthrough the establishment of claims on tradition and modernity—as this phenomenonis a part of the greater phenomena of deterritorialization, cultural displacement, andglobalization
Seni pada Masa Pemerintahan Dinasti Abbasiyah Tahun 711 – 950 Masehi
After the death of Prophet Muhammad SAW, Islam has got the glory. The gold eradidn’t see based on the territory. But it has been seen according to the particularly sector.Such as: arts, the building architecture, culture, and education. All of the successes havebeen got at Abbasid Dynasty. This dynasty is different with the other kingdom, suchas Umayyad that more concentrated in expansion mission. If discuss about Abbasid,public will know about Abu Nawas, Caliphate Harun al-Rashid, Baghdad, or 1001nights stories. Abbasid Dynasty is more inclusive than Umayyad Dynasty. This kingdompermitted to all of arts especially music. This decision is different with Umayyad onethat often prohibited the music in every society activities. In this simple paper, discussabout arts improvement at Abbasid Dynasty that one of the Baghdad glory indicator
Modal dan Makna Kerja Dalang Wayang Potehi di Semarang: Kisah Hidup Thio Tiong Gie
This study is about the work of Chinese glove puppet puppeteer in Semarang (Thio Tiong Gie). This study showed that he had been using several capitals in his work such as social and economic, and also cultural and symbolic capital. From Thio Tiong Gie’s case, we can see that cultural, social, and symbolic capitals are important for art worker’s practice. They had been used by art worker in his work for exchange with economic capital besides accumulation of those capitals. There are many meanings in Thio Tiong Gie’s work.For Thio Tiong Gie, the meanings of work are about economic, phsycologic, and religious meanings. This study has given perspective to see how the work activity of Chinese glove puppet puppeteer is, not only concerning with the product of the work
Bentang Tubuh Putu Sutawijaya
My friendship with Putu Sutawijaya (PS) has lasted for the last seven years. HoweverI have known of his works and activities from mass media reportations and personalconversations with friends from many years before. PS has worked as an artist sincethe mid 1990s. His attitude and stance frequently show a sense of ambiguity, and eventension: on one side he shows a critical and distanced attitude and perspective, while onanother side he also emphasizes a certain fi delity upon the matter. Through this essayI plan to trace the milestones of PS’s works as an artifactual biography throughout thelast period of nearly fi fteen years. In this essay, I do not plan to assemble a periodizationdiagram of PS’s career as an artist, but rather I want to review the patterns or conventionsand general tendencies in his works
Multiplisitas Wajah Rahim: Karya Seni sebagai Narasi Feminis (Refleksi atas Pameran Tunggal Dewi Candraningrum “Dokumen Rahim”)
The term ‘womb’ is an organ in the lower abdomen of female body, which is particularlyassociated with pregnancy. Metaphorically, womb is perceived as the origination ofthings that are brought to life with the pour of an intense feeling of affection. The wombis an act of creation, a document of maternal procreation. This article is a refl ectivereading of ‘Womb Document’, a solo painting exhibition by a feminist female artist,Dewi Candraningrum. She tries to move away from what is considered aspure, selfreferentialand apolitical art. Artwork is a feminist narration. Clusters of her mostlyfemale portraiture paintings and sketches represent multiple faces of womb, which havebeen resided in the margins of hegemonic discourse. She uses aesthetic conventionsin her visual artworks, which are different from those applied in the canon. Dewi hasconsidered visual artworks as part of political arts, which should take a side andemancipate the considered Others