12244 research outputs found
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The signal and the noise (2016) [REF2021 collection]
No full textCommissioned by Animate Projects and funded by a Wellcome Trust Large Arts Award The Signal and the Noise was developed during collaborative research with biomedical scientist Dr Darren Logan at Sanger Institute, Cambridge. In the film I address the following question: how can I produce a Sci/Art work that moves beyond data visualisation and employs fiction as an operational tool that enhances the collaborative process, brings recent developments in genetic technologies into view and generates discussion and debate amongst diverse audiences?
This Collection documents a single-component output with contextualising information, and contains items documenting a research timeline and research questions, initial research activities, the development of the script and storyboard for the film, documentation of the exhibitions and public engagement activities, and documentation of the finished film
(Dis)enchanted walking: walking/multimedia arts practice as interdisciplinary research (2015-2017) [REF2021 collection]
No full textTwo public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.
The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997). The practice extends techniques of spatial/temporal layering and folding as dissonant stimuli generating embodied experience, affective encounters shared and documented via social media.
This multi-component output collection contains a 300-word statement, Research Timeline, and Research Questions, as well as three items documenting the following for each project: Honouring Esther Live, Honouring Esther Extended,
Honouring Esther installation media; and Sweet Waters Live,
Sweet Waters Extended, and Sweet Waters installation media
In addition to this the collection offers a short introductory clip to the Honouring Esther project as an introduction to the emergent approach and a folder of materials of relevance to the approach across both projects
Elbow (2015) [REF2021 collection]
No full textIn August 2015 the C&C Gallery hosted an innovative residency program, which transformed the public gallery into a dynamic studio environment to facilitate the production of artworks in response to ideas surrounding the condition of blindness and alternative ways of seeing.
The 6-week programme brought together a contrary group of artists, archaeologists, technical experts and theorists. Scheduled events for artists and the public operated as an exchange for speculative processes and performances, making for an unprecedented opportunity for collisions and collusions.
Dunseath’s role as artist collaborator specifically sought to ask questions of mediation, remediation, authorship and originality. She did this through co-production of floor to ceiling columns and laser scanning images. The work, like the experience of being led by an elbow, had to be negotiated and choreographed by senses other than sight to produce a new way of working.
The project involved a live 6-week residency, exhibition, workshops, talks & events, a residency blog and website
A liminal lens on integrating refugees into the workplace: conceptualising a theoretical model
Get PDFThe integration of refugees into workplaces in their destination country remains a global concern. We meet the challenge of this problem by conceptualising a theoretical model using a liminal lens; more specifically, through the three thematic lenses of liminality as process, liminality as position and liminality as place. By addressing the research question; ‘how does a liminal lens provide new insights into refugees' integration into the workplace?’ we make three contributions to extant literature. First, we offer a dynamic perspective of refugees' integration into the workplace. Second, we provide a synthesis that brings together key factors at the micro, meso and macro levels that are germane to refugees' assimilation into the workplace. Finally, we contribute to human resource (HR) literature by showing a more nuanced view of the role of human resource management, specifically how an ambidextrous HR architecture can help firms explore refugees as a talent pool, while exploiting existing talents
CERN (2020) [REF2021 collection]
No full textAddressing her ongoing interest in the intersections of extremes in environment and scale, both digital and analogue, Neudecker has worked with particle physicists at CERN since 2015 to research the means by which new scientific knowledge is constructed and interpreted and how that shapes our understanding of nature and matter.
This Collection comprises a multi-component output with contextualising information, evidencing four new key works: Everything Happens Once (2020), shown at Broken Symmetries in Tallinn, Estonia, 2020-2021; I Can't Remember When It Started (2020), shown virtually at Galerie Barabra Thumm, Berlin, 2020; Unusual But National Strategies (1 & 2) (2020), exhibited at Centre of Gravity, Bristol, 2020; and The Eye [A.L.I.C.E. | A Large Ion Collider Experiment | v1] (2020), commissioned for Alice: Curiouser & Curiouser, at the V&A, 2021 (originally due to be exhibited in June 2020, but delayed due to the ongoing Covid-19 pandemic). Contextualising information includes a 300 word statement, research timeline, and research questions
Redesigning Bath Choral Society (2016-2018) [REF2021 collection]
No full textRedesigning Bath Choral Society was a graphic design project that sought to reposition Bath’s oldest choral society within a wider cultural sphere and challenge notions of choral music as outmoded and inaccessible.
This Collection documents a single-component creative practice output with contextualising information. The central output is documented within evidence of the redesign of the Bath Choral Society website, logo, and print systems. Contextualising information is provided in the form of a 300-word statement, research timeline, and research questions
Red Work & Wit of the Stitch (2014, 2016) [REF2021 collection]
No full textThis collection brings together an extensive body of new textile works created for two exhibitions, Red Work in 2014 and Wit of The Stitch in 2016. Combining 19th century redwork techniques with digital printing, drawing and collaged ephemera, Howard explores new ways of communicating contemporary narratives.
This multi-component output comprises two primary exhibitions as the outputs, and contextualising information in the form of a 300 word statement, research timeline and research questions, and documentation of methods and processes undertaken in the creation of the textile works
Releasing the Archive (2014-2020) [REF2021 collection]
No full textThe practice-led project ‘Releasing the Archive’, undertaken in collaboration with dance-scholar Carol Brown (NZ/AUS), aims to re-articulate marginalised modernist exile-dance practices and histories, with reference to the work of Austrian Jewish choreographer Gertrud Bodenwieser (1890-1959) who pioneered Modern Dance in New Zealand and Australia after 1939. It embraces trends towards somatic-informed dance practices, performance-as-archive, and the revisioning of modernist dance legacies.
This collection documents a multi-component output with contextualising information. The items provide evidence of the projects 300-Word Statement, Research Questions & Research Timeline, The installation 'Displaced/Displayed: Re-enacting dances of migration', The Film 'Releasing her Archive' & the Interactive Installation 'I Travel With You', The Performance 'Lost & Found' (which together form the research output for this project), Contextualising Information (a Book Chapter & a Powerpoint Presentation), Research Process Documentation (in the form of Videos & Images from workshops) & Historical Resource Images