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Air Fresheners for the Soul
Get PDFA poem sequence composed by writing through Peter Finch's Collected Poems, vols 1 & 2
Untitled book review of Late summer ode, Olena Kalytiak Davis (Copper Canyon Press)
Get PDFPoetry book revie
New technique reveals interactions inside indium nucleus
Get PDFStudy will help researchers understand how seemingly simple single-particle phenomena emerge from complex interactions among protons and neutron
Escape From The Island
Get PDFa book review of The Islander. My Life in Music and Beyond, Chris Blackwell with Paul Morley (408pp, hbck, £22, Nine Eight Books
Movements Through Time and Place
Get PDFBook review of Shalimar. A story of place and migration, Davina Quinlivan (169pp, £16.00, hbck, Little Toller) and Ghosts of My Life. Writings on Depression, Hauntology and Lost Futures(252pp, £13.99, Zero Classics
Ghostly Objects and the Horrors of Ghastly Ancestors in the Ghost Stories of Louisa Baldwin
Get PDFThis article examines the late Victorian ghost stories of Louisa Baldwin. Looking at several stories from her 1895 collection The Shadow on the Blind, we argue that, although her work is a part of the ongoing tradition of women’s ghost stories in the nineteenth century, they differ from most by the weight of emphasis given to family, ancestry, and the importance of material, inherited objects. We argue that Louisa cannot be separated out from her family, who included sisters married to Edward Poynter, and Edward Burne-Jones; her nephew Rudyard Kipling, and her son Prime Minister (to be) Stanley Baldwin. There is a material weight of family evident in her work that haunts her characters through ancestry and heritage. The ghost stories discussed here display a sense of fatality; of destiny, of inescapability, and finally of a dwindling and the dying out of the ancestral line. Tracing some sort of autobiographical criticism of over-bearing families, this article explores both real, and spectral “ghastly ancestors”
from DIPSTICK APOCALYPSE
Get PDFA humorous sequence of poems portraying fictitious or satirical characters in a post-apocalyptic dreamscape experiencing timeslip and narrative destruction.
Dipstick Apocalypse was originally written as a collaborative sequence; this selection of Loydell's poems were extracted from the longer work.
The cover image is a treated polaroid taken by the author
Talking in the Dark
Get PDFA poem written in reponse to the live stream of a Celebration of Joan Didion at New York's Cathedral Church of Saint John the Divin
From the River: Beneath the Visible Evidence
No full textA documentary short filmed in Cornwall in 2021/22. The film has screened alongside Q&As and panel discussions at international film festivals, community events and academic conferences throughout 2022/23