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The Rhetoric of Covid-19 Pandemics: Insights from The Indonesian Government’s Public Media Statements
In response to the Covid-19 outbreak, the Indonesian government must take anticipatory steps to fight against global infections increasingly unsettling the public. Many media have highlighted the government's way of dealing with the pandemics, such as providing the latest news and information related to Covid-19. In this light, this study aims to identify the rhetorical appeals used in Indonesian government statements in times of Covid-19 pandemics and describe how those rhetorical appeals used by Indonesian government public addresses from The Jakarta Post online edition from March until December 2020. This study is expected to look at how texts and practices during the pandemic and its panic were in line with the Indonesian government to support their case. The result of this study can be used as a reference for the lecturers who want to help their students understand texts and their practices in online media. In addition, this study is expected to add new content to the study of rhetoric and discourse analysis and how the language of the pandemic is represented in the media
The Structures of Political, Economic, and Socio-cultural Rhetorical Narratives on Social Media
This research was conducted on the ground of the reason for the increasingly widespread use of narratives on various social media platforms. Narrative is an event whereby someone represents an event aiming to influence the understanding, emotions and values of others. This study qualitatively aims to capture the most common elements of narrative structure focusing on political, economic, and socio-cultural rhetorical narratives data originated from social media platforms. The theoretical model of narrative structure consisting of Abstract, Orientation, Complicating Actions, Resolution, Evaluation and Coda, as proposed by Labov and Waletzky was used to analyze the narrative data collected during the first four months of 2022. On the ground of social situated meanings, the findings show that the most common model of narrative structure is fully used whenever greater details of events, facts, or information are needed to be emphasized. For such reasons, all the elements of narrative structure are held to be obligatory. The findings show that some elements of narrative structure are left out and held to be optional as such elements are not considered necessary to convey the main content. In addition, the findings also show that some particular element allows it to be further developed with more embedded events, facts, opinion, or information
Significant Trends in Portrayal of Asian American in Hollywood Films and the Role of American Perspective
This research reexamines the relationship of reality and film through examining the significant changes in portrayal of Asian Americans in Hollywood films. The American perspective has played a critical role in portraying Asian characters in film for the longest time. However, the recent shift from portrayal of Asian-to-Asian American characters revealed that Hollywood films are slowly breaking away from dependency on American perspective. Instead, the reality that is started to be portrayed in Hollywood films is from the perspective of Asian Americans which is the long-time goal of Asian American community. The study examines the significant change in portrayal of Asian Americans in Hollywood films by classifying four periods; before 1990s, 1990s, 2000s and 2010s. Two films that represent the significant trend in each period are also analyzed. The study concluded that the increase in Asian American filmmakers and the efforts of Asian American community in utilizing technology aided the positive change. Despite of COVID-19 pandemic, positive change in portrayal of Asian Americans in Hollywood films is expected to continue through constant efforts
Expatriatism in Khaled Hosseini's The Kite Runner and Mohsin Hamid's The Reluctant Fundamentalist
The September 11 attacks were world-changing events. Contemporary historians divide the history of the modern world into pre- and post-9/11. The metropolitan reaction was controversial. The Metropolis united against what is dubbed "the axis of evil." It attacked an array of Islamic nations. Mohsin Hamid's The Reluctant Fundamentalist (2007) and Khaled Hosseini’s The Kite Runner (2003) portrayed two Muslim expatriates from Pakistan and Afghanistan who experienced post-9/11 America firsthand. The protagonists presented two distinct understandings of extremism and fundamentalism. This article employed Said's (2003) theories to analyze the concepts of “the diasporic figure” against the backdrop of “the metropolitan society.” It argues that the cultural, political, religious, and social conflicts between the diasporic figure and the metropolitan society are shaped by Orientalist narratives. The novels depict various aspects of the diasporic identity. They try to negotiate between several conflicting narratives. However, Orientalism defines the frameworks of these conflicts because these conflicts and resulting confusions are rooted in the long history of metropolitan Orientalism
Thick Translation: A Conversation on Translating Indonesian Fiction
This conversation on translation theory and practice with Michael Nieto Garcia and a mixed group of State University of New York (SUNY) students took place on 29 October 2019 at the Potsdam campus in New York State. The talk/interview was conducted by the invitation of Professor Richard M. Henry for his Literature and Translation Studies course (LITR520), and it was supported by the Dorf Yes fund at SUNY Potsdam. Some additions were made to the interview transcript to provide explanatory context and to articulate key points. A concluding thoughts section was added to summarize some translation takeaways
Metacinema as Diasporic Postmemory in Justin Chon’s Blue Bayou (2021)
Blue Bayou (2021), a film by Justin Chon, presents issues of imagination, postmemory, and identity through self-referential techniques. Referring to Marianne Hirsch’s theory on postmemory, this article examines how this film represents imagined moments and how they serve as a postmemory of the history of Korean immigrants, and how this kind of forgetting constitutes the American shared experience. The findings and discussion show that imagined moments in Antonio's subconscious function as postmemory for Antonio, while the film itself serves as a postmemory for America’s imagination. It can be argued that Blue Bayou deliberately acknowledges itself as a film and as fiction to present the world that America imagines and understands. We argue that Blue Bayou conceives memory, fosters imagination, and acts as a documentation for the audience as well as for America’s fragmented memory
Fears and Challenges of Acting in the Pandemic Time
E-learning has become a popular approach today. However, in drama/theater classes where exercises, rehearsals, and ‘productions’ are done on stage, such an approach was considered impossible, until Covid-19 pandemic strike occurred. The purpose of this paper is to reveal how acting classes dealt with the disruption, the process of selecting and implementing online meeting platforms, the new ‘lesson plan’ to finish the classes, the challenges due to the changes, and evaluation for future practices. The nature of the study is both explanatory and evaluative by action research. Primary data were collected using personal observations and questionnaires. Secondary data were taken from library research pertaining drama/theater, e-learning, online teaching, action research, thematic analysis, etc. By flipping from offline to online learning, acting classes turned out to be manageable. Radical and innovative adaptations should be made to make classes work online, including flipping offline to online meetings, implementing screen/camera knowledge, and using online platforms such as Google Meet, Zoom, WA, and LINE. Moreover, despite the fact that initially online meeting was threatening to the students and the teacher alike, using online meeting platforms for acting classes as blended learning was a good challenge, given appropriate situations and purposes
The Study of Instagram Account of PCU Visual Communication Design Study Program and Its Competitor
The goal of this research is to get a general content overview from the Instagram account of Petra Christian University (PCU) Visual Communication Design (VCD) Study Program, and its competitor. The content of the Instagram accounts is analyzed with content analysis then compared. Instagram is seen as one of the media that can influence and reach greater target audiences. Nowadays, Instagram also closely relates to teenagers. The covid-19 pandemic has been hitting hard for every sector, including the educational sector. During the height of the pandemic, traditional marketing tools such as billboards and print ads became obsolete because people stayed at home and used their digital devices more than usual. The result of this research is meant to be a benchmark and strategy guide for the PCU VCD Study Program to manage their Instagram account
Dignity in The Remains of the Day from the Lens of Ontology, Ethics, and Liberalism
This study examines the concept of dignity in Kazuo Ishiguro’s The Remains of the Day, contrasting the universal, ontological notion of inherent dignity with the limited, class-based view held by the protagonist, Mr. Stevens. The study argues that Stevens' narrow understanding of dignity, rooted in his service to his employer (a Nazi sympathizer), leads him to engage in immoral actions. This analysis draws on Kant's focus on good will as the basis of moral behaviour, proposing that although Stevens demonstrates a significant sense of duty and follows rules closely, he lacks the essential moral consciousness necessary for genuinely ethical conduct. The protagonist’s actions, though ethically sound within his specific social context, are ultimately driven by a desire to maintain a rigid, hierarchical order. The research also analyzes Stevens' actions through the lens of John Rawls' liberalism, which emphasizes the influence of social institutions on individual values. The study concludes that Stevens' flawed definition of dignity serves as a tool to justify his service and evade personal responsibility. His reliance on a narrow notion of dignity allows him to rationalize his actions, even as they contradict a broader understanding of morality and human worth