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Per Diem : The Gerd Metzdorff Collection
No full text"Per Diem: The Gerd Metzdorff Collection features the collection of Gerd Metzdorff in its entirety, boasting the work of German, American and Canadian artists. Metzdorff’s collection was presented to the public for the first time at Griffin Art Projects in a two-part exhibition spanning two years. In 2022, the first Per Diem project featured primarily photo-based and print elements from Gerd Metzdorff’s collection, and in 2023’s Per Diem Part II, painting in all its forms was highlighted, with both exhibitions also displaying selected sculptural works. This catalogue chronicles both exhibitions as well as the remainder of Metzdorff’s collection." -- Publisher's websit
Emergency Index : An Annual Document of Performance Practice in Pandemic Times Vol. 10+ : Documenting Performances Made in 2020 and 2021
No full text"The pages of Emergency INDEX are open to all who work with performance. In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today. Each volume features a comprehensive index of key terms used by contributors in describing and discussing their own work. Begun in 2011, INDEX is a lens for seeing the field of contemporary performance from the ground up." --Publisher's websit
Jugaad Is...
No full text"Jugaad is a way of making do with what you have and came from necessity, a notion widely used in India. It is a way to use low-cost materials to function in place of high-cost materials. The purpose of this zine is to define jugaad through several phrases and pictures." -- Distributor's websit
Le chant du sablier
No full text" André Boucher has his eye on the universal dimension of humanity. The photo he presents in Le Chant du Sablier ("Grains from the Hourglass") are views of the world, meaning that the images are neither constrained nor enslaved by his camera: instead, he offers an independent and eternal look at the universe, and hence nothing escapes him. His journey around the Earth is not an exercise subject to the ultimate mastery of the camera, but rather an intimate communion with humanity in all its facets. Whether it be in a surrealist, alchemical quest of philosophic vertigo or, as reflected in this new volume, through images tied to absolute reality, viewers are invited into the full range of libertarian emotivity, between universality and autonomy, between harmony and chaos... André Boucher's on-the-spot photographs, the product of his roaming eye, invite us to a celebration of striking images. " -- p. 2 of the offprin
