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    Chiara Trebaiocchi, Reschooling society. Pedagogia come forma di lotta nella vita e nell’opera di Franco Fortini

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    Review of Chiara Trebaiocchi's Reschooling society. Pedagogia come forma di lotta nella vita e nell’opera di Franco Fortini.Recensione del volume Reschooling society. Pedagogia come forma di lotta nella vita e nell’opera di Franco Fortini di Chiara Trebaiocchi

    Thinking Philosophically about Psychoanalysis

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    The article intends to present the Brazilian philosophical reception of psychoanalysis as an illustrative case of what it means to think philosophically about psychoanalysis. Therefore, 1) it contextualizes the proposal and results of the X CIFIP – International Congress of Philosophy and Psychoanalysis, held in November 2023 by the Philosophy and Psychoanalysis Working Group of ANPOF (National Association of Postgraduate Studies in Philosophy), 2) it answers the question where is the philosophy of psychoanalysis going?, synthetically presenting the original contribution of the Brazilian philosophical reception of psychoanalysis through the thought of Luiz Roberto Monzani (1946-2021). The conclusion is dual: 1) the proposal and results of the X CIFIP opened a horizon of work with enormous local and international potential, which can generate significant advances in the field of the philosophy of psychoanalysis in Brazil, and 2) the contribution of Brazilian philosophical reception of psychoanalysis, mediated by Monzani’s thought, is original compared to other philosophical traditions because it points to a break with the ‘interpretive epistemological model’ of the traditional reception, creating a new method of philosophical reception

    A Compulsion to Language in Psychoanalysis?

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    Can Wittgenstein’s philosophical method illuminate our understanding of psychoanalysis? This article argues yes, by analyzing Lacan’s ‘Science and Truth’. Focusing on Lacan’s structuralist concept of the subject, shaped by language and desire, the article highlights how a Wittgensteinian lens offers insights for a global assessment of what we do by applying psychoanalytic concepts

    Pornography as a Logical and Psychoanalytic Issue

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    The topic of pornography raises many philosophical, political, moral, legal, and psychoanalytic questions. The latter addresses the issues of sex, pleasure, and domination, and consequently the real of the body. Pleasure and jouissance, valued by Lacanian psychoanalysis, have, in the word, in the structure and in the movement of the four discourses (of the master, the university, the hysteric, and the analyst), plus the discourse of the capitalist, as well as in the mathemes of sexuation, a possibility of circumventing the void left by the jouissance (as evidenced in pornography). It is through language that a possibility arises for the theme to be read and the subjects 'listened to', following the psychoanalytic norm of floating attention, in the analysis of social and sexual relationships

    The Border of the Other

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    In this article, it is stated that both in traditional clinical practice and as a methodological strategy in social research, the ultimate ambition of Lacanian psychoanalysis is to listen to the subject, suspending any ontological presuppositions prior to the very diction in which they are enunciated. The subject is strictly specified as supposed and coextensive with the utterance. Conceiving him as attached to a psychic duo modeled on anthropomorphic anatomical-physiological projections is a particular case and an ethnocentric and historically dated reduction of a more general structure, thus not restricted to such specifications

    Brain and Affectivity

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    Behind the effort to harmonise the dual registers of Freudian discourse, Ricoeur expresses the desire not to give in to a reductionist and naturalising conception of the subject. Thanks to the coordinated work between phenomenology and hermeneutics, he achieved a radical recasting of the reality of the unconscious. He worked around psychoanalysis to develop his philosophy of the human being, but his anthropological conception of maturity was still open to comparison with the various sciences of the mind and brain

    San Lorenzo di Silanus. Architettura, pittura e arredi

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    Starting from the 11th century, Sardinian kings called the Benedictine monastic orders to the Island. The Cistercian monks also arrived in the same historical context. They settled mainly in the Giudicato of Torres, encouraged by King Gonnario. Unfortunately, we do not have sufficient documentation to clarify the genesis of these monastic churches. Traditionally among the churches of the Cistercian order in Sardinia is also the church of San Lorenzo di Silanus, located in the province of Nuoro. We have no documentation linking the religious building to the French order. However, the traditional context associated the church of San Lorenzo with the "white monks" in relation to the agricultural centers managed by the monks of the relevant abbey. This type of system was called grange. The church of San Lorenzo is characterized by a series of sculptures placed in the external walls. While inside there are some paintings representing saints. The evidence relating to the building imposes a series of critical considerations that could help to better understand the history of the church of San Lorenzo.A partire dall’XI secolo le istituzioni giudicali sarde avviarono una politica mirata ad incentivare il trasferimento degli ordini monastici benedettini nell’Isola. Tra questi, figura anche l’ordine cistercense, fondato nel 1098 da Roberto da Molesme. Non sono giunti fino a noi atti di fondazione, o documenti, che possano chiarire la genesi degli insediamenti cistercensi dell’Isola. Tra queste pertinenze rientra anche la chiesa di San Lorenzo di Silanus, sita in provincia di Nuoro. Il contesto tradizionale inserisce l’edificio di culto tra i possedimenti dell’ordine francese in relazione al sistema delle grange. Si tratta di centri agricoli gestiti dai monaci e dipendenti dall’abbazia di riferimento sita nel medesimo territorio a non troppa distanza dalla grangia stessa. La chiesa di San Lorenzo tutt’oggi mostra una serie di sculture d’apparato architettonico che decorano gli apparati esterni della chiesa, mentre all’interno è possibile ancora ammirare una parte delle pitture che ornavano le pareti. Lo studio dell’edificio impone una serie di considerazioni critiche che riguardano i vari aspetti nel tentativo di indurre ad una nuova lettura critica degli alzati e delle decorazioni

    Gli arredi liturgici di Nicola da Monteforte per la cattedrale di Benevento: ricostruzione del perduto e qualche nuova riflessione

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    This article focuses on the late medieval liturgical furnishings of the Cathedral of Benevento, and in particular on the pulpits and the Easter candelabrum made by the sculptor Nicola da Monteforte Irpino in 1311 and destroyed in 1943. Through the analysis of the surviving sculptural fragments and the re-examination of historical, textual and iconographic sources, this study proposes the reconstruction of the original arrangement of the pulpits and the candelabrum. Aspects related to the function and iconographic program of the pulpits and to the role of Nicola da Monteforte are also examined in depth.Oggetto di questo studio è l’arredo liturgico tardomedievale della cattedrale di Benevento e, in particolare, gli amboni e il candelabro per il cero pasquale realizzati dallo scultore Nicola da Monteforte Irpino nel 1311 e andati distrutti nei bombardamenti del 1943. Nel contributo – attraverso l’analisi dei frammenti scultorei superstiti e il riesame delle fonti storiche, testuali e iconografiche – ci si concentra sulla ricostruzione dell’assetto originario dei pulpiti e dell’annesso candelabro pasquale, approfondendo aspetti connessi alla funzione, al programma iconografico e al ruolo dell’artista, Nicola da Monteforte

    Le labiovelari latine e il sardo log. paddzare “mettere il caglio nel latte”

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    Nella sua nota l’autore prende in esame le voci del sardo logudorese paddzare “mettere il caglio nel latte” e páddzu “caglio”, in precedenza spiegate come continuazioni di COAGULARE, QUAGLARE e COAGULUM, QUAGLUM, proponendo in particolare una spiegazione alternativa sull’origine del loro consonan-tismo iniziale

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