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I network pubblico-privati per la valorizzazione del patrimonio culturale nelle periferie economiche. Il caso di «Primavera nel cuore della Sardegna»
Full text linkEconomic peripheries are areas characterised by lower levels of development and dependence on economic centres. To reduce socio-economic disparities, integrated and long-term policies are necessary to foster autonomous growth while also strengthening social capital. In this process, the enhancement of cultural heritage – understood as the set of assets, knowledge, and representations that underpin a community’s identity – can play a decisive role. Numerous studies have highlighted the ability of governance networks, which involve public and private actors and aim to create public value, to promote the effective management and enhancement of cultural heritage. However, their institutional and functional dynamics in economic peripheries remain relatively underexplored. This study aims to examine the conditions under which collaborative networks can foster the economic, competitive, and social development of peripheral regions by enhancing their cultural heritage. In particular, it examines the significant case of the event «Primavera nel cuore della Sardegna».Le periferie economiche sono aree caratterizzate da minore sviluppo e dipendenza dai centri economici. Per ridurre i divari socioeconomici servono politiche integrate e di lungo periodo, capaci di favorire percorsi di crescita autonoma e, parallelamente, il rafforzamento del capitale sociale. In questo processo, la valorizzazione del patrimonio culturale – inteso come insieme di beni, saperi e rappresentazioni che fondano l’identità di una comunità – può svolgere un ruolo decisivo. Numerosi studi hanno sottolineato la capacità dei governance network, partecipati da attori pubblici e privati e orientati alla creazione di valore pubblico, di favorire un’efficace gestione e valorizzazione del patrimonio culturale. Le loro dinamiche istituzionali e funzionali nelle periferie economiche, tuttavia, appaiono ancora poco studiate. Questo lavoro intende analizzare sotto quali condizioni le reti collaborative possono favorire lo sviluppo economico, competitivo e sociale delle regioni periferiche attraverso la valorizzazione del patrimonio culturale. In particolare, viene indagato il caso significativo dell’evento «Primavera nel cuore della Sardegna»
Studj di Filologia Romanza - Fascicolo V 1887
No full textStudj di Filologia Romanza - Fascicolo V 188
Studj di Filologia Romanza - Fascicolo VI 1887
No full textStudj di Filologia Romanza - Fascicolo VI 188
Studj di Filologia Romanza - Fascicolo XI 1889
No full textStudj di Filologia Romanza - Fascicolo XI 188
Pages, Screens, Technology: Helen McClory’s Pretty Dead Girl Takes a Break’s Haunting Narrative
Full text linkThis paper aims to shed light on some characteristics of contemporary Anglophone Gothic literature as they are involved in cultural, social, and technological issues. Drawing on Lars Elleström’s theoretical framework, this contribution examines Helen McClory’s short story Pretty Dead Girl Takes a Break (2015), highlighting how the represented intermedial relationship between literature and screen technology can generate feelings of threat and fright that are deeply connected to a relevant contemporary issue, namely femicide
«È a Torino che bisogna stare, adesso». Fenomeni di adattamento nel mondo globale
Full text linkWe are well aware that each transposition is an independent work, that the principle of fidelity to the source of origin has been passed for a while. But taking a free hand does not always mean to follow a truly free inspiration. In the Netflix series The Leopard, based on the novel by Giuseppe Tomasi di Lampedusa’s, freedom turns out to be deceptive: on the surface unbridled, in fact bound by hegemonic trends of thought and taste. It is worth examining this issue in depth, as we try to do through the following papers: Clotilde Bertoni analyzes the series’ adherence to the most widespread vision of the novel, and its adaptation to the standards of political correctness; Giulia Carluccio, starting from the episode set in Turin, considers its relationship with the novel, with Luchino Visconti’s film based on it, and with the broader imagery superimposed on them; Stefania Rimini connects it to the recurring features of the current period dramas, then focusing on its representation of environments and landscapes.We are well aware that each transposition is an independent work, that the principle of fidelity to the source of origin has been passed for a while. But taking a free hand does not always mean to follow a truly free inspiration. In the Netflix series The Leopard, based on the novel by Giuseppe Tomasi di Lampedusa’s, freedom turns out to be deceptive: on the surface unbridled, in fact bound by hegemonic trends of thought and taste. It is worth examining this issue in depth, as we try to do through the following papers: Clotilde Bertoni analyzes the series’ adherence to the most widespread vision of the novel, and its adaptation to the standards of political correctness; Giulia Carluccio, starting from the episode set in Turin, considers its relationship with the novel, with Luchino Visconti’s film based on it, and with the broader imagery superimposed on them; Stefania Rimini connects it to the recurring features of the current period dramas, then focusing on its representation of environments and landscapes
Citéville, Citéruine: spazi urbani del domani e del dopodomani nel graphic novel contemporaneo
Full text linkThis study analyses the representation of dystopian and post-apocalyptic urban space in Citéville and Citéruine, a graphic novel diptych by Jérôme Dubois that was published simultaneously in 2020 by two different French publishing houses. Although the author denies any temporal sequence between the two works, it is inevitable to read the post-apocalyptic city, emptied and devoid of human presence, as the desolate and posthumous reflection of the dystopian city. The alienation of its inhabitants in the latter foreshadows its end. Adopting an ecocritical and narratological approach, this article aims to demonstrate the potential of visual storytelling to raise awareness of the climate crisis. It focuses in particular on three issues: alienating temporality; the narrative function of space; the compositional mode of doubling and subtraction. These characterise the representation of the city of tomorrow, which is drawing ever closer, and of the day after tomorrow, which functions as a spectre and as “shock therapy” on our present.Lo studio analizza la rappresentazione dello spazio urbano distopico e postapocalittico in Citéville e Citéruine, dittico di graphic novel di Jérôme Dubois, pubblicati simultaneamente nel 2020 presso due diverse case editrici francesi. Sebbene l'autore neghi una sequenzialità temporale tra le due opere, che si aprono a molteplici modalità di fruizione indipendenti o parallele, è inevitabile leggere nella città postapocalittica svuotata e priva di presenza umana, il riflesso desolato e postumo della città distopica, che nell’alienazione dei suoi abitanti prefigura la sua fine. Attraverso un approccio ecocritico e narratologico, l’articolo si pone l’obbiettivo di mostrare le potenzialità della narrazione visiva nel processo di consapevolezza della crisi climatica, soffermandosi in particolare su tre questioni: la temporalità straniante, la funzione narrativa dello spazio, e la modalità compositiva per sdoppiamento e sottrazione, che caratterizzano la rappresentazione della città di un domani sempre più vicino e di un dopodomani che agisce come spettro e come “terapia d’urto” sul nostro presente
Novella Primo, Nadia Rosso, Dario Stazzone (eds.), Metamorfosi in dialogo. Studi in onore di Rosalba Galvagno
Full text linkReview of Metamorfosi in dialogo. Studi in onore di Rosalba Galvagno edited by Novella Primo, Nadia Rosso, Dario Stazzone.Recensione del libro Metamorfosi in dialogo. Studi in onore di Rosalba Galvagno a cura di Novella Primo, Nadia Rosso, Dario Stazzone
Alberto L. Siani, Landscape Aesthetics: Toward an Engaged Ecology
Full text linkAlberto L. Siani, Landscape Aesthetics: Toward an Engaged Ecology (New York: Columbia University Press, 2024)Alberto L. Siani, Landscape Aesthetics: Toward an Engaged Ecology (New York: Columbia University Press, 2024
Micaela Riboldi, Distruggi tutto. La pulsione di morte al femminile da Freud a Lacan
Full text linkReview of Micaela Riboldi's Distruggi tutto. La pulsione di morte al femminile da Freud a Lacan.Recensione del volume di Micaela Riboldi Distruggi tutto. La pulsione di morte al femminile da Freud a Lacan