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Dal testo alla scena: montaggio, citazione e traduzione. Il caso Quartett di Heiner Müller e la messa in scena di Valter Malosti
Get PDFThe dramaturgical principle of montage has a crucial importance in the mechanism of transposition from the novel to the staging and also includes the operations of quotation and translation. Heiner Müller’s transposition of the Liaisons dangereuses by Choderlos de Laclos into the pièce Quartett is an exemplary case for studying these dynamics, as well as the staging by Valter Malosti.
Montage, Malosti, Heiner Müller, translation
Beyond the Wall: Towards the Discovery of the Psychiatric Hospital of Collemaggio
Get PDFThe research is the first scientific study about the ex psychiatric hospital in Collemaggio (AQ). It is related to some photographic plates regarding patients that were recovered in the asylum. Photography was an important instrument for the psychiatrists: they used it to study mental health through photos of patients’ bodies and faces. The photographic plates are compared to the experiments of Charcot, the innovations of Diamond and the psychiatric analysis of Lombroso
Manet y sus teóricos. Ideologías estéticas en los orígenes de la pintura moderna
Get PDFIt is analysed in these lines how the "aesthetic ideologies" of three fundamental authors, Baudelaire Zola and Mallarmé, intervened in the mythification of Manet as the origin of modern painting. Each one of these ideologies held points of view that the passage of time has assimilated in the notion of "the modern", and all three gather most of the interpretations that this painter has received from the current historiography. A constellation of regulatory ideas is thus composed, with which the notion of modernity is defined
Within the Walls of Collemaggio. Psychiatric Photography between Use and Abuse
Get PDFThis research is the first of its kind in addressing the story and the internal affairs of the former Psychiatric hospital of Collemaggio, Aquila. A few years ago a collection of pictures of the patients was found within the walls of the Hospital. This study aims at analysing the different iconography that the pictures represent, to put them inside the historical evolution of psychiatric photography. This was made possible by the papers collected by the Association 180 Amici-L’Aquila. The second objective of this study is the iconographic comparison between the healthy state of the patients before and after the closure of the Hospital
Introduction
Get PDFTheatre can be an important instrument of political and cultural resistance in difficult economical and social contexts, it can allow viewers to regain a sense of community. This issue, which arises from the international conference “Politiche del teatro” (held at the University of Milan on 28th and 29th November 2017, as a conclusion of the Creative Europe Project “Senses: The Sensory Theater”), aims to identify the specific forms that the political discourse assumes today in theatre and the aesthetic paradigms to which it refers
The Mediation of Criticism in the Age of Disintermediation
Get PDFWhat could happen to theatre criticism in the era of disintermediation? Theatre appears obsolete, old fashioned, and elitist. Critical attitude seems uncool in a mediasphere ruled by images and emotional responses. On the other hand, critical activity on the web is quite intense and widespread, and the community of actors and audience could give us a useful insight into the visualisation processes we are experiencing. The critic, more than a consumer, becomes a witness of the creative process and of the theatrical event
From Physiological to Moral Disgust: a Possible Fruition
Get PDFThrough the aesthetic and cinematographic analysis of the film The Elephant Man by David Lynch it is shown how the relationship between physiological and moral disgust allows an aesthetic fruition of disgust. By focusing attention on the specific characteristics and laws that regulate disgust, it will be possible to observe how an aesthetic appreciation of disgust is possible, highlighting the problems that it implies
To Calculate Perception: Mathematical Analysis of Performance Art’s Press
Get PDFThe article focuses on the results of a sociological method of Content Analysis of texts concerning performance art with the aim of tracking a kind of objective history of artistic “performance” in France from the 1970s to the present time. In regards to the issue of theatre policy, this research reveals the effects produced by the press, intended as a political mechanism, on the development of artistic performance.
 
Tra Lettura e Teatro: Il caso di Libri da Ardere di Amélie Nothomb
Get PDFLes combustibles (translated into Italian as Libri da ardere) is the third Amélie Nothomb work and her unique theatrical text.
However, it can’t be considered as a canonical play, for its strong relationship with the page and the reader. The paper focuses on two theatrical versions produced by Teatro dell’Elfo in Milan in 2006 and 2018, adapted and directed by Cristina Crippa. The show maintains the link with the book through the declamation of stage directions by the three characters, in an experiment between reading and theatre.
Combustibles, Nothomb, Cristina Crippa, Teatro dell’Elfo
Rappresentare: Némirovsky tra narrativa e teatro
Get PDFThe paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular two Italian productions: Il Ballo, conceived and performed by Sonia Bergamasco, and the play Jezabel, adapted from the namesake novel by Maddalena Mazzocut-Mis and Sofia Pelczer, and directed by the latter. The analysis of these performances allows also to highlight the inherent theatrical dimension of Némirovsky’s work, both on a thematic and formal level.
Némirovsky, representation, theatre, intermedialit