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    Waste not, want not

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    (Semi-) public interiority in British curative environments, 1840–1914

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    This essay addresses the subject of (semi)-public interiority as it was manifested in a range of British nineteenth- and early twentieth-century curative environments—namely convalescent homes, hydropathic hotels, and lunatic asylums (now referred to as psychiatric hospitals) which, in the years in question, bore a striking similarity to each other and whose founders shared the view that environments could facilitate curing. Although the focus of the essay is on their outside spaces, it proposes that a fluidity, or porousness, existed between the interiors of the buildings in question, their transitional spaces (wintergardens, balconies, terraces, and verandas in particular), and the landscaped grounds that surrounded them. This meant that it is not possible to speak of them in isolation but, rather, it is important to recognize the relationships between them and the spatial strategies that were used to form those relationships. Central to those strategies was an alignment with the aesthetic of, and the roles performed by, domesticity, particularly that associated with the English country house. Indeed, it was through the employment of that model that public interiority could be experienced by the inhabitants (whether guests or patients) of the environments in question

    Autofictions in co-labouring

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    In this co-authored text, the Dissonant Co-Labouring Key Group examines the difficulties, gaps, political slippages and entanglements of collaboration in its encounter with artistic and educational institutions. Engaging autofiction as a scholarly mode with different models of co-authorship, the Key Group move through critical engagements with working conditions, temporalities of labour and its instrumentalisation within and beyond universities and cultural ecologies. Dialoguing with a plurality of voices and registers, the text invokes adjacent and overlapping temporalities of working together, attends to different modalities of critical thought and collapses the distinction between the fictive and the real

    At home : panoramas de nos vies domestiques: some ecological reflections

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    Characterisation and quantification of user privacy : key challenges, regulations, and future directions

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    Towards a visual taxonomy of absence : can illustration practice articulate pre-verbal embodied experience?

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    This paper asks if the under-represented voice of adoptees might be more authentically heard through visual form rather than words. The underlying theme addresses the understanding of what is unique in illustration practice, asking a core question of what is illustration capable of communicating that no other discipline can achieve

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