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De Louga a Buenos Aires y Berlín. Explorando las trayectorias laborales de dos artistas senegaleses en Argentina y Alemania
Get PDFFeminismos, derechos humanos y justicia social en los discursos de los diputados peronistas durante el debate parlamentario por la legalización del aborto (2018)
Get PDFHaciendo historieta “en el nombre de la Luna”. Prosumo, manga argentino y posicionamiento de una nueva generación dentro del masculinizado campo de la historieta
Get PDFIntroducción: políticas, representaciones y memorias entre Argentina y Alemania. Miradas entrelazadas y agendas emergentes
Get PDFWider das Vergessen. Die „Literatur der retornados“ im kulturellen Gedächtnis Portugals zwischen unnötigem Tabubruch und notwendiger Aufarbeitung
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Archivos fotográficos y patrimonio cultural. El caso de la misión capuchina en la Araucanía (1896-1935)
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Collections as Relations: Contestations of Belonging, Cultural Heritage, and Knowledge Infrastructures
Get PDFThis book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies