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Pozicija drugog
Get PDFRad F20.5 prikazuje suočavanje s vlastitim djetinjstvom, za vrijeme kojeg je moj otac bolovao od rezidualne shizofrenije.
Rekonstruirajući vlastitu prošlost i reinterpretirajući očeve vizualne halucinacije, insceniram situacije u koje postavljam svoje sestre blizanke i sebe, kako bih osvijestila i prikazala utjecaj koji je bolest imala na cijelu obitelj.
U pismenom dijelu rada Pozicija drugog istražujem fotografiju kroz perspektivu sociologije, semiotike te teorije Drugosti i tehnike fototerapije u odnosu na povijesno važne i suvremene autore kako bi se dobio uvid u načine konstruiranja i reprezentiranja obiteljske slike.The work F20.5 depicts the confrontation of my own childhood, during which my father suffered from residual schizophrenia.
Through the reconstruction of my own past and reinterpretation of father’s visual hallucinations, I am staging situations in which I place myself and my twin sisters in order to acknowledge and show the influence the illness had on the entire family.
In dissertation Position of the Other, I am researching photography through the perspective of sociology, semiotics, the theory of Otherness and phototherapy in relation to historically important and contemporary authors to gain insight into the ways of constructing and representing the family image
Pedagogical queries and her reception during study
Get PDFOvaj diplomski rad bavi se temom pedagoške upute i njezine recepcije tijekom studiranja. Izdvojeno je pet uputa za svaku akademsku godinu koje su se nadovezivale jedna na drugu te na kraju preklopile i kreirale moj sustav rada koji koristim pri svakom novom projektu. Kako bi svaki moj izričaj bio autentičan bilo je potrebno od mnogih dobivenih uputa napraviti selekciju i izabrati one koje sa mnom i mojim način funkcioniranja te glumačkim senzibilitetom korespondiraju.This graduate thesis deals with the topic of pedagogic instruction and its reception during the study. Five guidelines for each academic year were added, which complemented each other and eventually overlapped and created my work system that I use for each new project. In order for each of my expressions to be authentic, it was necessary for many of the instructions to make a selection and to choose the ones that correspond with me and my way of functioning and the acting sensitivity
Ethic within a documentary film
Get PDFU ovom radu baviti ću se pitanjem etike i morala u okviru dokumentarnog filma, te njegove vjerodostojnosti, odnosno istinitosti. Kao uvod u problematiku i složenosti oko pitanja etičnosti, ukratko se osvrćem na povijest dokumentarizma, početke bilježenja prvih zapisa i kratkometražnih dokumentarnih filmova uz primjere jednih od tada najpoznatijih i najjutjecajnijih redatelja; braće Lumiere te filma Roberta Flahertya „Nanook sa sjevera“. U daljnjem tekstu analiziram tri dokumentarna filma „The Bridge“, „The Wolfpack“, „Documentarian“, od kojih je svaki na svoj način zanimljiv kada ga se promatra iz perspektive etičnosti u okviru filmskog nastanka.In this paper I will be dealing with issues of ethics and morals within the documentary film and its credibility or rather veracity. As an introduction to the issues and complexity of ethics, I will take a brief look at the history of documentarism, the beginnings of making the first recordings and short documentary films including examples from some of the most famous and influential directors of the time; the Lumière brothers and Robert Flaherty's film "Nanook of the North ". Furthermore, I will analyze three documentary films; "The Bridge", "The Wolfpack", and "Documentarian ", all of which are interesting in their own way when viewed from the perspective of ethics within filmmaking
