Digital Repository of Music Academy
Not a member yet
3080 research outputs found
Sort by
Tangible and intangible heritage of Dol on the island of Brač with special focus on Holy Week folk singing
No full textDol na Braču maleno je mjesto u unutrašnjosti otoka smješteno na kraju plodne doline, poznato po bogatoj materijalnoj i nematerijalnoj baštini. Dol se razvijao kao ruralno naselje, prilagođeno krškom pejzažu, s tradicijskom arhitekturom koja uključuje kamene kuće prekrivene kamenim pločama, sakralne objekte i istaknute građevine poput kaštela Gospodnetić. Ističu se predromaničke i romaničke crkve, poput Sv. Petra i Sv. Mihovila, te gradnje poput dolskih čelinjaka, jedinstvenih kamenih košnica. Nematerijalna baština Dola uključuje tradicije poput pučkog pjevanja, koje je posebno istaknuto tijekom Velikog tjedna. Procesija Velikog petka i pjevanje Gospinog plača integriraju materijalne i nematerijalne elemente baštine. Kulturni krajolik Dola oblikovan je stoljećima ljudskim djelovanjem i prirodnim procesima, a maslinici, suhozidi i tradicijska poljoprivreda važni su dijelovi lokalne baštine. Rad se također bavi izazovima očuvanja baštine u kontekstu suvremenih migracijskih i ekonomskih promjena. Dol kao kulturni krajolik i zajednica svjedoči o vrijednostima koje povezuju prirodu, arhitekturu i ljudsku tradiciju u jedinstvenu cjelinu.Dol is a small inland village on the island of Brač located at the end of a fertile valley. It is renowned for its rich tangible and intangible heritage. Dol developed as a rural settlement adapted to the karst landscape, characterized by traditional architecture that includes stone houses with stone roofs, churches, and notable buildings such as Kaštil Gospodnetić. Particularly prominent are the pre-Romanesque and Romanesque churches, such as those of St. Peter and St. Michael, as well as unique constructions like Dol’s čelinjaci, distinctive stone beehives. The intangible heritage of Dol encompasses traditions such as folk singing, which is especially emphasized during Holy Week. The Good Friday procession and the singing of Gospin plač (Our Lady’s Lament) integrate both the tangible and intangible elements of heritage. Dol's cultural landscape has been shaped over centuries by human activity and natural processes, with olive groves, dry stone walls, and traditional agriculture forming essential parts of the local heritage. The study also addresses the challenges of heritage preservation in the context of contemporary migration and economic changes. Dol, as a cultural landscape and community, bears witness to values that uniquely intertwine nature, architecture, and human tradition into a cohesive whole
Using of professional accessories for better technique in playing the trumpet
No full textOvaj diplomski rad je napravljen s ciljem da objedini saznanje o najkorištenijim stručnim pomagalima koja koriste svjetski poznati trubači, profesori trube, studenti i učenici trube. Kroz rad ćemo upoznati kako izgledaju, kako se koriste i u kojem aspektu pomažu pojedina stručna pomagala.
Rad je podjeljen u dva dijela. Prvi dio bavi se stručnim pomagalima koja pomažu kako bismo zrak bolje koristili i kontolirali te kako bismo stekli bolju fizičku spremu naših pluća jer je zrak elementarni i najutjecajniji aspekt sviranja trube. Drugi dio rada govori o raznim stručnim sredstvima koja pomažu u tehničkom, kondicijskom, intonativnom i tonskom napredovanju.
Sva stručna pomagala koja su navedena u ovom radu su od velike koristi što potvrđuju i citati svjetski priznatih glazbenika koji ih koriste, no moramo biti oprezni u korištenju pojedinih pomagala. Svaki glazbenik mora biti svjestan da ni jedno stručno pomagalo ne može pomoći u kratkom vremenskom periodu, već je potrebno dugotrajno i pametno vježbanje.This graduation thesis was made with the aim of bringing together all the most used professional accessories used by world renowned trumpeters, trumpet professors, students and trumpet students. Through the work, we will get to know how they look, how they are used and in what aspect individual professional accessories helps.
This thesis is divided into two parts. The first part deals with the air and accessories that help us to use and control the air better and to get a better physical condition of our lungs, because the air is the elemental and most influential aspect of
playing the trumpet. The second part of this thesis brings various professional accessories that helps in technical, conditioning, intonation and tonal progress.
All the professional accessories listed in this thesis are very useful, as confirmed by the quotes of world renowned musicians who use them, but we must be careful in using certain accessories. Every musician must be aware that not a single professional accessories can help overnight, but requires long-term and smart practice
Niko Kos, kontrabas : prvi dio diplomskog ispita
No full textPrvi dio diplomskog ispita Nike Kosa (kontrabas), studenta Muzičke akademije Sveučilišta u Zagrebu.
Prvi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Huml 14. 6. 2024.
Klavirska pratnja: Tibor Naglić, v. umj. sur.
Mentor: nasl. prof. art. Nikša Bobetko.
Program prvog dijela diplomskog ispita:
1. Karl Ditters von Dittersdorf: 2. koncert za kontrabas, Kr. 172 (I. st. Allegro moderato) ;
2. Johann Sebastian Bach: 5. cello suita u c-molu, BWV 1011 (Sarabande – Gigue) ;
3. Dubravko Palanović: Sonata za kontrabas i klavir
Ana Topić, gitara : diplomski ispit
No full textDiplomski ispit Ane Topić (gitara), studentice Muzičke akademije Sveučilišta u Zagrebu.
Ispit je održan na Muzičkoj akademiji u dvorani Huml 14. 6. 2024.
Mentor: izv. prof. art. Krešimir Bedek.
Program: 1. Olja Jelaska: Tri slike ; 2. Johann Sebastian Bach (obr. V. Dešpalj): Prva suita za violončelo solo, BWV 1007 (Prélude – Allemande – Courante – Sarabande – Menuet I, II – Gigue) ; 3. Reginald Smith Brindle: Sonata br. 5 (Con spirito, moderato – Lento solenne – Con moto) ; 4. Agustín Barrios: Valcer, op. 8, br.
Construction of the classical guitar and its characteristic acoustic properties
No full textOvaj rad opisuje nastanak zvuka na klasičnoj gitari, njegove karakteristike te utjecaj pojedinih konstrukcijskih elemenata gitare na njezin zvuk. Opisana su jednostavna akustička mjerenja kojima se mogu odrediti pojedina karakteristična svojstva instrumenta i navedeni su primjeri mjerenja. Mjerenja su provedena na četiri studentske gitare i na nekoliko gitara poznatih graditelja kojih su snimke preuzete s interneta. Rezultati mjerenja su obrađeni i na temelju njih na kraju rada je izneseno mišljenje o mogućnosti utjecaja pojedine konstrukcije na zvuk instrumenta.This thesis explores how sound is produced on a classical guitar, its characteristics, and how various design elements of the guitar affect its sound. It describes simple acoustic measurements that can identify specific properties of the instrument, along with examples of these measurements. The research was conducted on four of student`s own guitars and several renowned builders' guitars - for which recordings were obtained from the internet. Based on the measurement results and subsequent analysis the thesis concludes with insights into how different constructions might influence the instrument`s sound
Ethnography of Rijeka's Musical Theater
No full textU Rijeci više od 50 godina postavljaju se mjuzikli u Hrvatskom narodnom kazalištu Ivana pl. Zajca. Ovaj rad istražuje zašto se mjuzikl kao vrsta popularnog glazbenog kazališta uvrštava u repertoar nacionalnog kazališta, kakvi se mjuzikli prikazuju prema svojem opsegu i autorstvu i kako se mjuzikli produciraju u s obzirom na kazališne resurse i na nedostatak ansambla specijaliziranog za vrstu. Osim kraće historiografije riječkog mjuzikla, rad je usmjeren na mjuzikle postavljene od 2018. do danas: megamjuzikle Andrewa Lloyda Webbera Sunset Boulevard i Evita, dvojezičnu interpretaciju kanonskog mjuzikla Colea Portera Poljubi me, Kato / Baciami, Kate i reviju U ritmu Broadwaya / A Ritmo di Broadway. Teorijski okvir istraživanja činile su teorija svjetova umjetnosti Howarda Beckera i njena upotreba u etnomuzikološkom istraživanju Ruth Finnegan, modeli istraživanja svjetova umjetnosti Hansa van Maanena i etnografske refleksije o glazbenim akademijama Brune Nettla. Istraživanje je provedeno putem intervjua s umjetnicima iz raznih područja i arhivskog rada.For over 50 years musicals have been produced in Croatian National Theatre „Ivan pl. Zajc“. This thesis is exploring why is musical as a type of popular musical theatre included in the repertory of a national theatre, what kinds of musicals are performed by their size and their authorship and how are musicals produced considering theatre’s resources and non-existing musical theatre ensemble. Except for the short historiography of Rijeka’s musical theatre, the focus of the thesis are musicals performed from 2019 until today: Andrew Lloyd Webber’s megamusicals Sunset Boulevard and Evita, bilingual interpretation of Cole Porter’s canonical musical Poljubi me, Kato / Baciami, Kate and revue U ritmu Broawaya / A ritmo di Broadway. Theoretical framework for the research were Howard Becker’s art worlds theory, Ruth Finnegan’s application of said theory in ethnomusicological research, Hans van Maanen’s models of researching art worlds and Bruno Nettl’s ethnographic reflections on music academies. Research was made through interviews with artist from different fields and archival work
Instruction in organ playing by Vjenceslav Novak. Presentation and pedagogical application in the educational process
No full textRad se bavi analizom udžbenika Uputa u orguljanje : zbirka preludija Vjenceslava Novaka. Cilj rada je upoznati Vjenceslava Novaka prvenstveno kao glazbenog pedagoga, a ne (kako je većini poznat) kao književnika te prikazati kako je udžbenik pisan za nastavu orgulja moguće primijeniti u odgojno-obrazovnom procesu. Na početku rada kratko se upoznajemo s poviješću glazbe na hrvatskom tlu te životu i djelu Vjenceslava Novaka. Glavni dio rada je analiza sadržaja udžbenika i usporedba sa sličnima u Novakovo vrijeme s obzirom da je to prvi, ali i jedini takav udžbenik u Hrvatskoj. Nakon toga slijedi kratak prikaz elemenata tehnike sviranja orgulja i metodike nastave orgulja kako bi ih mogli usporediti s udžbenikom Uputa u orguljanje. Na kraju, u radu se daju prijedlozi kako primjere za razvoj tehnike sviranja koristiti u nastavi glazbene kulture i glazbeno-teoretskoj nastavi (solfeggio, harmonija, polifonija) u glazbenoj školi.This work focuses on the analysis of the book Instruction in Organ Playing : A Collection of Preludes by Vjenceslav Novak, aiming to present Novak primarily as a music educator, rather than as a writer, which is how he is more commonly known. The main goal of this work is to show how this book, written for organ instruction, can also be applied in the wider educational process. At the beginning of this work, there is a brief introduction to the history of music in Croatia and to the life and work of Vjenceslav Novak. The main part of the work is dedicated to the analysis of the book’s content and a comparison with similar works from Novak’s time, considering that it was the first and only such book in Croatia. This is followed by a short overview of the elements of organ playing technique and the methodology of organ teaching to be compared with the book Instruction in Organ Playing. Finally, the work offers suggestions on how examples for developing organ techniques can be used in music education and in theoretical music classes (solfeggio, harmony, counterpoint) in music schools
Vocal and technical aspects, similarities and differences between operatic and popular singing
No full textU ovom radu je prikazana usporedba dviju naizgled potpuno različitih, ali i djelomično sličnih vokalnih tehnika, tehnike opernog ili klasičnog pjevanja i tehnike popularnog i mjuzikl pjevanja. Opisana su obilježja akustike i osnovnih svojstava glasa, vrste pjevačkih registara, tehnike pjevanja općenito, tehnike opernog ili klasičnog pjevanja, tehnike popularnog pjevanja i beltinga. Glavni cilj ovog rada je približiti opernim pjevačima tehniku popularnog pjevanja, a pjevačima popularne glazbe približiti tehniku opernog pjevanja te podignuti svijest o tome da ne postoji samo jedna ispravna tehnika te da se ove dvije tehnike isprepliću i usko su povezane.This thesis presents a comparison of two seemingly completely different, but also partially similar vocal techniques, technique of operatic or classical singing and technique of popular and musical singing. It details acoustics and basic properties of the voice, types of singing registers, singing technique in general, technique of operatic or classical singing, popular singing technique and belting. The main goal of this thesis is to bring the technique of popular singing closer to opera singers, and to bring the technique of opera singing closer to popular music singers, and to raise awareness that there is not just one correct technique and that these two techniques are intertwined and closely related
Methods and quality of recorded music reproduction
No full textOvaj diplomski rad bavi se metodama i uređajima za reprodukciju snimljene glazbe te njihovim tehničkim i akustičkim kvalitetama i mogućnostima. U radu se analizira pojam snimljene glazbe, u kojem smjeru je tekao njezin povijesni razvitak i koje metode su korištene za samo snimanje glazbe. Snimljena glazba reproducira se putem uređaja specijaliziranih za reprodukciju zvuka pa tako i glazbe. U radu se kroz povijesni aspekt proučavaju razne metode i uređaji za snimanje i reprodukciju glazbe te kako njihova
različitost izgleda i zvuči u praksi. Zaključno, provodi se kratko anketiranje o preferencijama i prirodnosti izvora zvuka.This graduate thesis deals with methods and devices for the reproduction of recorded music and their technical and acoustic qualities and capabilities. The paper analyzes the concept of recorded music, the direction of its historical development, and the methods used for music recording itself. Recorded music is reproduced through devices specialized in sound and music reproduction. The study explores various methods and devices for music recording and music reproduction from a historical perspective, as well as how their diversity appears and sounds in practice. In conclusion, a short survey is conducted about preferences and the naturalness of sound sources