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Wall-paintings of the early medieval churches of the dubrovnik bishopric
No full textZidne slike pronađene na crkvama u Dubrovačkoj biskupiji mogu se datirati u drugu polovicu 11. stoljeća, nakon crkvenog raskola. U radu se posvećujem trima crkvama. Smata se da je cjelokupne zidne oslike u crkvi Sv. Nikole na Koločepu i crkvi Sv. Ivana na otoku Šipanu radila ista radionica, koja je vjerojatno oslikala i dubrovačku prvostolnicu. Lako je za povjerovati da te tri crkve nisu bile jedine na tom području koje je oslikala ova radionica, školovana na istoku. Radionica je vezana za bizantske umjetničke struje sa snažnim oslanjanjem na ranokršćansku tradiciju.The wall paintings found in the churches of the Dubrovnik dioces can be dated to the second half of the 11th century, after the church schism. This analysis is devoted to three churches. It is believed that all of the wall paintings in the church of St.Nikola on Koločep and St.Ivan on island of Šipan are made by the same workshop that worked on the Dubrovnik chatedral. It is easy to belive that these three churches were not the only one painted by this workshop that was educated on the east.the workshop refers to byzantine tradition with strong reliance on early christian tradition
Crkveno pučko ( glagoljaško ) pjevanje u Pagu - transkripcija i analiza zvučnih zapisa iz 1964. i 2000. godine
No full textOvaj rad predstavlja stare paške crkvene pučke (glagoljaške) napjeve, transkribirane prvi puta prema zvučnim zapisima Jerka Bezića iz 1964., pohranjenih u fonoteci Staroslavenskog instituta u Zagrebu, kao i zvučnim zapisima koncerta Mješovitog zbora Uznesenja Blažene Djevice Marije iz Paga, održanog 2000. godine crkvi sv. Donata u Zadru. Transkripcijom i analizom komparativnih zapisa u notnom programu Sibelius autorica revitalizira i prezentira važan dio paške kulturne baštine te daje osnovne naznake o postanku, povijesnom razvitku i značaju crkvenog pučkog pjevanja u Pagu. Napjevi su analizirani kroz nekoliko slojeva: glazbeni, kulturni, povijesni i jezični te kroz aspekte promjene i različitih utjecaja. Ovo pjevanje je karakterizirano kao simbioza crkvene i pučke glazbe s obzirom da je proizašlo iz liturgijskog pjevanja na staroslavenskom jeziku i staro-crkvenoslavenskom hrvatske redakcije te se oblikovalo u liturgijsko i paraliturgijsko pjevanje na arhaičnom hrvatskom jeziku i usvojilo obilježja lokalne folklorne tradicije na geografskom području na kojem se razvilo. To je fenomen tzv. narodnog bogoslužja. Crkveni pučki (glagoljaški) napjevi izvodili su se u rimokatoličkim crkvama diljem jadranske obale pa tako i u gradu Pagu. Puk je koristio narodni jezik i napjeve prenosio usmenom predajom s koljena na koljeno. Postojanje crkvenih pučkih napjeva vezano je za višestoljetnu pjevačku tradiciju u crkvi u Pagu, a neki se izvode neprekinuto. Napjeve danas njeguje Mješoviti zbor Uznesenja Blažene Djevice Marije iz Paga.This thesis presents old church folk (glagolitic) chants from Pag, transcribed for the first time according to the sound records of Jerko Bezic in 1964, stored in the collection of the Old Church Slavonic Institute in Zagreb, as well as the sound records of the concert performed by the Mixed Choir of the Assumption of the Blessed Virgin Mary from Pag, held in the church of St. Donat, Zadar in 2000. By transcribing and analyzing comparative records in a notorious music notation software Sibelius, the author revitalizes and presents an important part of the cultural heritage of Pag and gives a basic insight into the origin, historical development and importance of church folk chanting in Pag. The chants are analyzed through several levels: musical, cultural, historical and linguistic, but also through the aspects of change and different impacts. This kind of chanting is characterized by the symbiosis of church and folk music since it was derived from liturgical singing in the Old Slavonic and the Old Church Slavonic language – Croatian recension, and was formed lately in liturgical and paralitugical chanting in the archaic Croatian language adopting the features of local folklore tradition in the geographical area in which it was developed. This is the phenomenon of so-called folk worship. Church folk (glagolitic) chants were performed in Roman Catholic churches across the Adriatic coast, including the town of Pag. People used their national language and transmitted the chants from generation to generation by word of mouth. The existence of church folk chants is related to the centuries-old singing tradition in the church of Pag, and some of them are performed uninterruptedly. Nowadays, the chants have been saved by the Mixed Choir of the Assumption of the Blessed Virgin Mary from Pag
Kinetic architecture
No full textU ovom diplomskom radu riječ je o kinetičkoj arhitekturi, arhitekturi novoga doba, arhitekturi koja prekida granica s tradicionalnom arhitekturom i arhitekturi koja je u potpunosti prilagođena svakoj čovjekovoj potrebi i želji. Međutim, koncept kinetičke arhitekture se nije još uvijek prenio u potpunosti u praksu, unatoč svim mogućnostima koje imamo, od razvijene tehnologije do strojeva. Kinetička arhitektura je koncept kroz koji su zgrade dizajnirane kako bi se omogućilo da se dijelovi strukture pomaknu bez smanjenja ukupnog strukturnog integriteta. Sposobnost objekta koji se može gibati može se koristiti kako bi se: poboljšale estetske kvalitete; odgovorilo na uvjete okoliša; i/ili, izvršile funkcije koje bi bile nemoguće za statičku strukturu. Mogućnosti za praktičnu primjenu kinetičke arhitekture naglo su se povećale u kasnom 20. stoljeću zbog napretka u mehanici, elektronici i robotici, iako se nažalost ne koriste.This graduation thesis is about kinetic architecture. Architecture of the New Age. Architecture that breaks the traditional architecture and architecture that is completely customized for every man's needs and desires. However, concept of the kinetic architecture has not been fully transposed in practice, despite all the possibilities we have, from advanced technology to machines. Kinetic architecture is a concept through which buildings are designed to allow parts of the structure to move, without reducing overall structural integrity. A building's capability for motion can be used just to: enhance its aesthetic qualities; respond to environmental conditions; and/or, perform functions that would be impossible for a static structure.The possibilities for practical implementations of kinetic architecture increased sharply in the late-20th century due to advances in mechanics, electronics, and robotics, although not all of the opportunities we have provided are used
Izrada kopija i FT-IR analize keramike prapovijesnog lokaliteta Dugiš pokraj Sinja
No full textU ovom diplomskom radu prezentirane su dvije teme, izrada kopija u svrhu cjelovite prezentacije keramičkih posuda i FT-IR analize ulomaka odabranih kako bi predstavili raznovrsnost cjelokupnog zaprimljeng materijala. Arheološka keramika potječe s kasnobrončanodobnog lokaliteta Dugiš, koji se nalazi uz rijeku Cetinu pokraj općine Otok nedaleko grada Sinja. Arheološki materijal je dopremljen iz depoa Arheološkog muzeja u Splitu u radionu konzervacije-restauracije arheološke baštine i metala Umjetničke akademije Sveučilišta u Splitu. Odluka o izradi kopija donešena je temeljem ideje o neinvazivnom konzervatorsko-restauratorskog radu, koji omogućava cjelovitu prezentaciju originalnog izgleda posuda bez intervencije na originalnim ulomcima. To u budućnosti olakšava spajanje postojećih ulomaka s onima za koje je moguće da će tek biti otkriveni u budućnosti. Kopija izrađena od gipsa i tonirana u skladu s originalnim izgledom arheološke keramike može biti prezentirana uz pripadajući ulomak. FT-IR analize 13 odabranih ulomaka provedene su u laboratoriju Umjetničke akademije Sveučilišta u Splitu. IR spektri pokazuju srednju do nižu vrijednost kvalitete siovine keramike kasnog brončanog doba, što potvrđuje pretpostavku o nižoj tehnološkoj razini lokalne proizvodnje keramičkih proizvoda toga doba.This graduate thesis presents two topics, the making of copies in terms of complete presentation of ceramic vessels and FT-IR analysis of samples selected which represent variety of entire archaeological material recived. Archaeological ceramics originates from the late bronze age locality Dugiš, which is situated by the river Cetina by borough Otok near town of Sinj. Archaeological material has been transfered from depot of The Archaeological Museum of Split to conservation-restoration workshop of archaeological heritage and metal of The Art Academy of University in Split. Decision on producing copies has been made based on the idea of a non-invasive consrevation-restoration treatment, which enables complete presentation of original appearance of vessels without any intervention on iriginal fragments. In future, this allows simpler joining existing fragments with the ones which are yet to be discovered. A copy produced in plaster and tinted according to the pattern of original archaeological ceramics can be displayed next to its belonging fragment. FT-IR analysis of 13 samples selected had been conducted in laboratory of The Art Academy of University in Split. IR spectra shows low to medium quality of clay used in production of late bronze age ceramics, which confirms the hypothesis that local ceramics production of that time was of lower technological standard
