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"Conditions: Questioning the meaning of existence"
No full textU ovom diplomskom radu autorica slika likove iz vlastitih predodžbi tehnikom akrila na platnu nastojeći kroz te likove izraziti svoja najskrivenija stanja svijesti, svoje najveće strahove, dvojbe i promišljanja o smislu vlastite egzistencije. S osloncem u egzistencijalističkim gledištima rad se bavi pitanjem smisla ljudskoga postojanja uopće te uvjetima i ograničenjima (apsurdnošću) ljudske slobode s obzirom na čovjekove mogućnost izbora, ali i na odgovornost koju posljedično svatko mora snositi. Temeljna je intencija ovog diplomskog rada bila ta da se autorica - kroz te iznađene i uprizorene likove - nastojala osloboditi stanja koja su po mnogo čemu mučna i da se kroz proces slikanja lakše može nositi s apsurdom ljudske slobode. Stoga se može reći da je ovaj ciklus slika u okviru diplomskog rada neka vrsta autoričine „ispovijedi“, priznanja o toj egzistencijalnoj ̈mučnini ̈, ali i pokušaj objašnjenja (sebi i drugima) o čemu se tu uistinu radi. Time je ovaj ciklus i svojevrsna katarza.In this thesis, the author paints characters from her own imagination using acrylic technique on canvas. She tries to express through these characters her most hidden states of consciousness, her biggest fears, doubts and reflections on the meaning of her own existence. Based on existentialist points of view, the work deals with the question of the meaning of human existence in general and the conditions and limitations (the absurdity) of human freedom with regard to free will, as well as being responsible. The basic intention of this thesis is that the author - through these invented and staged characters - tries to liberate herself from the conditions that are in many ways painful. Through the process of painting it is easier to deal with the absurdity of human freedom. Therefore, it can be said that this cycle of paintings is a kind of author's "confession". She admits her existential ̈nausea ̈, but also attempts to explain (to herself and others) what this really is about. Simultaneously, this cycle is also a kind of catharsis
"The Fort of St Michael on the Island of Ugljan"
No full textBogata povijest lokaliteta utvrde Sv. Mihovila ponajviše leži na njegovom iznimno povoljnom strateškom položaju. Zamijećen još u doba eneolitika, kontinuitet korištenja (sa ponekim pauzama) ovog mjesta seže skoro sve do današnjice. Poznata povijest ovoga mjesta započinje pronalaskom dokaza naseljenosti iz mlađeg kamenog doba, a nešto konkretniji trag u obliku utvrde nastaje u dobu Justinijanove rekonkviste iz 6. stoljeća, te kasnije iz razdoblja srednjeg vijeka (koji su ostaci i danas prilično postojani te omiljeno izletište brojnih Zadrana). Osim samog kaštela, važnosti pridonose i crkva te samostan unutar njega. Zadnja intervencija na ovo povijesno mjesto je učinjena postavljanjem relejne antene na lokalitet krajem 20. stoljeća.The rich history of the location of Saint Michael’s fortress mostly lies in its extremely favourable strategic position. First noticed in Eneolithic times, this place was continuously used (with occasional periods of total abandonment) almost until today. Known history of this location starts with Eneolithic findings, but somewhat more concrete evidence of life that comes in the form of a fort is dated to Justinian times, and later medieval times. Aside from the castle itself, the church and the monastery greatly contribute to the importance of the place. Last constructive intervention to this historical side has been made in the late 20th century, by building the relay antenna inside the fort
TeKa
No full textOvaj završni rad temelji se na nekontrolirano izvedenim linijama, nasumičnim skicama nastalima na standardno grafički oblikovanim listovima bilježnica te samom uvećavanju tih crteža na preparirane papire velikih dimenzija. Prijenosom i povećavanjem na velike formate autorica želi poručiti svoj stav o važnosti skica nastalih u vidu šara bez jasnih intencija, čineći ih istaknuto vidljivima i dajući im zasluženo uočljivo mjesto u radu. Radovi su nastali imitiranjem; ručnim nanosom boje na papir te ucrtavanjem pravilnih ravnih linija ili kockica kako bi se dobio prikaz što sličniji prizorima s papirnatih listova bilježnica. Autorica dodaje razne linije, crteže i tekstove koristeći se raznim crtaćim tehnikama. U tom procesu crtanja, prijenosu prizora u velike formate autorica sebi dozvoljava odsustvo koncentracije kako bi imitacija šara preuzetih iz bilježnica bila što vjernija kopija postupka kojima su nastale. Autoricu su pri realizaciji radova inspirirala djela njemačke umjetnice konceptualne orijentacije Hanna Darboven (1941-2009) i južnokorejskog umjetnika Kim Jung Gia (r. 1975).This final work is based on spontaneously executed lines, random sketches created on standard graphically shaped notebook sheets translating these drawings onto large prepared papers. By transferring and enlarging these drawings, the author wants to convey her position on the importance of sketches created in the form of doodles without clear intentions, making them prominently visible and giving them a well-deserved noticeable place in the work. The works were created by imitation; through manual application of paint on the paper and drawing of regular straight lines or cubes in order to get representation as close to the scenes from paper sheets of notebooks as possible. The author adds various lines, drawings and texts using various drawing techniques. In this process of drawing and, enlarging the motifs, the author allows herself a lack of concentration so that the imitation of the doodles from the notebook would be as faithful as a copy of the original process can be. The author was inspired by the works of German conceptual artist Hanne Darboven (1941-2009) and South Korean artist Kim Jung Gi (b. 1975)
Beauty in ancient Egypt
No full textPostoji nešto što privlači ljude egipatskoj povijesti. Bilo da se radi o hijeroglifima, piramidama ili činjenici da su mačke obožavane, očito postoji veliko zanimanje za ovu drevnu civilizaciju. Egipatsko razmišljanje se temeljilo na matematici i kanonima, te oni kao takvi predstavljaju izrazitu ljepotu za egipatski narod. Brojni stari narodi, su već tada vrednovali ljepotu ljudskoga tijela, kao čudo Postanka. Egipatska povijest svojim vidljivim ostatcima i mističnim narativom o nastanku i razvitku već stoljećima zaokuplja živote mnogih znanstvenika, stručnjaka i običnih zaljubljenika. Sama riječ Egiptologija danas nosi prizvuk piramida, sfingi, hramova i faraona kao centralnih figura jedne civilizacije, čiji se utjecaj prenosio i na okolna društva tog vremena. Ovaj rad dotiče se kronologije civilizacije, prati promijene kroz vrijeme, te razvoj hijerarhijskih, vjerskih, tehnoloških i kulturnih dostignuća. Egipatska civilizacija svoj napredak u prvom redu bazira na rijeku Nil, koja osim osnovne prehrane omogućava transport ljudi i robe, ali i osigurava komunikacijsku povezanost. Također u Egiptu ima onu mističnu stranu, faraona sa statusom božanstva, bogove koji aktivno sudjeluju u ljudskim životima, kult smrti i kulturu ispunjenog življenja. Arheološki nalazi ostataka odjeće, obuće i svakodnevnih predmeta omogućuju nam uvid u tadašnji način života i ostavljaju poveznicu s tradicijama koje su se zadržale do današnjeg vremena. Jedna od tih tradicija je upotreba kozmetike koja se razvila iz potrebe za higijenom i zaštitom od sunca, a pretvorila se u uljepšavanje tijela čiji je vrhunac bio ritualno mumificiranje tijela pokojnika i priprema za vječni život. Kozmetika je usporedno dovela do razvoja medicine, dok se uljepšavanje ljudskog tijela bojom zadržalo do današnjeg vremena. Bez iznimke i obzira na spol, muškarci i žene lica su ukrašavali dekorativnom kozmetikom, a jedan od kultnih proizvoda je zasigurno kohl.There is something that draws people to Egyptian history. Whether it's the hieroglyphs, the pyramids, or the fact that cats are worshipped, there's clearly a lot of interest in this ancient civilization. Egyptian thinking was based on mathematics and canons, and as such they represent a distinct beauty for the Egyptian people. Numerous ancient peoples already valued the beauty of the human body as a miracle of Genesis. Egyptian history, with its visible remains and mystical narrative about its origin and development, has occupied the lives of many scientists, experts and ordinary lovers for centuries. The very word Egyptology today carries an overtone of pyramids, sphinxes, temples and pharaohs as the central figures of a civilization, whose influence was also transmitted to the surrounding societies of that time. With this work, we touch on the chronology of civilization, follow changes over time, and the development of hierarchical, religious, technological and cultural achievements. Egyptian civilization bases its progress primarily on the Nile River, which, in addition to basic nutrition, enables the transport of people and goods, but also ensures communication connections. Also in Egypt we have the mystical side, pharaohs with the status of divinity, gods who actively participate in human lives, the cult of death and a culture of fulfilled living. Archaeological findings of remains of clothing, footwear and everyday objects allow us to gain an insight into the way of life at that time and leave a link with traditions that have survived to the present day. One of these traditions is the use of cosmetics, which developed from the need for hygiene and protection from the sun, and turned into body beautification, the climax of which was the ritual mummification of the body of the deceased and preparation for eternal life. Cosmetics, in comparison, led to the development of medicine, while the beautification of the human body with color has persisted to the present day. Without exception and regardless of gender, men and women decorated their faces with decorative cosmetics, and one of the cult products is certainly kohl
Raphael (Raffaello Santi) - Vatican Stanze
No full textU radu su, temeljem dostupne objavljene literature, predstavljeni fresko oslici autora Raffaella Santija u Vatikanskim stanzama ili sobama.In this thesis are, based on available literature, introduced frescos painted by Raffaello Santi in Vatican's stanze or rooms
Conservation - restoration techniques on a painting "The heart of Mary"
No full textMagistarski rad sadržava opis zatečenog stanja i konzervatorsko – restauratorskih zahvata na slici „Srce Marijino“. Zajedno sa slikom ''Srce Isusovo'' čuva se u kapeli sv. Roka u Ostrvici. Slika je zaprimljena u radionicu s pripadajućim ukrasnim okvirom, ali bez podokvira. Na slici su izvedena istraživanja i slijedeći konzervatorsko-restauratorski zahvati: čišćenje nevezane površinske prljavštine, ravnanje slike, strip lining, loose lining i uklanjanje laka.The master thesis contains a description of the as found condition as found situation and conservation - restoration treatment of the painting „The Heart of Mary“ of the as found condition in a chapel of Saint Roch, Ostrvica. The painting was received in a workshop with it's decoration frame, but without strecher (or strainer). Various researches were made, and conservation - restoration treatments such as cleaning unbound surface dirt, flatening, strip lining, loose lining and varnish removal
Heroes legacy
No full textOvaj diplomski rad je instalacija koja se temelji na skulpturi poznatog stripovskog junaka Batmana. Ime rada je Nasljeđe Heroja. Tematski, rad se bavi utjecajem koji je lik Batmana ostavio na autora, odnosno vrijednostima zaslužnim za postojanje tog odnosa. Posebna pozornost posvećena je mogućnosti ponovnog promišljanja načina na koje je autor tijekom vremena razvijao odnos Batmanovim likom, različitim fazama i oblicima kroz koje se taj odnos ostvarivao do sada, te mogućnošću njegove realizacije u budućnosti. Autor se odlučio za poznatog strip junaka radi svoje osobne povezanosti i dugotrajne fascinacije njim. On prati Batmana kao lik praktički cijeli svoj život, zna skoro sve što se može znati o njemu. Takav kontinuiran i intenzivan odnos po mišljenju autora zaslužuje jednu vrstu posvete, može se reći i zahvale istom liku na dugotrajnom zadržavanju autora u svijetu ideala. Osviješčivanje trajnosti tog odnosa bila je ishodišna točka odluke za promišljanje i realizaciju rada. Rad je realiziran figurom Batmana u gipsu, u položaju pripreme za skok, a silueta plašta na podu izvedena ugljenom simbolizira kontinuitet i promjenu.This thesis is an installation based on a sculpture of the famous comic book hero Batman. The name of the work is Heroes Legacy. Thematically, the paper deals with the influence that the character of Batman left on the author, ie the values responsible for the existence of this relationship. Special attention is paid to the possibility of rethinking the way in which the author over time developed the relationship with Batman's character, the different phases and forms through which this relationship has been realized so far, and the possibility of its realization in the future. The author opted for the famous comic book hero because of his personal connection and long- standing fascination with him. He follows Batman as a character practically all his life, he knows almost everything that can be known about him. Such a continuous and intense relationship, in the opinion of the author, deserves a kind of dedication, one can also say thanks to the same character for keeping the author in the world of ideals for a long time. Awareness of the permanence of this relationship was the starting point of the decision to consider and implement the work. The work consists of a figure of Batman in plaster, in the position of preparation for the jump, and the silhouette of the mantle on the floor made of charcoal symbolizes continuity and change
Dreaming
No full textOvaj rad je nastao u okviru nastavnog programa kolegija Slikarstvo VI tijekom kojega je autorica završnog rada dogovorila slobodnu temu s nositeljicom kolegija, profesoricom i mentoricom Ninom Ivančić. Serija slika s naslovom „Sanjam“ (I-VII) sastoji se od sedam radova koji su proizišli iz višegodišnjeg procesa zapisivanja snova. Autorica je zapisivanje snova započela još u srednjoj školi i taj proces traje do danas, što znači nešto više od deset godina. To zapisivanje snova pomaže u introspektivnom shvaćanju sebe, tj. naše podsvijesti (S. Freud, C. Jung i psihologija nesvjesnog). Nakon određenog perioda praćenja snova autorica je primijetila ponavljanje određenih motiva i situacija, čak i ponavljanje istih mjesta i situacija koje su prethodno sanjane. U nadi za boljim razumijevanjem svojih snova, autorica je počela izdvajati motive izražene kroz simbole koji se ponavljaju u snovima (u psihologiji definirani kao arhetipovi), a dio su kolektivne (pod)svijesti. Ti ponavljajući simboli su smješteni kao centralne figure na slikama – oni su motiv oko kojeg se gradi priča. Priča je ispričana kroz boje i simbole, a naglašavanjem određenih boja kao i dualnosti (jak kontrast boja; jednolično obojano polje/„divlje“ crtanje pastelama...) koja je prisutna na većini slika, nastoji se dodatno istaknuti emocija koja je proživljena u snu.This work was created as part of the teaching program of the Painting VI course. During the course the author of the final thesis agreed on a free topic with the head of the course, professor and mentor Nina Ivančić. The series of paintings titled "Dreaming" (I-VII) consists of seven works that resulted from a multi-year process of writing down dreams. The author started doing this in high school and the proces continued to this day for a little over a decade. Writing down of dreams helps in introspective understanding of ourselves, i.e. our subconscious (S. Freud, C. Jung and the psychology of the unconscious). After a certain period of tracking dreams the author noticed that certain motifs and situations repeat themselves. This goes even for the same places and situations that were previously dreamed. In the hope of a better understanding of her dreams, the author began to single out motifs expressed through symbols that are repeated in dreams (defined as archetypes in psychology), and are part of the collective (sub)consciousness. These recurring symbols are placed as central figure in the pictures - they are the motif around which the story is built. The story is told through colors and symbols, and by emphasizing certain colors as well as duality (strong color contrast; uniformly colored field/"wild" drawing with pastels...) which is present in most of the pictures, an effort is made to further emphasize the emotion experienced in the dream
Animals and Film
No full textU ovom diplomskom radu se bavim životinja na filmu, odnosno njihovim doprinosom u filmu, od samih početaka filma, pa do danas. Pritom sam se osvrnuo na razne pristupe koje su autori koristili u filmu pri prikazivanja životinja, kao i načinima tretiranja životinja za potrebe filma.In this thesis, I deal with animals on film. The contribution they have made since the beginning of the film until today. Looking back at the various approaches of films and authors in depicting animals and treating animals for the purposes of the film
Brass band "Narodna glazba Blato" - history of the association from it¨s foundation to the present day
No full textSvrha ovog magistarskog rada jest predstaviti limeni orkestar Narodna glazba Blato iz Blata na Korčuli. U radu pratimo povijest ovog Društva od osnutka do danas. Rad je baziran na sačuvanim zapisima, dokumentima, fotografijama, intervju imate razgovoru sa sadašnjim voditeljem i starijim članovima, uz anketiranje članova.The purpose of this master's thesis is to present the brass band Narodna glazba Blato from Blato on Korčula. In this paper we follow the history of this Society from its foundation to the present day. The work is based on preserved records, documents, photographs, interviews and conversations with the current leader and senior members, and surveying members