Serbian Academy of Sciences and Arts
DAIS - Digital Archive of the Serbian Academy of Sciences and ArtsNot a member yet
18016 research outputs found
Sort by
Evaluation of the Validity and Reliability of NeuroSkin’s Wearable Sensor Gait Analysis Device in Healthy Individuals
No full textGait analysis plays a crucial role in assessing and monitoring the progress of individuals undergoing rehabilitation. This preliminary validation study aims to compare the performance of a new wearable system, NeuroSkin®, equipped with embedded sensors (inertial measurement unit and pressure sensors), with the non-wearable gold standard, GAITRite®, in assessing spatio-temporal parameters during gait. Data was collected from nine healthy participants wearing the NeuroSkin while walking on the GAITRite walkway. Temporal parameters were calculated using the pressure sensors of the NeuroSkin® to detect heel strike (HS) and toe off (TO) on both sides. Distances were calculated using vertical hip acceleration with an inverted pendulum method. We found that the level of agreement between NeuroSkin® and GAITRite® measures was excellent for speed, cadence, as well as length and duration of stride and step (lower bound of intraclass correlation coefficients (ICCs) > 0.95), and moderate to excellent for stance and swing durations (ICC > 0.5). These levels of agreement are comparable to the known test–retest reliability of GAITRite® measures. These results demonstrate the potential of NeuroSkin® as an embedded gait assessment system for healthy subjects. As this study was conducted exclusively in healthy adults, the results are not directly generalizable to clinical populations. Thus, future studies are needed to investigate its use in patients
Precedent names in Serbian culture and their reflections on the communicative function of language
No full textУ раду се разматрају три прецедентна имена у српској култури с рефлексијама на комуникативну језичку функцију: Гаврило Принцип, Драгољуб Михаиловић и Јосип Броз Тито. Важно је нагласити да се прецедентна имена не могу у потпуности истражити и сагледати ван контекста прецедентних исказа и прецедентних текстова, тако да ће тема нашег рада бити, једном речју, прецедентни феномен. Но, будући да је теоријска литература у вези са овом темом у суштини страна, тачније са руског говорног подручја, јер су се тамошњи лингвисти међу првима бавили прецедентним феноменом, наш рад обухватаће, пре свега, текстове, дисертације и монографије које су објављене у оквиру руских истраживања. Резултати рада показују да прецедентна имена представљају повлашћена места у културалном памћењу једног народа, која се путем одређених метода афирмишу у колективној свести једног иденти-тета. Закључујемо да су сазнања о симболичности и култности личности на које упућују анализирана имена битна за изучавање српског језика и културе у домаћој, али и иностраној сфери.This paper explores three precedent names in Serbian culture ‒ Gavrilo Princip, Dragoljub Mihailović, and Josip Broz Tito ‒ through the lens of language’s communicative function. It’s important to note that precedent names can't be fully understood outside the context of precedent statements and texts. For that reason, the core topic of this paper is the broader phenomenon of precedent in language and culture. Since most theoretical literature on this subject comes from Russian linguistics—where the precedent phenomenon was among the earliest to be studied—our research draws primarily on Russian-language sources, including academic papers, dissertations, and monographs. The findings suggest that precedent names occupy a special place in a nation’s cultural memory, and that specific mechanisms help embed them in the collective consciousness of a cultural identity. We conclude that understanding the symbolic and iconic status of these figures is key to studying the Serbian language and culture, both in domestic and international contexts
From door to door: Christmas ritual processions of Serbs in Romania
No full textУ раду ће бити представљенe божићне обредне поворке код Срба у селима
Румуније. Доступна литература о овој врсти обичајне праксе у српским селима у Румунији, као и грађа прикупљена од стране истраживачког тима Етнографског института САНУ у периоду од 2016. до 2024. године, а у оквиру
пројекта Истраживање културе и историје Срба у Румунији, у организацији
Центра за научна истраживања културе Срба у Румунији при Савезу Срба у
Румунији (Темишвар), представљају основне изворе за обраду теме. Рад ће
бити конципиран тако да се у оквиру сваке обредне поворке уоче њени основни елементи, као и да се укаже на разлике до којих долази у оквиру различитих предеоних целина у румунском Банату. Циљ рада је да се покаже значај
ових поворки, као и да се укаже на њихову старину, али и на (не)одрживост у
оквиру божићне обичајне праксе.The paper will present Christmas ritual processions among Serbs in the villages of
the Romanian part of Banat. Available literature on this type of customary practice
in Serbian villages in Romania, as well as material collected by the research
team of The Institute of Ethnography SASA in the period from 2016 to 2024, as
part of the project Researching the Culture and History of the Serbs in Romania,
organized by the Center for scientific research on the culture of Serbs in Romania
at the Association of Serbs in Romania (Timisoara) represent the basic sources
in processing the topic. The work will be designed in such a way that within
each ritual procession its basic elements are observed, as well as to point out the
differences that occur within the different regional entities in the Romanian Banat.
The aim of the work is to show the importance of these processions, as well as
to point out their antiquity, but also their (un)sustainability within the Christmas
customary practice.DOI часописа: https://doi.org/10.46630/ish.11.202
Balkan Soundscape, as heard, composed and reimagined by Arsenije Jovanović
No full textThis paper explores the soundscapes of the Balkans in Arsenije Jovanović’s (1932–2025) opus. Jovanović was a sailor, writer, director and, foremost, one of the most significant Serbian and Yugoslav radiophonic artists. In his rich and varied output, listeners can discover stories composed as sound collages referring to social and historical circumstances leading to the Yugoslav wars; the animals and the nature of the Balkans; specific sites, such as cities, caves, islands and tunnels across the Peninsula, as well as its music and cultural traditions.9th International Musicological Conference of the IMS-RASMB, 3-5 September 2025
Τὸ κοινὸν καὶ τὸ ἡμέτερον – Three Apologiae of Gennadios Scholarios
No full textГенадије Схоларије, позновизантијски интелектуалац и први васељенски патријарх под турском влашћу, саставио је три текста након пада Цариграда, које повезују апологетски мотиви и спорадични аутобиографски екскурси. У науци они су познати као Пастирско писмо, Ламент и Апологија о ћутању. Поред апологетско аутобиографског дискурса, ова три списа одликује Схоларијево повезивање сопственог живота са судбином византијске престонице. Иако су се досадашњи аутори углавном освртали на ова дела у потрази за аутобиографским подацима с циљем реконструкције Схоларијеве биографије, основни циљ овог рада јесте њихово сагледавање и анализа у контексту позновизантијске апологије као књижевног модела.Gennadios Scholarios, a late Byzantine intellectual and the first Ecumenical patriarch under Ottoman rule, composed three texts after the fall of Constantinople, which are unified by both apologetic themes and sporadically appearing autobiographical digressions. These texts are known in scholarship as the Pastoral Letter, the Lamentation, and the Apologia for Silence. In addition to their apologetic–autobiographical discourse, all three works are characterized by Scholarios’ linking of his personal life to the fate of the Byzantine capital. While scholars have so far primarily approached these writings in search of autobiographical data to reconstruct Scholarios’ biography, the main aim of this paper is to examine and analyze them within the context of late Byzantine apology as a literary model.Чланак представља проширено и прерађено поглавље мастер рада О самоме себи и o другима: три
апологије Генадија Схоларија, одбрањеног 23.9.2022. године на Катедри за класичне науке, Филозофског
факултета Универзитета у Београду. Део истраживања је проистекао из рада на пројекту Nostalgia in the
premodern period in Central, Eastern and South-Eastern Europe
Synergistic effect and the mechanism of co-roasting spent lithium-ion batteries and nickel matte for metal recovery
No full textRecovering valuable metals from spent LIBs is crucial for sustainable resource utilization and environmental protection. This study proposes an innovative co-roasting process using high-grade nickel matte as a reducing and sulfating agent to achieve efficient selective lithium extraction and simultaneous metal recovery. Through co-roasting at 843 °C, lithium converts to water-soluble Li2SO4, while transition metals (Ni, Co, Mn) form insoluble oxides. Thermodynamic analysis and in situ characterization revealed that SO2 generated from the oxidative decomposition of Ni3S2 drives the selective sulfation of lithium, followed by thermal decomposition of transition metal sulfates at elevated temperatures. Water leaching experiments demonstrated exceptional lithium recovery (99.98 %) with minimal co-dissolution of other metals (<0.1 %), enabling subsequent acid leaching for residual metal recovery. This approach not only simplifies lithium extraction but also integrates the refining of high-grade nickel matte, offering a sustainable pathway for urban resource recycling and primary mineral utilization, with significant industrial potential.Peer-reviewed manuscript: [https://hdl.handle.net/21.15107/rcub_dais_18583
New reality and optimality of Serbian energy and climate policy
No full textUpravljanje razvojem energetike danas je složen proces sa jako omeđenim manevarskim prostorom za nalaženje optimalnih rešenja. Na ta rešenja utiču i klimatske promene, prirodni energetski resursi, raspoložive tehnologije, ekonomska profitabilnost projekata ali i ciljevi postavljeni na putu dekarbonizacije energetike. Potrebno je u skladu sa novom realnoscu postaviti optimizacioni zadatak unutar integralne energetike i sagledati novu optimalnost. Kriticki osvrt na postojece dokumente energetske i klimatske politike treba da bude osnova za uporedjivanje sa optimalnim scenarijima.Governance of energy development today is a complex process with very limited room for maneuver for finding optimal solutions. These solutions are influenced by climate change, natural energy resources, available technologies, economic profitability of projects, but also the goals set in the path of energy decarbonization. In accordance with the new reality, it is necessary to set an optimization task within integral energy system (electricity, heat, transport, industry) and to look at the new optimality. A critical review of existing energy and climate policy documents should be the basis for comparison with optimal scenarios
STATUS OF THE SERBIAN LANGUAGE IN THE DEBATE ON RENAMING THE SASA DICTIONARY OF THE SERBO-CROATIAN LITERARY AND VERNACULAR LANGUAGE (1992–2022)
No full textУ раду се говори о статусу српског језика као лингвистичког појма
у полемици о промени назива РСАНУ у временском трајању од три
деценије, од 1992. до 2022. године. Полемика о промени назива РСАНУ
из речника српскохрватског књижевног и народног језика у речник српског
књижевног и народног језика у раду се посматра у светлу два становишта:
структурноаналитичког, које посматра српску и хрватску језичку варијанту
као делове српскохрватског (мета)стандарда, и структурногенетичког, које
укључује појам историјске генезе српског језика и дефинисање његових
варијанти у другој половини 20. века. У раду се, у форми студије случаја,
излажу историјске етапе полемике о промени назива РСАНУ, при чему се у
свакој од њих утврђује дискурзивни статус српског језика као (не)научног
појма у оквиру једног од ова два становишта. Истраживање појмова српског
и српскохрватског књижевног језика у овом контексту показује да у полемици
о промени назива РСАНУ ови појмови пролазе кроз различите фазе научне
реинтерпретације и (само)одређења.The paper addresses the status of the Serbian language as a linguistic term within
the debate over renaming the Dictionary of the Serbo-Croatian Literary and Vernacular
Language of the Serbian Academy of Sciences and Arts over a three-decade period, from
1992 to 2022. The debate about changing the dictionary’s name from the Dictionary
of the Serbo-Croatian Literary and Vernacular Language to Dictionary of the Serbian
Literary and Vernacular Language is examined from two perspectives: structural-
analytical, which views Serbian and Croatian language variants as parts of the Serbo-
Croatian (meta)standard, and structural-genetic, which incorporates the historical
development of the Serbian language in the definition of its variants in the second half
of the 20th century. The paper, as a case study, outlines the historical stages of the debate
on renaming the SASA Dictionary, determining in each phase the discursive status of
the Serbian language as a (non)scientific concept within one framework or the other.
The analysis of the concepts of the Serbian and Serbo-Croatian literary languages in
this context demonstrates that, within the debate over renaming the SASA Dictionary,
these concepts have undergone various phases of scientific reinterpretation and (self)
determination
Imagining Interwar Sound and Space: Film Music and Cultural Memory in the Post-Yugoslav Context
No full textIn recent decades, the interwar period has emerged as a fertile ground for artistic imagination, inspiring a growing body of works across literature, visual arts, and film. Global and regional cinema plays a compelling role in reconstructing and reinterpreting this historical era. Given the centrality of music to everyday life in the interwar years, it naturally becomes an important element in shaping cinematic representations of the past. This article examines how music in Dragan Bjelogrlić’s films Montevideo, God Bless You! (2010) and See You in Montevideo (2014) contributes to the evocation of life in the Kingdom of Yugoslavia at the very juncture of the 1920s and 1930s. By focusing on the deployment of musical genres and their stylistic connotations, the study situates the soundtrack at the intersection of film music and everyday life studies, collective identity, cultural memory theory, thanatopolitics and post-Yugoslav cultural discourse. Rather than merely treating music as a decorative or atmospheric element, the paper explores how sound actively constructs historical imagination, reinforces collective identity, and shapes affective
engagement with the past