The South Asianist Journal
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Christian conversion, the rise of Naga national consciousness, and Naga nationalist politics
Religion, a strong belief in the existence of an omnipotent supernatural being that controls human destiny, has long been part of the Naga way of life. Even before Nagas converted to Christianity, they believed in the existence of a Creator, and to whom different Naga tribes accorded different names. Most Naga tribes also had a clear belief system pertaining the afterlife. Part of this article argues that it is therefore a misnomer to define traditional Naga religion as ‘animistic’, as has been commonly done. However, ancient Naga religion did not generate a sense of Naga nationalism in the way, I will argue, Christian conversions did. By the late 19th and early 20th century, many Nagas had been converted to Christianity. At the same time, Nagas’ self-awareness as a political community that shared a common identity and destiny was also born. This article contends that Christian conversion was predominantly responsible for the rise of Naga nationalism
A hundred grains of rice: regional Mahābhārata stories in performance
This article explores the subject of regional folk stories found in various vernacular expressions of the Mahābhārata. In particular, the non-canonical stories of Śaśirekha and Śakuni as found in several Telugu versions of the Mahābhārata story are taken up as exemplars to investigate the dynamic process by which regional folk stories transitioned from theatre to text, and from text to cinema. The Śaśirekha story for example, moves from Surabhi folk theatre to a multitude of parinaya texts and finally to the Telugu cinematic hit Maya Bazaar of 1957. By tracking these stories as they evolved into various forms of new media, this article elucidates the fluid, circulatory process by which folk elements enter a grand narrative like the Mahābhārata, penetrate the normative text and get recirculated back as new literary forms and performative genres. In this context, I also try to complicate the classical/folk dichotomy and question the permeability and mutually constitutive nature of such hermeneutical categories
From traditional tools and local spirits to digital tools and new interpretations: reflections on artistic practice in Nagaland
Over the past half-century, Naga communities often living in remote hill-top settlements, have faced a deluge of modernising forces, and today, an educated younger generation now participates in the digital domain. This paper examines the ways in which local cultural representations are linked to forms of agency in the midst of transition. For instance, a central focus of Naga art has been prowess in warfare, as courage brings with it certain status in the community. This has been linked with important customs such as choosing a suitable marriage partner. Widespread Christian conversion, however, has contributed to the removal of traditional effigies commemorating heroic ancestors. Moreover, modern schools have replaced many of the traditional sites - such as the morung or male bachelor\u27s dormitory - for artistic development. As traditional artistic practices decline, collectors of Naga art have displayed them in galleries around the world, in many ways reifying old stereotypes. With growing tourism, the production of handicrafts that draw on traditional art is now a source of income for local artists, and cultural performances such as are found in the year-end Hornbill Festival are new sites for performing traditional uniqueness. As young people are more exposed to mass media entertainment, however, animation proves a viable alternative for young artists not at home in traditional art mediums. This article looks at the ways in which animation is used by young artists in exploring identity and cultural representation. It looks at the ways in which these new forms challenge embedded notions of authenticity art, and notions of indigenous culture as necessarily about the past
The headhunting culture of the Nagas: reinterpreting the self
\u27Headhunting\u27, as a term, was essentialised as the defining identity of the Nagas during the colonial period. Without rejecting the term per se, I endeavor to present an understanding of what headhunting culture means to Nagas and from the viewpoint of a native. In part, I do so by analyzing the term “headhunting” in the Chokri language of the Chakhesang tribe. Next I discuss this term in relation to the elitist culture of trophy hunting popular during the colonial period. I then proceed to explain head-hunting in relation to some core traditional values and beliefs of the Nagas, namely, equality, freedom and justice. Understanding the culture of headhunting from the perspective I tried to present here is likely to affect the way contemporary Naga groups perceive each other in a more positive manner. But not only that, it may also provide readers with some insights as to why Nagas not only constantly question the superiority of others and the right of others to subjugate them but also struggle passionately to reclaim their fundamental rights to live as a free and equal people
Dismissal of the first Communist ministry in Kerala and the role of extraneous agencies
The Communist Party of India came into power in Kerala in 1957 during one of the tensest periods of the Cold War. Introducing landmark legislation on land, education and administration, the initiatives of the Communist ministry in Kerala, provoked vested interests in countering Soviet influence in the region, thus making India a theatre of the Cold War in South Asia. Efforts to counter the Communist ministry\u27s political inroads in Kerala from within the country came to be known as the \u27liberation struggle\u27, which ultimately succeeded with the dismissal of the ministry. However, the ouster was part of a US-backed campaign of containment of communism in Asia. This paper explores how US-based agencies overthrew the democratically elected government in Kerala with the backing of Union Congress ministers and with the aid of the Indian Intelligence Bureau
Who is a Naga village? The Naga \u27village republic\u27 through the ages
This article engages historically and ethnographically the idea and idiom of the prototypical Naga ‘village republic.’ Even as the popular imagination of Naga villages as ‘republics’ traces back to colonial writings, and while much has changed since, I illustrate the remarkable resilience of the ‘Naga village’ as a political, partisan, self-protective and affective unit. I perceive the Naga village as encompassing a moral community characterized by its temporal and spatial rootedness, and whose inhabitants define themselves through the conduit of historical memory – a nexus locally between history, locality, ancestral genealogy, and identity – and which orients their relations with neighbouring and nearby villages and villagers. More specifically, I discuss the contemporary form and substance of the ‘Naga village’ in relation to (1) identity and identification, (2) local governance, particularly Nagaland’s policy of communitisation, and (3) democracy and elections
Politicising ethnicity: Tharu contestation of Madheshi identity in Nepal\u27s Tarai
The Madheshi agitation of 2007 and the Tharuhat agitation of 2009 redefined the ethnic relation between the self-identifying Tharu and Madheshi communities. At that time, the Tharu not only contested Pahadi (hill-origin) identity but also vehemently confronted the increasing hegemony of Madheshi caste groups by challenging the notion of Madhesh, Madheshi labelling, and the demand for a single Madhesh province across the Tarai, as put forward by the Madheshi community. Tharus that enthusiastically participated in the 2007 Madheshi agitation, appeared to be against the same identity just two years later. Why did they turn around? This article argues that the Tharu sensed the systematic initiation of Madheshisation of their centuries-long indigenous identity, while Madheshi activists and leaders undermined the concept of the Tharuhat, Tharu language and culture, by continuously insisting on the Madheshi label, a Madhesh province, and the Hindi language. Their eventual challenge to the Madheshi label raised questions about the legitimacy of the Madheshi agitation, a fact that some Madheshi leaders claim is political blackmail. This article seeks to bring out the Tharu-Madheshi contestation in relation to identity claims and state restructuring in Nepal, particularly with reference to the Tarai
Prayers from the Kuki-Naga conflict: living through violence in Manipur
This article offers an ethnographic account of individuals using Christian prayer as a coping strategy - one among others - in their process of healing in the aftermath of the traumas that resulted from the loss of their spouses during the Kuki-Naga ethnic violence that occurred between 1992 and 1998. Relationship with God through prayer provides some succour for people to cope with personal loss in militarised societies across Kangpokpi region in Manipur. Among the survivors, constant acknowledgement of God reveals a particular understanding of religion and of faith, which helps them mitigate their trauma and loss through forgiveness and validation of humanity
Masculinity in the margins: men and identity in twenty-first century Nagaland
Constructions of masculinity in Nagaland have historically focused on stereotypes of a premodern, warrior savage. Early discussions are rife with ascriptions of primitiveness and a widely perceived adherence to ‘headhunting’ practices. Recent discussions of masculine discourses in Nagaland engage with ideas of manhood and masculinity as externally informed and influenced by these constructions, as well as Indian mass media, and national and international tourism dialogues. I argue that masculinity in Nagaland navigates myriad structures and scales of identity, involving shades of this externally drawn masculinity, as well as local configurations of masculinity that are less salient and ‘loud’, but in many ways are highly relevant to the changing nature of identity in Nagaland. Essentially, masculinity in Nagaland is fluid and dynamic, despite popular tourist and media rhetoric framing Naga men as cut from an ancient, temporally distinct, and savage stock. It is informed by these historical stereotypes, but also by contemporary politics and social issues. This is important for two reasons. Firstly, it contributes to discussions of multi-scalar identity in Nagaland, how Naga culture is presented to the outside world, and the ways many Nagas perceive themselves in a changing Nagaland. Secondly, these identity structures shape identity politics and political outcomes today, a phenomenon that is part of larger local debates on marginality in Nagaland.
Justice in divided societies: the role of competing narratives in Sri Lanka’s transitional justice landscape
This paper explores the contested nature of truth and memory in Sri Lanka’s transitional justice debate. It delves into the predominant Sinhalese and Tamil narratives that present opposing demands for justice in the aftermath of the armed conflict. It maps how Sinhalese and Tamils have come to view criminal justice and truth commissions as mutually exclusive mechanisms based on their respective understandings on the history of the ethnic conflict and ending of the armed struggle. An exploration of competing narratives is important in search for appropriate mechanisms of transitional justice in the heavily polarised Sri Lankan society. The paper argues that truth should be established objectively to the furthest possible extent by exploring a multitude of existing narratives. It concludes that addressing these competing narratives is central to any meaningful process of transitional justice in Sri Lanka. The paper also proposes a combination of mechanisms of retributive and restorative justice. It emphasises the timing factor of criminal justice: given the sensitivity of the situation, it cannot be the first mechanism to apply, but should not be delayed for too long either. Most importantly, the paper calls for a societal reckoning with its criminal past by opening up one-sided ethno-national narratives