Scottish Studies (E-Journal)
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    Singing and the Dùsgaidhean: The Impact of Religious Awakenings on Musical Creativity in the Outer Hebrides

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    The evangelical revivals (known in English as ‘awakenings’ and in Gaelic as na dùsgaidhean) of the nineteenth and twentieth centuries had an immediate impact upon singing and music-making in Presbyterian communities in the Western Isles as well as a significant long-term effect on both traditional and sacred musical practice and performance. Awakenings often led converts to re-evaluate their participation in traditional music-making and singing and compelled many to give up their secular music practices upon conversion. Even so, music-making itself was not discouraged, and these religious revivals created an environment which encouraged converts to replace their secular repertoire with spiritual songs and hymns, and to embrace the singing and new composition of spiritual songs to express their newly experienced Christian faith. This article examines the impact of religious revivals on music-making in the Outer Hebrides – particularly Lewis – and the significant musical shifts, including the composition of new repertoire, which took place within communities as a result

    The Last of the Great Auks: Oral History and Ritual Killings at St Kilda

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    The story of the killing of the ‘last’ great auk (Pinguinus impennis) in Britain, apparently put to death as a witch at Stac an Armin in the St Kilda archipelago c. 1840, is well known. However, other accounts claim that an auk was killed on the main island, Hirta, having been condemned to death by the celebrated men’s ‘parliament’. The historical veracity of three differing stories, which recount discreditable deeds in a deeply Christian community, is evaluated; it seems that fewest difficulties are raised if two great auks were killed, one on Hirta and the other on Stac an Armin. It is argued that this kind of avicide was a ‘ritual’ killing, to be understood in its historical context. The auk-killing probably took place in the mid to late 1840s, after the St Kilda minister had departed in the wake of the Disruption of 1843 - a particularly unsettling time within this small island community. A possible sighting of a pair of great auks on Soay (St Kilda) in 1890 is also briefly discussed

    Stewart Forson Sanderson

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    Macbeth and ‘The Weird Sisters’ – on Fates and Witches

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    Fuinn air an inntinn:: A Case Study in the Composition of Eighteenth-century Gaelic Song

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