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Myth, Soul, and The Feminine
Get PDFWhat are some of the root causes that have caused the subjugation of women? Could it all have begun with the fantastical and alluring myths we were told? If so, how does myth become truth for societies as a whole? If that does happen, then it must be true that the mythic is where the emergence of the soul is found; the soul of humanity? Thereby, creating the realities found in the society of today. Even more intriguing is how consciousness and art find their way in merging with myth producing awareness, wonder, and connection in society. Thus, revealing the conduct of society in which it lives by. Art, consciousness, and myth come together to reveal the oppression of women in today’s world
Emotion and Judgment in Young Women of a Society in Transition
Get PDFThe present study asked whether emotional responses to narratives of moral transgressions are shaped by the reader’s assumed relationship with the injured party (i.e., oneself, familiar other, and unfamiliar other). Its goal was to test a cultural, religious, and individualistic account of such responses in young females of a traditional society in transition towards a sustainable integration into the global economy. To this end, female college students from the Kingdom of Saudi Arabia were asked to identify their emotional reaction to each of several moral transgressions, report its intensity and then judge the severity of the transgression. In agreement with the religious norm hypothesis, whereby others are to be treated as oneself, reported emotions, affective intensity, and moral judgment did not change with students’ relationship with the injured party. The only exception was students’ lenient judgment when feeling angry for being the victim of a transgression, which underlies the tenet of forgiveness in religious doctrine
Eliciting Awe in the Spectator: The Case of a Dhrupad-Based Dance Performance
Get PDFThis paper describes “Kalos, eîdos, skopeîn,” an immersive Dhrupad-based dance installation designed to elicit feelings of awe in the spectators, in a real-life artistic context. This study used a mixed-methods approach in order to explore spectators’ awe experience (N=45), using specific scales and interpretative phenomenological analysis. Results suggested that “Kalos, eîdos, skopeîn,” with its combination of nature motifs and the slow dance-walk associated with the Dhrupad music in the choreography, was able to produce awe-related moments in some spectators and inspire a degree of positive emotions. Our qualitative results viewed awe explicitly as a positive emotion and showed that generally the spectator narratives, involving the whole performance, were based on modified states of consciousness. Three themes emerged: the main theme is “A rich experience of modified states of consciousness” involving the whole performance, and two interconnected sub-themes “Captivated by the slowness of the dancers” associated with the slow movement and “I can still hear the mantra in my head” in rapport with Dhrupad music. This study was carried out as part of the Canadian FRQSC/FCI Project (2019-RC2-260306)
The Role of Spiritual Intelligence and Differentiation in Predicting Marital Adjustment of Married Iranian Students
Get PDFThe aim of this study was to investigate the role of spiritual intelligence and differentiation in predicting marital adjustment of Iranian students. The participants of this study were 312 married students from Yazd University. The instruments used in this study were the Dyadic Adjustment Scale (DAS) to measure marital adjustment, Differentiation of Self- Inventory, and the Spiritual Intelligence Self-Report Inventory (SISRI). The results of the study demonstrated that spiritual intelligence predicted the marital adjustment of married students (
Using LEGOs® in Research Facilitation: An Advanced Scripted Research Method
No full textTranspersonal research methods can help individuals access useful information and material that typically reside out of conscious awareness. The playful activity of LEGO® block-building can be adapted for research purposes and used to overcome research impasses, for example. This paper presents a novel transpersonal LEGO® building process for facilitation in each of the four major phases of research. Readers are provided with a 6-step script that takes between 30 minutes and 1 hour to complete. Steps include: Prepare to Exercise; Set Intentions; Build While Intending Solution; Appreciate/Take In; Project and Actively Imagine; and Reflect and Ease Out. Future studies could identify actual benefits of LEGO® building protocols for research and the instruction script could be adapted for use in play therapy
The Perceived Impact of Holotropic Breathwork: An Interpretive Phenomenological Analysis
Get PDFHolotropic Breathwork (HB) is a method of self-exploration developed by Stanislav and Christina Grof. Research has only just begun to investigate the effects of HB, while the possible influence of the context and other features of HB within the experience and its impact have not been studied in depth. This qualitative study investigated the perceived impact of HB on 6 women and 6 men (ages 25-67) in Chile, using Interpretive Phenomenological Analysis (IPA), an emergent method developed specifically to work with these types of subjective issues. Results revealed 10 major themes involving both intrapsychic and relational features prior, during and after HB. Results provide support for some elements of the existing theory and practice of HB, but, given the influence of preparation, the reasons for seeking HB, and the integration of experiences on the perceived impact of HB, revision of some HB procedures may provide better support for workshop attendees
Aesthetic Altruism: Consciousness of Street Artists
Get PDFIn the past few decades, many street artists have gained international recognition and now straddle the worlds of actual street art – art in the streets, art in the public domain – and fine art – art that is perceived to be of a particular quality, shown in galleries or museums. Despite perhaps “transcending” the streets, most successful street artists choose to continue creating artwork in public spaces, both legally with permission, or illegally without. Street art is different from public art, which is categorically created through a public process; while some street art, if not created aesthetically or thoughtfully, may be perceived as simply vandalism.
Using Ken Wilber’s Four Quadrants of Integral Theory as a loose framework, this paper explores the inner consciousness of street artists since the first American graffiti writers in the 1960s to the international street art movement that continues to expand and evolve today. Common themes among street artists emerge as creating their self-identity, pushing each other’s limits in creative community, representing everyday people and unique places, connection and belonging, and opening people’s eyes to new ideas and important issues.
Over the past fifty years, street artists continue to strive to contribute something aesthetic and meaningful to themselves and society, with payment and recognition as only peripheral (or even non-existent) priorities
A Grounded Approach to Integral Art Therapy: Initial Reflections on Art Materials
Get PDFArt therapy has the power to bring healing and wholeness as it expands globally, an awareness of the integral structure of consciousness can benefit an adaptation of this profession that is both integrative and respectful of multiple perspectives and cultural views. The art-making process in art therapy can ground experience, and art materials can serve as vehicles through which different structures on consciousness are elicited, experienced, documented, and integrated. Integral art therapy can study the use of art materials to activate an integral structure of consciousness. Integrality is defined by its ability to play simultaneously from all structures of consciousness
Locating the Embodied Sense of Self and Examining its Relationship with Psychological Well-Being
Get PDFWesterners tend to localize their sense of self in the head, and, to a lesser degree, in the chest. However, single-point, localization studies of the self omit direct exploration of the size and shape of the embodied self. This study explored a) beliefs about the location and spatial distribution of the embodied sense of self, and b) whether individual differences in how the embodied self was represented were associated with psychological and subjective well-being. Results from a sample of 206 American adults confirm extant reports, indicating that the embodied sense of self is most often located in the head and chest. However, results from this study extend previous findings by suggesting that the majority of respondents (70%) located their embodied sense of self in multiple body regions, and individuals that reported a more widely distributed sense of self reported greater well-being. Specifically, a more widely distributed sense of self in the torso was most strongly associated with psychological well-being. No relationship emerged between the distribution of the sense of self in the head and psychological well-being. Results from this study indicate that the sense of self may be located throughout the body, and that locating the sense of self in the torso may have psychological benefit. As such, exploring methods of shifting the sense of self out of the head and into the body may have therapeutic value